Shammi Kapoor Asha Parekh Teesri Manzil.png

O Mere Sona Re Lyrics & Translation: Let’s Learn Urdu-Hindi

Shammi Kapoor Asha Parekh in O Mere Sona Re Teesri Manzil
Asha Parekh flirts with Shammi Kapoor by poking hay in his ear during “O Mere Sona Re” from Teesri Manzil (1966).

Today we showcase the lyrics and English translation of “O Mere Sona Re” from the film Teesri Manzil (1966). This playful duet is one of many gems in R. D. Burman’s crowning soundtrack for this memorable film.

Teesri Manzil opens as a dark murder mystery when Asha Parekh’s sister falls to her death off the balcony of the third story of a hotel. Seeking revenge on her sister’s ex-lover Rocky whom she believes to be the culprit, Asha travels to Deradhun where Rocky is the lead singer in a band. However, she’s (almost literally) derailed by a train ride meet-cute with Shammi Kapoor, transforming the film into a slapstick romantic-comedy. Smooth operator Shammi Kapoor and corny, but savage Asha Parekh exchange a biting repartee that builds a perfect synergy between the two notoriously over-the-top actors.

After a misunderstanding about Shammi’s romantic, but honorable intentions, Asha leaves him in the lurch only for him to be beaten up by goons before her eyes–a consequence she deeply regrets. Asha cajoles him with the energetically flirtatious “O Mere Sona Re” on a sunny hillside. The song has particular significance in the film as she had hitherto refused to call him by his nickname “Sona.” Although she now uses this term of endearment for romantic effect, the joke is on her because the audience knows something he has been desperately hiding from her: Sona is actually Rocky!

Shammi Kapoor Asha Parekh Teesri Manzil.png
Asha Parekh and Shammi Kapoor create Vaudevillian chemistry in Teesri Manzil (1966).

Can you hear that single-note high-pitched violin? It’s the sound of your interest being piqued. We hope that you love our English translation of the beloved “O Mere Sona Re” below–it’s one of the most fun Asha-Rafi duets from that era! And we both know you never hit “skip” when it pops up on your iTunes shuffle.

O Mere Sona Re Lyrics & Translation:

O mere sonaa re, sonaa re, sonaa re
Oh my beloved, my beloved, my beloved
de duu.Ngii jaa.N judaa mat honaa re
I will give you my life, but let us not be separated
mai.N ne tujhe zaraa der mei.N jaanaa
I took some time to get to you know better
huaa qusuur khafaa mat honaa re
It was my fault, but do not become upset
O mere sonaa re, sonaa re, sonaa …
Oh my beloved, my beloved, my beloved…

o merii baaho.N se nikal ke, tu agar mere raste se haT jayegaa
Oh if you escape from my arms and leave my path
toh laharaake ho balkhaake, meraa saayaa tere tan se lipaT jaayegaa
Then swaying and billowing, my shadow will wrap around your body
Tum chhuDaao laakh damaa.N
You may release yourself from a hundred thousand of my embraces
chhoDte hai.N kab yeh armaa.N?
But when will you let go of these desires?
Ki mai.N bhii saath rahuu.Ngii rahoge jahaa.N
For I will stay together with you wherever you are

O mere sonaa re, sonaa re, sonaa…

O miyaa, hamse na chhipaao, woh banaavaT kii saarii adaaye.N liye
O gentleman, do not hide from me with all your artificial graces
Ki tum is pe ho itaraate, ki mai.N piichhe huu.N sau iltijaae.N liye
Why must you flaunt so much when I am behind you pleading a hundred times?
jii, mai.N khush huu.N, mere sonaa
Yes, I am happy my beloved
jhuuTh hai kyaa? Sach kaho na!
Is this a lie? Tell me the truth!
Ki mai.N bhii saath rahuu.Ngii rahoge jahaa.N
For I will stay together with you wherever you are

O mere sonaa re sonaa re sonaa…

O phir hamse na ulajhnaa, nahii.N laT aur uljhan mei.N paD jayegii
Oh, do not entangle me again, for if not, your hair will become even more tangled
O pachtaaogii kuch aise, ki yeh surakhii labo.N kii utar jaayegii
Oh, you will regret so much that the redness of your lips will disappear
yeh sazaa tum bhuul na jaanaa
Do not forget this punishment
pyaar ko Thokar mat lagaanaa
Do not knock down love again
ki chalaa jaau.Ngaa phir mai.N na jaane kahaa.N
For I will leave then, I do not know where

O mere sonaa re sonaa re sonaa…

Glossary:

sonaa: beloved (literally: gold/golden one); jaan: life; judaa: separation; der mei.N: late; qusuur: fault; khafaa: angry; baahe.N: arms; nikalnaa: to come out, to emerge; raastaa: path; haT jaanaa: to get out; laharaanaa: to sway, to wave; balkhaanaa: to billow; saayaa: shadow; tan: body; lipaT jaanaa: to wrap around, to twist; chhudaanaa: to release, to disengage; laakh: one hundred thousand; daamaa.N: embrace; chhodnaa: to let go of, to release; armaa.N: desire; miyaa: gentleman; chhipaanaa: to hide; banaavaT: artificial, fake; adaa: grace, style; itaraanaa: to flaunt, to show off; piichhe: behind; iltajaa: plea; khush: happy; jhuuTh: lie; sach: truth; phir: again, then; ulajhnaa: to bother, to entangle; laT: locks of hair; pachtaanaa: to regret; surakhii: redness; lab: lips; utarnaa: to get off, to descend; sazaa: punishment; bhuulnaa: to forget; Thokar: knock;

Shammi Kapoor O Mere Sona Re
His pompadour ruffled irreparably, Shammi Kapoor reproaches Asha Parekh at the end of “O Mere Sona Re” from Teesri Manzil (1966).

You may now be asking yourself, what is poetic genius Majrooh Sultanpuri really saying on a deeper level with the whole “pachtaaogii kuch aise, ki yeh surakhii labo.N kii utar jaayegii“?

Like…are we just talking about lipstick getting smudged here…by her love interest perhaps? Or is she going to lose that red color because she grows pale from iron deficiency anemia? Will there be actual blood loss?

So many ways to interpret this. I leave it to you, O, gentle reader.

This winner was requested by superfan Shiraz. We love getting great requests like this one!

– Mrs. 55

Zeenat Aman pretending to play guitar in Yaadon ki Baraat

Chura Liya Hai Lyrics & Translation: Let’s Learn Urdu-Hindi

Zeenat aman chura liya hai asha bhonsle
Zeenat Aman opens “Chura Liya Hai” with a perfectly harmonious clanking of bar goblets in Yaadon Ki Baraat (1973). R.D. Burman achieved this sound by actually clanking a spoon against a glass!

Today we showcase the lyrics and English translation to “Chura Liya Hai” from retro classic Yaadon Ki Baraat (1973).

The robust musical composition of “Chura Liya Hai” is nothing short of genius: its instrumental experimentation and rich layers of orchestral nuance are what made R.D. Burman such a radical revolutionary in the industry. But first we must start by discussing the comical opening sequence of Zeenat Aman fake guitaring. I’m sorry, but this can’t be ignored, nor can anyone’s feelings about it be overstated.

Have you ever seen someone play the guitar, Zeenat? Does the timing of when you pluck strings and when the guitar emits sound make sense to you? Or were you rushing through the scene because Elvis was calling and wanted his white jumpsuit back?

Zeenat Aman pretending to play guitar in Yaadon ki Baraat
Abandoning all pretense, Zeenat Aman gives her guitar a hug in Yaadon ki Baraat (1973).

I’ll move on. Director Nasir Hussein’s hit film Yaadon Ki Baraat plays upon the classic Hindi film trope of three-brothers-separated-in-childhood who reunite as adults and serve up some nice cold justice on a platter. I’m waiting for someone to remix this as a sister story with a welcome whiff of feminism, but it’s fine. While I would argue Waqt and Amar, Akbar, Anthony made far more note-worthy contributions to cinema, Yaadon Ki Baraat was a formulaic commercial success despite the gauche performance by its leading man Vijay Arora. And yes, I have strong feelings about those protruding ruffles on his tuxedo shirt, but I’ll spare you.

Vijay Arora in Chura liya hai.png
Vijay Arora casually throws the guitar he does not know how to hold over his shoulder in “Chura Liya Hai” from Yaadon Ki Baraat (1973). In doing so, Zeenat realizes she has found someone who truly understands her.

Vijay Arora plays one of the three brothers who falls for the wealthy daughter of his adoptive father’s employer (played by Zeenat Aman). With vocals that have reached peak Rafi perfection (just years before his voice took a turn for the husky), Vijay easily lands the girl by transforming “Chura Liya Hai” into a flirtatious duet when he pipes up mid-way through the number.

We hope you enjoy our lyrics and English translation to “Chura Liya Hai” below! God bless you, Majrooh Sultanpuri. Punjabi words like lahuu never make it to mainstream Bollywood songs.

Chura Liya Hai Lyrics & English Translation:

ASHA: Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Badal ke merii tum zindagaanii
Even as you change my life
Kahii.N badal na jaanaa, sanam
Do not go and change yourself, my beloved

Ho! le liyaa dil, oh! Haaye meraa dil!
Oh you have taken my heart! Oh, sigh, my heart!
Haaye, dil lekar mujhko na behlaanaa
Sigh, as you take my heart, do attempt to pacify me

Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Badal ke merii tum zindagaanii
Even as you change my life
Kahii.N badal na jaanaa, sanam
Do not go and change yourself, my beloved

Bahar banke aauu.N kabhii tumhaarii duniyaa mei.N
I will become the Spring and enter your world
Guzar na jaaye yeh din kahii.N issii tamannaa mei.N
Let my days not disappear with this desire
Tum mere ho, ho! tum mere ho, aaj tum itnaa waadaa karte jaanaa
You are mine, oh! You are mine, today you can only leave if you promise me this

Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Badal ke merii tum zindagaanii
Even as you change my life
Kahii.N badal na jaanaa, sanam
Do not go and change yourself, my beloved

RAFI: Ho! sajaau.Ngaa luT kar bhi tere badan ki Daali ko
Oh! I would destroy myself to decorate the branches of your body
Lahuu jigar ka duu.Ngaa hasii.N labo.N ki laalii ko
I will give the blood from my heart for the rouge of your lips
Hai wafaa kyaa is jahaa.N ko, ek din dikhlaa duu.Ngaa mai.N diiwaanaa
One day, this crazy man will show the world what a true promise is

Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Badal ke merii tum zindagaanii
Even as you change my life
Kahii.N badal na jaanaa, sanam
Do not go and change yourself, my beloved

Ho! le liyaa dil, oh! Haaye meraa dil!
Oh you have taken my heart! Oh, sigh, my heart!
Haaye, dil lekar mujhko na behlaanaa
Sigh, as you take my heart, do attempt to pacify me

Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Hmmm hmmm hmmmm
Hmmm hmmm hmmmm

Glossary:

churaanaa: to steal; dil: heart; nazar: gaze; sanam: beloved; badalnaa: to change; zindagaanii: life; behlaanaa: to pacify; Bahaar: Spring; duniyaa: world; guzaar jaanaa: to pass; tamannaa: desire; waadaa: promise; sajaanaa: to decorate; luT: ruin, destruction; badan: body; Daalii: branch; lahuu: blood [Panjabi]; jigar: liver/heart; hasii.N: beautiful; lab: lips; laalii: redness; jahaa.N: world; din: day; dikhlaanaa: to show; diiwaanaa: crazy (in love), a la Beyonce

Vijay Arora and Zeenat Aman in Yaadon Ki Baarat.png
Zeenat Aman and Vijay Arora  act all like they didn’t notice the other one is singing straight at them in “Chura Liya hai” from Yaadon Ki Baraat (1973).

You guys might recall that album “You’ve Stolen My Heart” by the Kronos Quartet and Asha Bhonsle in 2005. It features this song…and let’s just say, my heart didn’t get stolen. To me, this song could not be improved upon–and I rarely ever question the absolute sublimity of a Rafi-Lata duet. Here, I have come to appreciate what Asha uniquely brings to this song–a kind of vivacity and playfulness that Lata would have done very differently–and I wouldn’t change it even if I could!

-Mrs. 55

Salaam-E-Ishq Meri Jaan Lyrics and Translation: Let’s Learn Urdu-Hindi

screen-shot-2017-12-24-at-10-33-24-pm-e1514177158319.png
Rekha nails the aadab in the introduction to salaam-e-ishq merii jaa.n from Muqaddar Ka Sikander (1978)

Today, we present the lyrics and English translation of “Salaam-E-Ishq Meri Jaan” from Muqaddar Ka Sikander (1978).

Directed by Prakash Mehra, the blockbuster film Muqaddar Ka Sikander became the third highest grossing movie of the ’70s (following Sholay and Bobby) for its mass appeal as a classic masala entertainer. With an all-star cast and a convoluted plot, the film portrays the trials and tribulations of Sikander (Amitabh Bacchan) as he navigates through life’s struggles – from an unfortunate childhood as a poor orphan to a troubled young man with a doomed love.

The soundtrack of this film, composed by the underrated duo Kalyanji-Anandji and penned by Anjaan (Lalji Pandey), was a hit when the movie released and remains popular to this day. Notable gems include rote hue aate hai.n sab by Kishore, o saathii re by Kishore/Ashaand dil to hai dil by Lata. However, the highlight of the film’s soundtrack is the Lata-Kishore duet salaam-e-ishq meri jaa.n, whose lyrics have interestingly been credited to the film’s director Prakash Mehra. Although Rekha’s role in the film is small, she shines in her performance of this mujra number and shares great on-screen chemistry with Amitabh. No one can play the sulking courtesan like Rekha can, am I right?

For the musically inclined, this song is based on Raga Yaman Kalyan with a touch of Puriya Dhanashri when Kishore sings the second antara.

This song was requested by one of our dear readers Salma – thank you! Until next time…

-Mr. 55
screen-shot-2017-12-24-at-10-35-40-pm.png
Rekha looks great, but what was Amitabh’s costume designer thinking here?

Salaam-E-Ishq Meri Jaan: Lyrics and English Translation

ishqvaalo.n se na puuchho ki unkii raat kaa aalam
Do not ask lovers about how their nights
tanhaa kaise guzartaa hai?
pass in solitude.
judaa ho hamsafar jiskaa voh usko yaad kartaa hai
Those separated from their companions reminisce about them.
na ho jis kaa koii voh milne kii fariyaad kartaa hai
Those who are alone pray to meet their beloved.

salaam-e-ishq merii jaa.n zaraa qubuul kar lo
My dear, accept these greetings of love.
tum ham se pyaar karne kii zaraa-sii bhuul kar lo
Make the small mistake of falling in love with me.
meraa dil bechain hai hamsafar ke liye
My heart is restless for a companion.

mai.n sunaauu.n tumhe.n baat ik raat kii
I shall tell you the story of one night.
chaa.nd bhii apnii puurii javaanii pe thaa
The Moon was shining in full splendor.
dil me.n tuufaan thaa, ik armaan thaa
In my heart, there was a storm, a desire.
dil kaa tuufaan apnii ravaanii pe thaa
This storm in my heart raged with full vigor.
ik baadal udhar se chalaa jhuum ke
A cloud danced its way from afar
dekhte dekhte chaa.nd par chhaa gayaa
and cast its shadow over the Moon.
chaa.nd bhii kho gaya uskii aaghosh me.n
The Moon was lost in its embrace.
uff! yeh kya ho gaya josh hii josh me.n?
Oh! What has happened amidst such passion?
meraa dil dhaDkaa
My heart beat.
meraa dil taDpaa kisii kii nazar ke liye
My heart pined for someone’s glance.

KISHORE: is ke aage kii ab daastaa.n mujh se sun
Now hear the rest of the story from me.
sun ke terii nazar Dab-Dabaa jaayegii
After hearing it, your gaze will fall.
baat dil kii jo ab tak tere dil me.n thii
The innermost thoughts that have resided in your heart,
meraa daavaa hai ho.nTho.n pe aa jaayegi
I guarantee that they will surface to your lips.
tuu masiiha muhabbat ke maaro.n kaa hai
You are the Messiah for the lovestruck.
ham tera naam sun ke chale aaye hai.n
After hearing your name, I have come to your side.
ab davaa de hame.n yaa tuu de de zahar
Now give me your medicine or give me poison.
terii mahfil me.n ye diljale aaye hai.n
Many of your admirers have arrived in this gathering.
ik ahsaan kar apne mahmaan par
Do a favor for your guests,
de.n duaaye.n
for they will give you blessings.
de.n duaaye.n tujhe umr bhar ke liye
They will give you blessings for the rest of your life.

LATA: salaam-e-ishq merii jaa.n zaraa qubuul kar lo
My dear, accept these greetings of love.

Glossary:

aalaam: condition, atmosphere; fariyaad: prayer; salaam-e-ishq: greetings of love; qubuul karnaa: to accept; bhuul: mistake; bechain: restless; hamsafar: companion; javaanii: youth, splendor; tuufaan: storm; armaan: hope, desire; ravaanii: vigor; baadal: cloud; chhaa jaanaa: to cast a shadow; aaghosh: embrace; josh: passion; taDpaanaa: to pine; daastaa.n: story; Dab-Dabaa jaanaa: to sink, fall; daavaa: promise, guarantee; masiiha: Messiah; muhabbat ke maaro.n: the lovestruck; davaa: medicine; zahar: poison; diljale: admirer; ahsaan: favor; mahmaan: guest; duaaye.n: blessings; umr bhar: life-long.

Amitabh_Rekha_SalaamEIshq_MuqaddarKaSikander
Of course, no mujra number is complete without some groveling from a drunk hero.

The Top 30 Best Classic Bollywood Soundtracks of All Time

The best music albums from classic Bollywood have been chosen. Which songs made the list of Bollywood’s top 30 greatest?

Raj Kapoor Nargis Iconic BarsaatIntroduction

Welcome to the greatest music of classic Bollywood! We at Mr. and Mrs. 55 – Classic Bollywood Revisited! have compiled our ultimate list of the top 30 best classic Bollywood film soundtracks of all-time. Music is the very soul of classic Bollywood, a legacy of beauty and style that once lit the world. These soundtracks showcase the most talented artists of Bollywood and are as diverse and transformative as the films to which they lent their magic. Long after the cinema lights fade, this music remains in the air, haunting us with desire, sustaining us through tragedy, and enchanting our daily experiences in the world.

Soundtracks of all Hindi films released between the years of 1945 to 1985 were considered and ranked based on the merit of lyrics, musical composition and complexity, historical and cultural value, vocal performance, and accomplishments of the soundtrack elements as an ensemble. Topping our list are composers Sachin Dev Burman, Rahul Dev Burman, Naushad, and the duo Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal (often credited as Shankar-Jaikishen) whose works both defined and reinvented Bollywood. Like our enormously popular list of the Top 30 Greatest Classic Bollywood Films of All Time, these soundtracks embrace the unexpected.

The advent of music in Bollywood binds the stormy history of a shackled India emerging from depression and war with the golden age of Hollywood musical film. Many believe that films with de rigeur musical numbers is a unique hallmark of Hindi cinema. However, the early “talkie” pictures of India such as Alam Ara (1931) were heavily influenced by the popular western films like The Jazz Singer (1927) and Showboat (1929) in which the new sound technology instantly propelled musical film as the most profitable genre. Hollywood directors like Busby Berkeley whose signature spectacle was the mass ornament and nimble-footed singer-dancers like Fred Astaire and Ginger Rogers helped contribute to the hundreds and hundreds of musical films cherished by the western world during the 1930s-1950s. The then universal convention of five to seven musical numbers peppering a film was easily embraced and adapted by Hindi movie directors who introduced Hindustani musical traditions to their work. Playback singers such as Lata Mangeshkar, Mohammed Rafi, Kishore Kumar, and Asha Bhonsle were as celebrated as the actors for whom they lent their voices. Often before a film was released, a Bollywood movie’s soundtrack was played repeatedly on the radio, reaching the hearts of millions across the country who may not have afforded the luxury to see the actual film in theatres.

While Hollywood eventually diverged from the musical film genre by the late 1960s, India was awakening to its own golden era of film in which music dominated the sensory milieu. Perhaps it was the escapism of music with its perfect harmonies and piercing poetry that touched the newly freed country still finding its identity. From solemn hymns of the countryside to feverish cabarets of city nightlife, from extravagant orchestras to solitary sitar solos, and from singers whose voices seem to descend from heaven, these soundtracks unleashed new eras of possibility and romance. The music of classic Bollywood will change you forever. For a few fleeting minutes, the ideals you dreamed of are made real.

Take this journey with us through the best music albums of yesteryear Hindi cinema. This music the way is was meant to be. This is classic Bollywood.

The Top 30 Best Classic Bollywood Soundtracks of All Time:

1. Pakeezah

Pakeezah Meena Kumari Chalte Chalte

Ghulam Mohammed and Naushad, 1971

2. Guide

Guide

S.D. Burman, 1965

3. Mughal-e-Azam

Mughal-e-Azam

Naushad, 1960

4. Nagin

Nagin

Hemant Kumar, 1954

5. Aradhana

Aradhana

S.D. Burman, 1969

6. Teesri Manzil

Teesri Manzil

R.D. Burman, 1966

  • Aaja Aaja – Asha Bhonsle and Mohammed Rafi
  • Deewana Mujhsa Nahin – Mohammed Rafi
  • O Haseena Zulfonwali – Asha Bhonsle and Mohammed Rafi
  • O Mere Sona Re – Asha Bhonsle and Mohammed Rafi
  • Tumne Mujhe Dekha – Mohammed Rafi

7. Barsaat

Barsaat

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1949

  • Hawa Mein Udta Jaye – Lata Mangeshkar
  • Chhod Gaye Balam – Lata Mangeshkar and Mukesh
  • Jiya Beqarar Hai – Lata Mangeshkar
  • Mujhe Kisise Pyar – Lata Mangeshkar
  • Patli Kamar Hai – Lata Mangeshkar and Mukesh

8. Anarkali

Anarkali

C. Ramachandra, 1953

  • Yeh Zindagi Usiki Hai – Lata Mangeshkar
  • O Zindagi Ke Denewale – Hemant Kumar
  • O Aasmanwale – Lata Mangeshkar
  • Jaag Dard-e-Ishq – Lata Mangeshkar and Hemant Kumar
  • Mohabbat Aisi Dhadhkan Hai – Lata Mangeshkar
  • Mujhse Mat Pooch – Lata Mangeshkar
  • Aaja Ab To Aaja – Lata Mangeshkar

9. Kati Patang

Kati Patang

R.D. Burman, 1970

  • Jis Gali Mein – Mukesh
  • Yeh Jo Mohabbat Hai – Kishore Kumar
  • Na Koi Umang Hai – Lata Mangeshkar
  • Yeh Shaam Mastani – Kishore Kumar
  • Pyaar Diwanaa Hota Hai – Kishore Kumar
  • Aaj Na Chhodenge – Lata Mangeshkar and Kishore Kumar

10. Chori Chori

Chori Chori

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1956

  • Panchi Banoon Udti – Lata Mangeshkar
  • Aaja Sanam – Lata Mangeshkar and Manna Dey
  • Jahan Main Jaati Hoon – Lata Mangeshkar and Manna Dey
  • Yeh Raat Bheegi Bheegi – Lata Mangeshkar and Manna Dey
  • Rasik Balma – Lata Mangeshkar
  • Man Bhavan Ke Ghar – Lata Mangeshkar and Asha Bhonsle

11. Taj Mahal

Taj Mahal

Roshan, 1963

12. Hum Dono

Hum Dono Abhi Na Jao Dev Anand Sadhana

Jaidev, 1961

13. Jewel Thief

Jewel Thief

S.D. Burman, 1967

  • Honton Pe Aisi Baat – Lata Mangeshkar
  • Aasman Ke Neeche – Lata Mangeshkar and Kishore Kumar
  • Dil Pukare – Lata Mangeshkar and Mohammed Rafi
  • Rulake Gaya Sapna – Lata Mangeshkar
  • Yeh Dil Na Hota – Kishore Kumar
  • Title Music

14. Caravan

Caravan

R.D. Burman, 1971

  • Piya Tu Ab To – Asha Bhonsle
  • Chadti Jawani – Lata Mangeshkar and Mohammed Rafi
  • Kitna Pyara Wada – Lata Mangeshkar and Mohammed Rafi
  • Goriya Kahan – Asha Bhonsle and Mohammed Rafi
  • Ab Jo Mile Hai – Asha Bhonsle

15. Bobby

Bobby Main Shayar To Nahin

Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma, 1973

  • Main Shayar To Nahin – Shailendra Singh
  • Bahar Se Koi Andhar – Lata Mangeshkar and Shailendra Singh
  • Jhoot Bole Kauwa Kate – Lata Mangeshkar and Shailendra Singh
  • Mujhe Kuch Kehna Hai – Lata Mangeshkar and Shailendra Singh
  • Na Mangoon Sona Chandi – Manna Dey and Shailendra Singh

16. Pyaasa

Pyaasa

S.D. Burman, 1957

  • Jaane Woh Kaise – Hemant Kumar
  • Aaj Sajan Mohe – Geeta Dutt
  • Hum Aap Ki Ankhon Mein – Geeta Dutt and Mohammed Rafi
  • Jane Kya Tune Kahi – Asha Bhonsle
  • Yeh Duniya Agar Mil Bhi Jaaye – Mohammed Rafi

17. Abhiman

Abhiman

S.D. Burman, 1973

18. Anand

Anand

Salil Choudhury, 1971

19. Kabhi Kabhi

Kabhi Kabhi

Mohammed Zayur Khayyam, 1976

20. Baiju Bawra

Baiju bawra

Naushad, 1952

  • O Duniya Ke Rakhwale – Mohammed Rafi
  • Man Tarpat Hari Dar – Mohammed Rafi
  • Mohe Bhool Gaye Sanwariya – Lata Mangeshkar
  • Jhoole Mein Pawan Ke – Lata Mangeshkar and Mohammed Rafi
  • Tu Ganga Ki Mauj – Lata Mangeshkar and Mohammed Rafi

21. Mother India

Mother India

Naushad, 1957

22. Madhumati

Madhumati

Salil Choudhury, 1958

  • Aaja Re Pardesi – Lata Mangeshkar
  • Dil Tadap Tadap – Lata Mangeshkar and Mukesh
  • Suhana Safar – Mukesh
  • Ghadi Ghadi Mora Dil – Lata Mangeshkar
  • Chadh Gayo Papi Bichua – Lata Mangeshkar and Manna Dey

23. Basant Bahar

Basant Bahar

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1956

  • Duniya Na Bhaye Mohammed Rafi
  • Bhaye Bhanjana – Manna Dey
  • Ja Ja Re Ja – Lata Mangeshkar
  • Main Piya Teri – Lata Mangeshkar
  • Nain Mile Chain Kahan – Lata Mangeshkar and Manna Dey

24. Aar Paar

Aar Paar

O.P. Nayyar, 1954

  • Babuji Dheere Chalna – Geeta Dutt
  • Sun Sun Sun Zalima – Geeta Dutt and Mohammed Rafi
  • Kabhi Aar Kabhi Par – Shamshad Begum
  • Yeh Lo Main Haari Piya – Geeta Dutt
  • Hoon Abhi Main Jawan – Geeta Dutt

25. Kashmir Ki Kali

Kashmir Ki Kali

O.P. Nayyar, 1964

26. Bandini

Bandini

S.D. Burman, 1963

  • Ab Ke Baras Bhej – Asha Bhonsle
  • O Re Mahji – S.D. Burman
  • Mora Gora Ang Laile – Lata Mangeshkar
  • Jogi Jab Se Tu Aaya – Lata Mangeshkar
  • O Janewale Ho Sake – Mukesh

27. Sangam

Sangam

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1964

28. Yaadon Ki Baraat

Yaadon Ki Baraat

R.D. Burman, 1973

  • Chura Liya Hai – Asha Bhonsle and Mohammed Rafi
  • Aapke Kamre Mein – Asha Bhonsle and Kishore Kumar
  • Lekar Hum Deewana Dil – Asha Bhonsle and Kishore Kumar
  • Meri Soni Meri Tamana – Asha Bhonsle and Kishore Kumar
  • Yaadon Ki Baraat – Mohammed Rafi and Kishore Kumar

29. Amar Prem

Rajesh Khanna Amar Prem

R.D. Burman, 1972

  • Chingari Koi Bhadke – Kishore Kumar
  • Raina Beeti Jaaye – Lata Mangeshkar
  • Kuch To Log Kahenge – Kishore Kumar
  • Yeh Kya Hua – Kishore Kumar
  • Bada Natkhat Hai Yeh – Lata Mangeshkar

30. Umrao Jaan

Rekha2_UmraoJaan

Mohammed Zayur Khayyam, 1981

Find out more about these and other classic Bollywood soundtracks on our song pages! Which soundtracks do you consider among classic Bollywood’s all-time best and why? Leave us a comment and let us know!

– Mrs. 55

Interview with Bollywood Playback Singer Minoo Purushottam: A Mr. & Mrs. 55 Exclusive!

Minoo Purushottam tanpura
Minoo Purushottam, renowned Hindi film playback singer. Photo: Personal collection of Minoo Purushottam.

Last year, we published a popular post on the career of one of our favorite yesterday playback singers, Minoo Purushottam. In one of those great twists of fate taken straight from a 60s masala flick, shortly afterwards, we received an email from Minoo-ji’s son who re-connected Mrs. 55 with her Hindi classical voice teacher, Minoo-ji herself, from years before! Minoo-ji was gracious enough to grant Mr. and Mrs. 55 – Classic Bollywood Revisited! an exclusive interview about her career. After spending many years in Houston since leaving Bombay, Minoo-ji has now settled into her new home in Illinois near her son where she continues to teach new students and perform at concerts. We are honored to share with you a transcript of our delightful conversation with her that includes reminiscing about her early schooldays when she was first recognized as a musical prodigy, that time Mukesh blew his 16th take during a recording session, and what advice she has for aspiring singers!

MRS. 55: Could you tell us a little bit more about your early music training?

MINOO: I grew up in Bombay. There were music classes in school. A South Indian teacher used to come and teach us the ragas. At that time, I was chosen to lead the school prayers. That was a great time for me, I was not thinking then that I would become a singer when I was at school. I wanted to become a schoolteacher actually. I had very simple ambitions. When suddenly I realized I was a singer, I started seriously practicing, four hours every day, every day, every day. This was because I had to prepare for my exams: 25 ragas for the sangeet visharad in the first year. It was very difficult. But I always loved to teach, and I still love it. Everybody now thinks they can sing without practice. I think karaoke messed things up that way. If you know the Bhagavad Gita, Krishna said we have 4 Vedas, and there is a Samaveda based on music. The whole universe is singing if you carefully listen to it. All the sounds are like singing. It affects one a lot.

MR. 55: Who was your favorite duet partner in the past?

MINOO: All these singers are great humans. I was working all my life with Mohammed Rafi. At that time I was very young and toured with Asha Bhonsle too. But after the great singers were gone, I was not interested in staying in Bombay. With whom should I sing? I was feeling sad. But still I love to work, I love to sing. Even now I practice every day.

Minoo Purushottam and Asha Bhonsle rehearsing
Playback singers Minoo Purushottam and Asha Bhonsle rehearsing together in a recording studio. Photo: Personal collection of Minoo Purushottam.

MRS. 55: Some singers have commented on the difficult of breaking into the industry when it was dominated by a few select singers. How did you overcome that?

MINOO: I didn’t have any difficulty. It seemed that everybody loved me so much, they wanted to give me a chance. I was doing my job well. All the music directors were very happy with me when I was working with them. I never said that, “I want this, I want that.” I never made demands, so I was very easy to work with. At that time music was so great. The stories in the films were so good. You can see those films 100 times. From my childhood, I saw the film Mahal. It’s a very old movie. I can see that film over and over. I love all those songs. I can see it 1000 times. But my time was after that, mostly colour movies.

MR. 55: You worked with many great music directors. What lessons did they teach you?

MINOO: I was working a lot with Madan Mohan. He was my teacher, teaching me ghazals and pronunciation and accent of ghazals. Jaidev was also my teacher.

MRS. 55: I remember when I took lessons from you, you talked fondly about the actors you worked with, especially Sanjeev Kumar.

MINOO: You know, Sanjeev Kumar’s sister is in Houston and used to come to meet me. We were very good friends. But things change a lot. Madhumati was very good friend of mine as well.

Minoo Purushottam and Manna Dey
Bollywood playback singers Minoo Purushottam and Manna Dey. Photo: Personal collection of Minoo Purushottam.

MR. 55: Are there any new artists that you enjoy?

MINOO: I have a habit of listening to old songs from singers like Talat Mehmood. It’s hard to change that. But some students do want to learn new songs, and then I help them. We should be open-minded, it’s a part of the job.

MRS. 55: What is your favorite film song that you sang?

MINOO: I love all of them. You put so much time and effort into each one. You have to concentrate very hard, you can’t play around with it. One should be very serious. Nowadays they can break the song down in pieces to record just the pieces, and then put them together. But in those days, you and all the musicians had to sing it perfectly all the way through. If you make a mistake, you’d be rejected. One day I was sitting for the recording and Mukesh-ji was making so many mistakes! He was on his 16th take and he said, “If I don’t get it right this time, I’m going to forget this song.” I think my voice has changed with age, and it suits bhajans and ghazals now. And anyway, who would compose film music now the way S.D. Burman and C. Ramchandra did? This time people just want to make money, not make real music.

MRS. 55: Is there anything you’d like to tell your fans?

MINOO: If you really want to sing, you must learn something. Find a teacher. But I can tell you, it’s hard to find time to devote just to music. But you must do it.

– Mr. and Mrs. 55

Minoo Purushottam and Mohammed Rafi
Playback singers Minoo Purushottam and Mohammed Rafi often toured together in the 60s and 70s. Photo: Personal collection of Minoo Purushottam.