Dil Ka Bhanwar Kare Pukar Lyrics & Translation: Let’s Learn-Urdu Hindi

Dev Anand and Nutan in Paying guest

Nutan and Dev Anand co-star in the romantic comedy Tere Ghar Ke Samne (1963).

Today we highlight the lyrics and English translation of “Dil Ka Bhanwar” from the romantic-comedy Tere Ghar Ke Samne (1963).

Dev Anand plays an architect who is inadvertently commissioned to work on a home project for a his parent’ rival family. When he meets and falls in love their extremely pretty daughter, he risks the ire of both families’ elders by pursuing her. A free-spirited, independent woman in her own right, Nutan’s wit matches Dev Anand at every turn. Their repartee scripted by Vijay Anand is reminiscent of the Katherine Hepburn-Spencer Tracey chemistry that audiences universally loved.

S.D. Burman’s soundtrack of Tere Ghar Ke Samne is phenomenal, but few moments in Hindi cinema are more enchanting than the song sequence of “Dil Ka Bhanwar” famously picturised in Delhi’s Qutab Minar. Built in the 12th century by the founder of the Delhi Sultanate, the Qutab Minar is a UNESCO World Heritage Site that attracts hundreds of tourists daily. A narrow tower that ascends five tapering stories, Qutab Minar forces Dev Anand and Nutan into close proximity, each step rippling with amorous opportunity. Unfortunately, because of the bulky film equipment required, a replica set was actually created in order to capture the magic of this site! Each shot emphasizes the intimacy of the space filled by echoes Mohammed Rafi’s lilting melody.

I visited Qutab Minar this winter with my husband and uncle, and was struck by the magnificence of both the tower and the beauty of the surrounding ruins. In any other world, the stone carvings of the Quwwat ul-Islam Mosque within the Qutab Minar complex alone would be the main attraction. I was disappointed to learn that the top of Qutab Minar is no longer open to the public, so my husband narrowly escaped my forcing him to serenade me in broad daylight. Luckily, there was an excellent dosa joint nearby whose buttery goodness made everyone feel that all was right in the world again.

Dev Anand Qutab Minar Paying Guest

Why, hello there! Dev Anand plays a little peekaboo in “Dil Ka Bhanwar” as he descends the Qutab Minar.

Tere Ghar Ke Samne, like many of Dev Anand’s films, was a vision ahead of its time. Its theme of a never-ended struggle between modernity and tradition hints at irony, as many would look upon his films as being antiquated now themselves. There could be no better place to film such a sequence than in the Qutab complex, where the forward slog of time seems to come to a halt. Donning a stylish newsboy cap and flirting unabashedly in public, Dev Anand’s westernized appeal contrasts with his centuries-old surroundings. He knows better than to continue wooing Nutan as elders dressed in traditional clothing pass them by. As he ceases his serenade, the camera captures a perfect tableau of old and new India.

Nutan Dev Anand Qutab Minar

Dev Anand shields Nutan from the disapproving gaze of fellow-tourists at the Qutab Minar in Tere Ghar Ke Samne (1963).

We hope you love our English translation of “Dil Ka Bhanwar” as much as we enjoyed exploring this delightful song with you!

Dil Ka Bhanwar Lyrics and English Translation:

Dil ka bha.Nwar kare pukaar
The bumblebee of my heart has called out
Pyaar ka raagsuno
Hear its love song
Pyaar ka raag suno re
Oh, hear its love song
Ooh ooh ooh…

Phuul tum gulaab ka kyaa jawaab aap kaa
You are a rose flower, you have no comparison
Jo adaa hai woh bahaar hai
The grace you possess is that of Spring
Aaj dil ki bekalii aa gayii zubaan par
Today the restlessness of my heart has reached my tongue
Baat yeh hai tumse pyaar hai
The words are that I love you
Dil tum hii ko diya re
Oh, I have given my heart to you alone
Pyaar ka raag suno re
Oh, hear my love song
Ooh ooh ooh…

Chahe tum miTaanaa par na tum giraanaa
If you want, make me disappear, but do not make me fall
Aa.Nsuukii tarah nigaah se
Like tears from your eyes
Pyaar kii uu.Nchaaii, ishq ki gehraii
The height of my love, the depth of my love
Puuchh lo hamaarii aah se
Ask my sighs for these answers
Aasmaa.Nchhuu liyaa re
My love has touched the sky
Pyaar ka raag suno re
Oh, hear my love song
Ooh ooh ooh…

Is hasii.N paar pe hum na baiThe.N haar ke
In this beautiful passageway, I will not accept defeat sitting down
Saayaaba.Nkesaath ham chale.N
I will become your shadow and go with you
Aaj mere sang tu, guuNje dil ki aarzuu
Today you are by my side and the desires of my heart echo
Tujhse merii aa.Nkhjab mile
Ever since our eyes met
Jaane kyaa kar diyaa re
I wonder what you have done to me
Pyaar ka raag suno re
Oh, hear my love song
Ooh ooh ooh…

Aap kaa yeh aa.Nchal, pyaar ka yeh baadal
This saari of yours is like a cloud of love
Phir hame.N zamee.N pe le chalaa
It brings me back to earth again
Ab to haaththaamlo, ek nazar ka jaam lo
Now take my hand, allow me one drink from your gaze
Is naye safar ka waastaa
For the of this new journey
Tum mere saaqiiyaa re
You are what makes me feel intoxicated
Pyaar ka raag suno re
Oh, hear my love song

Glossary:

dil: heart; bhanwar: bumblebee; pukarnaa: to call out; pyaar: love; raagaa: melody [in Hindustani classical music, the framework for a composition]; sunnaa: to listen; phuul: flower; gulaab: rose; jawaab: answer, comparison; adaa: grace, style; bahaar: Spring; bekalii: restlessness; zubaan: tongue, language; baat; matter, words; miTaanaa: to make [something] disappear; giraanaa: to make [something] fall; aa.Nsuu: tears; [kisi ki] taraah: as if [something], like [something]; nigaah: eye; uu.Nchaaii: height; ishq: love; gehraaii: depth; puuchhnaa: to ask; aah: sigh; aasmaa.N: sky; chuunaa: to touch; hasii.N: beautiful; paar: passageway, toward; baiThnaa: to sit; haarnaa: to lose; saayaa: shadow; bannaa: to become; saath: together; aaj: today; [kisi ke] sang: by [someone’s] side; guu.Njnaa: to echo; aarzuu: desire; aa.Nkh: eye; jab: when; milnaa: to meet; aa.Nchal: the end of a saari that typically falls over the shoulder; phir: again; zamee.N: earth; haath thaam lenaa: to take [someone’s] hands; jaam: goblet; nayaa: new; safar: journey; waastaa: sake; saaqiiyaa: [literally] the person who serves wine

Qutab Minar window Paying guest nutan dev anand

Dev Anand and Nutan explore the nooks and crannies of Old Delhi’s famous Qutab Minar in Tere Ghar Ke Samne (1963).

Never heard that last stanza before? You’re not alone! Most commercial recordings of “Dil Ka Bhanwar” impiously neglect to include the full version that is present in the actual film. Can you believe your whole life you had missed out on hearing that sweet bliss that is Mohammed Rafi’s “le chalaa-aa-aa-aa“?

– Mrs. 55

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Khilte Hain Gul Yahan Lyrics & Translation: Let’s Learn Urdu-Hindi

Handsome Shashi Kapoor Sharmilee red turtleneck.png

Handsome Shashi Kapoor gestures romantically with a pink rose in Sharmilee (1971).

Today we showcase the lovely lyrics and English translation of “Khilte Hai Gul Yahaan” from Sharmilee (1971) in honor of beloved actor Shashi Kapoor’s passing this week. “Khilte Hai Gul Yahaan” exemplifies quintessential Bollywood Shashi Kapoor, although film-goers will also remember another very different and talented side of the actor who thrived in independent and cross-over cinema. Born and raised in Bollywood royalty, Shashi Kapoor was 79 years old at the time of his death and had a prolific career of nearly 150 films.

Beautiful Rakhee in Sharmilee (1971).png

Soft-lighting helps Rakhee glow in a glamour close-up from Sharmilee (1971).

Released in 1971, Sharmilee was a commercial and artistic success that launched both Shashi Kapoor and Rakhee’s star status in Bombay. Rakhee plays a dual role in the film–twin sisters, one shy and traditional and one outgoing and Westernized–who both fall for a handsome army officer played by Shashi Kapoor. Even at that time, Bollywood was no stranger to the cliche of the twin storyline–Shashi Kapoor himself had recently starred in his own twin-love-triangle-melodrama Haseena Maan Jayegi (1968). Can you guess which twin our hero ultimately ends up with? Is the name of the film not painfully obvious? I’ll give you another hint…in classic Bollywood, the traditional Indian way of life always wins!

Shashi Kapoor meets Rakhee (as vivacious twin) at a picturesque rest house in Kashmir on his way home from the army where she is traveling with a group of girl friends. Emboldened by Kishore Kumar’s confident vocals, Shashi Kapoor charms the party by crooning “Khilte Hai Gul Yahaan” and by his devastatingly gorgeous crooked smile. With music by S.D. Burman and the unparalleled Kashmiri countryside in the Winter, romance is all but inevitable. There’s also something undeniable about Bollywood actors in red turtlenecks that makes me feel all warm and fuzzy.

Shashi Kapoor gazes at the snowstorm in Sharmilee.png

Shashi Kapoor gazes outward at the ethereal Kashmiri snowstorm in Sharmilee (1971).

Follow along with us below in our English translation to the lyrics of “Khilte Hai Gul Yahan” from Sharmilee (1971). The video of the song is here! Lata Mangeshkar reprises the song later in the film, but unfortunately, her version is sadder and far less popular.

Khilte Hain Gul Yahan Lyrics & English Translation:

Khilte hai.N gul yahaa.N, khilke bikharane ko
Here roses bloom, but they bloom only to have their petals disperse
Milte hai.N dil yahaa.N, mil ke bichhaDane ko
Here hearts meet, but they meet only to become separated
Khilte hai.N gul yahaa.N…
Here roses bloom…

Kal rahe na rahe, mausam yeh pyaar kaa
Tomorrow this season of love may or may not remain
Kal ruke na ruke, Dolaa bahaar kaa…
Tomorrow the swing of Spring may or may not come to a stop
Chaar pal mile jo aaj, pyaar mei.N guzaar de
Let us pass these four moments we meet in love 
Khilte hai.N gul yahaa.N…
Here roses bloom…

Jhiilo.N ke honTho.N par, megho.N kaa raag hai
On the lips of the lakes is the melody of the clouds
Phuulo.N ke siine mei.N, ThanDii-ThanDii aag hai
In the hearts of the flowers is a cool flame
Dil ke aaiine.N mei.N tuu, yeh samaa utaar de
Let this atmosphere reflect upon the mirror of your heart
Khilte hai.N gul yahaa.N…
Here roses bloom…

Pyaasaa hai dil, sanam, pyaasii yeh raat hai
There is a yearning in my heart, my beloved, as is a yearning in the night
HonTho.N mei.N dabii-dabii koii miiThii baat hai
Sweet words lay silent on the lips
In lamho.N pe aaj tuu, har khushii nisaar de
Bestow every happiness on these moments today
Khilte hai.N gul yahaa.N…
Here roses bloom…

Glossary:

khilnaa: to bloom; gul: rose; yahaa.N: here; bikharanaa: to disperse; milnaa: to meet; dil: heart; bichhaDnaa: to become separated; kal: tomorrow (or yesterday, depending on context); mausam: season; pyaar: love; ruknaa: to stop; Dolaa: swing; bahaar: Spring; chaar: four; pal: moment; aaj: today; guzaarnaa: to pass; jhiilaa: lake, marsh; ho.NT: lips; meghaa: cloud; raagaa: melody, song; phuul: flowers; siinaa: chest, heart; ThanDii: cold; aag: flame; aaiinaa: mirror; samaa: atmosphere; utaarnaa: to alight, to descend; pyaasaa: thirsty, yearning; sanam: beloved; raat: night; dabii: hidden, silent; miiThii: sweet; baat: words, conversation; lamhaa: moment; har: every; khushii: happiness; nisaar: adornment, bestowment

Did you know that snow is actually extremely difficult to capture on film? Not only could filmmakers not wait around patiently for an actual snowstorm to get their shot, but snow is so fine and iridescent, that traditional film cameras could rarely pick it up. Yesteryear filmmakers often sprayed everything from marble dust, foamite (the fluffy stuff that comes out of fire extinguishers), to cornflakes painted white in order to recreate the magic of a snowstorm. You’ll see what I mean if you take a real close look when Shashi grabs some “snow” from the window sill to throw at the girls in the cabin!

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A snowy view of my parent’s backyard. It may not be Kashmir, but it ain’t bad! And no, that fluff in the air isn’t cornflakes.

This song translation was requested by fan Swami. Thank you for the excellent request!

If you can’t get enough of Shashi Kapoor this week (or in general), check out another romantic hit “Likhe Jo Khat Tujhe” from the film Kanyadaan (1968). It’s one of my personal favorite songs of all time!

– Mrs. 55

Kora Kaagaz Tha Lyrics & English Translation: Let’s Learn Urdu-Hindi

Rajesh Khanna Sharmila Tagore Aradhana kora kagaz

Rajesh Khanna and Sharmila Tagore clasp hands against the beautiful Darjeeling countryside in the film Aradhana (1969).

Today we present the lyrics and English translation of one of Bollywood’s favorite love duets “Kora Kaagaz Tha” from Aradhana (1969). The song is a welcome introduction to Autumn, filmed on location on the hilltops of Darjeeling where the only thing cozier than a view of the snow-capped mountains in the distance is Rajesh Khanna in a red turtleneck.

Aradhana has rightfully earned widespread acclaim as a monumental Bollywood masala flick that really epitomizes India’s Golden Age of filmmaking. Songs like “Kora Kagaz Tha” remind us how romance could once be spun from the magic in the air rather than from the dwindling lengths of the heroine’s skirt or from 6,000,000 back-up dancers bumping to an added techno beat. Very few love duets get everything right like this one does, immersing their audience in the beauty of India’s natural landscapes while allowing the Urdu and music to speak for themselves. Sharmila Tagore with her dimpled smile and Rajesh Khanna winking his legendary wink are pure, no-added-hormones or preservatives-required bliss. I can think of a few other songs that defrost my lifeless heart similarly: “Deewana Hua Badal” from Kashmir Ki Kali (1964) and “Abhi Na Jao Chhod” from Hum Dono (1961) come to mind.

Sharmila Tagore Aradhana kora kagaz

Sharmila Tagore’s spotlight-hogging wig takes no prisoners in Aradhana (1969).

Film director Shakti Samanta famously recalled that after pitching the brief summary of Aradhana to lyricist Anand Bakshi, Bakshi was inspired to write the lyrics to “Kora Kagaz Tha” within seconds. Who would’ve guessed almost 50 years later, those same poetic ideas would be resurrected in mainstream American pop music with Taylor Swift’s popular “Blank Space“? (OK, maybe T. Swizzle has never seen Aradhana before…but I bet if she did, her eyeliner would drip onto the floor from happy tears.)

The best advice I can give you is to put on your best plaid flannel, wrap a wool throw around you and the one you love, and take a long sip of cider before starting this one. I have your back, trust me. And as you listen, soak in the full glory of the Urdu “ghain” that punctuates Kishore Kumar’s “kaaghaz” or the blissful pop of the Urdu “qaaf,” adorning Lata Mangeshkar’s “mulaaqaat.” These are elegant linguistic subtleties that are fast disappearing from Bollywood music today. Lyrics and English translation to “Kora Kagaz Tha” are below!

Kora Kaagaz Tha Lyrics & English Translation:

KISHORE: Hey hey (hey hey) aahaa hmm hmm (hmm hmm) aahaa haa (haa) haa haa (hmm hmm)

Koraa kaaghaz thaa yeh man meraa (meraa meraa)
My mind was a blank sheet of paper 
Likh liiyaa naam is pe teraa (teraa teraa)
Until I wrote your name upon it

Koraa kaaghaz thaa yeh man meraa
My mind was a blank sheet of paper
Likh liiyaa naam is pe teraa
Until I wrote your name upon it

LATA: Suunaa aa.Ngan thaa jiivan meraa
My life was a lonely courtyard
Bas gayaa pyaar is mei.N teraa
Until your love resided within it

KISHORE: TuuT na jaaye sapne mai.N Dartaa huu.N
I am afraid that my dreams may shatter
Nis din sapno.N mei.N dekhaa kartaa huu.N
I keep seeing you in my dreams all day and night
Nainaa kajraa re, matvaale yeh ishaare
Oh, those kaajal-lined eyes, those intoxicating signals
Khaalii Darpan thaa yeh man meraa
My mind was an empty mirror
Rach gayaa ruup is mei.N teraa
Until your beauty manifested within it

LATA: Koraa kaaghaz thaa yeh man meraa
My soul was a blank sheet of paper
Likh liiyaa naam is pe teraa
Until I wrote your name upon it

LATA: Chain ga.Nvaayaa mai.N ne, ni.Ndiiyaa ga.Nvaayii
I lost all peace of mind, I lost sleep
SaaDii saaDii raat jaaguu.N, duu.N mai.N duhaayii
I remain awake all night long and I pray
Kahuu.N kyaa mai.N aage? Nehaa laage, jee na laage
What should I say next? I have fallen in love, my soul is restless
Koii dushman thaa yeh man meraa
My soul was an enemy
Ban gayaa miit jaa ke teraa
Until it became your beloved

KISHORE: Koraa kaaghaz thaa yeh man meraa
My soul was a blank sheet of paper
Likh liiyaa naam is pe teraa
Until I wrote your name upon it

KISHORE: Baagho.N mei.N phuulo.N ke khilne se pehle
Before the flowers bloomed in the gardens
LATA: Tere mere naino.N ke milane se pehle
Before your and my eyes met
KISHORE: Kahaa.N thii yeh baate.N?
Where were words like these?
LATA: mulaaqaate.N?
Meetings like these?
KISHORE: aisii raate.N?
Night like these?
LATA: TuuTaa taaraa thaa yeh man meraa
My soul was a shooting star
KISHORE: Ban gayaa chaa.Nd hoke tera
It turned into a moon when I became yours

BOTH: Koraa kaaghaz thaa yeh man meraa
My soul was a blank sheet of paper
Likh liiyaa naam is pe teraa
Until I wrote your name upon it

LATA: Aa aa aaa aa
KISHORE: Aaa aa aaa
LATA: O hooo hoo hoo
KISHORE: O hooo hoo hoo
LATA: Hmm hmm mmm mmm
KISHORE: Hmm hmm mmm mmm

Glossary:

koraa: blank; kaaghaz: piece of paper; man: mind; likhnaa: to write; naam: name; suunaa: lonely, empty; aa.Ngan: courtyard; jiivan: life; basnaa: to reside, to settle; pyaar: love; TuuTnaa: to break; sapnaa: dream; Darnaa: to be afraid; nis-din: day and night; nainaa: eyes, kajraa: black eye-liner, re: an expression of emphasis, such as “oh!”; matvaalaa: intoxicated; ishaaraa: signal; khaalii: empty, Darpan: mirror; rachnaa: to create, to manifest; ruup: beauty; chain: peace of mind; ga.Nvaanaa: to waste, to ruin; ni.Ndiiyaa: sleep; saaDii: entire, whole; jaagnaa: to awaken; duhaaii denaa: to pray, to request; aage: next, future; nehaa: love; dushman: enemy; miit: loved one; baagh: garden; phuul: flower; khilnaa: to blossom; milnaa: to meet; baat: words; mulaaqaat: meeting; TuuTaa taaraa: shooting star; chaa.Nd: moon

Rajesh Khanna Aradhana mountain echo

Why, hello, cozy red turtleneck. Rajesh Khanna (of perfect human being fame) induces a sense of lightheadedness that the mountain’s altitude could never achieve alone.

Aradhana takes a turn for the spicy a few scenes later with Kishore Kumar’s solo “Roop Tera Mastana” because, after all, you can’t make a masala film without the masala. But those who would forever rather stick to the old fashioned tree-frolicks of classic Bollywood, stay here in safe territory with me as long as the season lasts.

– Mrs. 55

Aaj Phir Jeene Ki Tamana Lyrics and Translation: Let’s Learn Urdu-Hindi

Waheeda Rehman Aaj Phir Jeene Guide

We are not worthy of Waheeda Rehman glistening in head-to-toe teal in “Aaj Phir Jeene Ki” from Guide (1965).

Today we present the English translation and lyrics to “Aaj Phir Jeene Ki” from the cult classic film Guide (1965). A stirring exploration of the Vedic transformation from materialism to freedom from worldly attachments, Guide is routinely listed among the greatest Bollywood films ever made. Based on the classic novel by R.K. Narayan “The Guide,” the film unearths profound depths beneath a glittery surface of a scandalous romance: Raju (played by Dev Anand) is a smooth-talking tour guide who is mesmerized by a vivacious young dancer, Rosy (played by Waheeda Rehman), the wife of an elderly archaeologist. Trapped in a loveless marriage of convenience, Rosy dreams of becoming a famous performer while masking her shame of being the daughter of a courtesan.  While her lofty ambitions and enchanting on-screen presence initially propel Rosy to the foreground of the narrative, Raju’s nuanced, reflective character is the real star of the film whose philosophical awakening bestows the film its larger-than-life greatness.

Dev Anand Waheeda Rehman hay cart Guide

Waheeda Rehman finds a renewed zeal to live with the support of Dev Anand in Guide (1965).

Raju observes with quiet fascination Rosy’s marital discord as he leads her and her husband on a tour of historical caves. His curiosity quickly blossoms into something more as her despair leads to attempted suicide as Rosy’s husband carries on an affair with a local villager. Raju finds himself assuming the role of her protector, whisking Rosy to the city where she purchases a set of ghungroos (dancing bells) from a street stall. The bells transform her instantly into capricious, joyful young woman who realizes how much she has to life for. As she prances back to the countryside, swirling through the Rani Padmini Palace and Chittorgh Fort in Rajasthan along the way, Waheeda Rehman’s “Aaj Phir Jeene Ki” (sung by Lata Mangeshkar) is a song of rebirth.

Guide is a landmark for its ceiling-smashing plot and careful, stunning cinematography that keep pace with its stellar soundtrack composed by S. D. Burman. Follow along with the video here to see how director Vijay Anand cuts between high-angle and low-angle shots that brilliantly mirror the unpredictable oscillations of Rosy’s mood.

Aaj Phir Jeene Ki Tamana Lyrics and Translation:

Kaa.Nto.N se khee.Nch ke yeh aa.Nchal
I pulled my saari away from thorns
ToD ke bandhan baandhe paayal
I broke my shackles when I tied these anklets
Koii na roko dil ki udaa.N ko
Let know no one stop the soaring of my heart
Dil woh chalaa aa aa aa aa aa…
There goes my heart…
Aaj phir jeene ki tamannaa hai
Today I have the desire to live again
Aaj phir marne ka iraadaa hai
Today I intend to die again

Apne hii bas mei.N nahii.N mai.N
I have no control over myself
Dil hai kahii.N to huu.N kahii.N mai.N
My heart is somewhere and I am somewhere else
Ho jaane kya paa ke merii zindagii ne ha.Ns kar kahaa
Who knows what my life gained as it said laughing
Ha ha ha ha ha ha ha…

Aaj phir jeene ki tamannaa hai
Today I have the desire to live again
Aaj phir marne ka iraadaa hai
Today I intend to die again

Mai.N huu.N ghuubaar yaa tuufaa.N huu.N?
Am I a dust storm or a rain storm?
Koii bataaye mai.N kahaa.n huu.N
Someone tell me where I am
Ho Dar hai safar mei.N kahii.N kho na jaauu.N mai.N rastaa nayaa
I fear that I may get lost somewhere in this journey upon a new path
Aa aa aa aa aa…

Aaj phir jeene ki tamannaa hai
Today I have the desire to live again
Aaj phir marne ka iraadaa hai
Today I intend to die again

Kal ke andhero.N se nikal ke
I emerged from the darkness of yesterday
Dekha hai aankhe.N malte malte
I rub my eyes and finally see
Ho phuul hi phuul zindagii bahaar hai, tay kar liyaa
Flowers are everywhere and life is like Spring, I have decided
Aa aa aa aa…

Aaj phir jeene ki tamannaa hai
Today I have the desire to live again
Aaj phir marne ka iraadaa hai
Today I intend to die again

Glossary

kaa.Ntaa: thorn; khee.Nchnaa: to pull; aa.Nchal: end of a saari; toDnaa: to break; bandhan: shackle; paayal: anklet; koii: someone; roknaa: to stop; dil: heart; udaa.N: soaring, flight; aaj: today; phir: again; jeenaa: to live; tamannaa: desire; marnaa: to die; iraadaa: intention; bas mei.N: self-control; kahii.N: somewhere; jaane kyaa: who knows what, wonder what; paanaa: to gain; zindagii: life; ha.Nsnaa: to laugh; ghuubaar: dust storm; tuufaa.N: rain storm; bataanaa: to tell; Dar: fear; safar: journey: kho jaanaa: to become lost; rastaa: path; nayaa: new; andheraa: darkness; nikalnaa: to emerge; malnaa: to rub; phuul: flower; bahaar: Spring; tay karnaa: to decide

Waheeda Rehman Rani Padmini palace Rajasthan

The depth of field in the shot allows the viewer to appreciate Dev Anand lagging behind in the background of the Rani Padmini palace in Rajasthan, India where “Aaj Phir Jeene Ki” was filmed on location.

This lovely Lata Mangeshkar solo was requested by fan Yahya. Did you know there was an English-language version of Guide that was even more daring and true to the novel, but never made it to large audiences? More on its fascinating back-story and how American Nobel laureate Pearl S. Buck and Dev Anand became unlikely co-producers in a future post!

Waheeda Rehman and Dev Anand reunited five years later for the film Prem Pujari (1970) that also boasted a gorgeous soundtrack, including the hit love duet “Shokhiyon Mein Ghola.” However, the film failed to capture the magic of their earlier hits and flopped at the box office. Dev Anand would go on to say in many interviews that working on Guide remained the highlight of his career.

-Mrs. 55

Ek Ladki Bheegi Bhaagi Si Lyrics and Translation: Let’s Learn Urdu-Hindi

Madhubala car window Ek ladki bheegi bhagi si

Madhubala peers at Kishore Kumar through a car window in “Ek Ladki Bheegi Bhagi Si” from Chalti Ka Naam Gaadi (1958).

Today we bring you the lyrics and English translation of the delightful “Ek Ladki Bheegi Bhaagi Si” from Chalti Ka Naam Gaadi (1958). A meandering slapstick comedy, Chalti Ka Naam Gaadi stars the three fun-loving Kumar brothers: Ashok Kumar, Kishore Kumar, and Anoop Kumar. While Ashok often played more serious roles on the silver-screen (think serious man of affairs), this film was a chance for him to showcase another side of his personality brought out by the most eccentric of the siblings, Kishore.

In Chalti Ka Naam Gaadi, Kishore Kumar plays a hapless car mechanic who fixes the broken vehicle of a young lady, Madhubala, who both mesmerizes him and vexes him by not paying for the repairs. “Ek Ladki Bheegi Bhaagi Si” is arguably the most iconic song from the film and bears a Guru Dutt-esque quality of flowing seamlessly from the dialogue to the opening bars. Composed by S.D. Burman and written by Majrooh Sultanpuri, the song exudes the charm of a Broadway showtune that transforms every twist of a wrench and glance through an open car window into a romantic overture, easily one of the most inspiring songs of the monsoon season.

Kishore Kumar Ek Ladki Bheegi Bhaagi Si

Kishore Kumar plays an entertaining car mechanic desperately in love with Madhubala in the hit comedy “Chalti Ka Naam Gaadi” (1958).

Kishore Kumar proves downright hilarious, even now almost 60 years later. One of my favorite moments is when Kishore Kumar ascends the stairs after the second antra. You know that noise that comes out of your mouth that sounds sort of like a dying cat when you’re jamming out to your favorite song alone in the safety of your own home and you don’t really know the words? That’s precisely what Kishore Kumar does too. Except in his case, he jams out as if extemporaneously to his own song smack dab in the middle of the opening performance. You gotta love a guy who enjoys his own tunes this much. Throughout the song, he engages the audience by appearing to break the fourth wall, inviting us to share in his intrigue about the mysterious woman who has entered his shop.

The adorable chemistry between Kishore Kumar and Madhubala is palpable. You can see what each loved about each other that was shared in their real-life romance. Sadly, Madhubala died prematurely at the age of 38, leaving him heartbroken only 3 years after their marriage. Join us below as we navigate the lyrics and English translation of “Ek Ladki Bheegi Bhaagi Si.” Follow along with the video here, and I dare you to try to get through the whole song without smiling!

Ek Ladki Bheegi Bhaagi Si Lyrics and Translation:

Ek laDki bhiigi bhaagi sii
A girl who appears rather wet
Sotii raaton mei.N jaagi sii
And seems awake in a sleepy night
Milii ek ajnabii se
She met a stranger
Koii aage na piichhe
No one preceded or followed her
Tum hii kaho yeh koii baat hai!

You tell me if this is appropriate!

Hmm…

Dil hii dil mei.N jalii jaatii hai.N
In her heart of hearts, she is burning
BigaDii bigaDii chalii aatii hai.N…
In a bad mood, she approaches
Jhunjhalaatii hui, balkhaatii huii
Sulking, swaying
Saawan ki sunii raat mei.N
In this quiet monsoon night

Milii ek ajnabii se
She met a stranger
Koii aage na piichhe
No one preceded or followed her
Tum hii kaho yeh koii baat hai!

You tell me if this is appropriate!

Dagmag Dagmag, lehakii lehakii
Wobbling, wavering
Bhuulii bhaT kii behakii behakii
With lost steps, she wanders
Machalii machalii, ghar se nikalii
Restless, she left her home
Paglii sii kalii raat mei.N
Acting a bit crazy in this black night

Tan bhiigaa hai, sar giilaa hai
Her body is drenched, her head is wet
Uskaa koii pech bhii Dhiila hai!
One of her screws must also be loose!
Tanatii, jhuktii, chaltii, rukhtii
Strutting, cowering, moving, then pausing
Nikalii andherii raat mei.N
She emerged into this dark night

Milii ek ajnabii se
She met a stranger
Koii aage na piichhe
No one preceded or followed her
Tum hii kaho yeh koii baat hai!

You tell me if this is appropriate!

Hmm…

Glossary:

ladkii: girl; bheegii-bhaagii: wet, drenched; sonaa: to sleep; raat: night; jaagii: awake; milnaa: to meet; ajnabii: stranger; koi: someone; aage: ahead; peechhe: behind; baat: issue, matter; dil: heart; jalnaa: to burn; bigaDnaa: to deteriorate, to become in a bad mood; jhunjhalaanaa: to scoff, to sulk; balkaanaa: to sway, to move in a circle; sawaan: the rainy season; sunii: lonely, quiet; Dagmag: wobbly; lehakii: wavering; bhuulii: lost, forgotten; bhaT: steps; behakii: wandering; machalnaa: to become restless; ghar: home; nikalnaa: to emerge, to come out; tan: body; sar: head; giilaa: wet; pech Dheela: loose screw; tanatnaa: to strut; to appear confident; jhuknaa: to bow; chalnaa: to go; rukhnaa: to stop; andheraa: dark

Kishore Kumar bashful ek ladki bheegi bhagi si

Kishore Kumar’s genius comedic timing remains timeless in “Ek Ladki Bheegi Bhaagi Si” from Chalti Ka Naam Gaadi (1958).

A quick note about the term “baat” of “koi baat hai/kya baat hai” fame. I translated the phrase above roughly as “something appropriate” but the meaning of the word is far more nuanced. “baat” alone can mean words or conversation, as in the verb “baat karnaa,” meaning “to speak.” You can say “kya baat hai?” to ask “what is the matter?” or you can exclaim “kya baat hai!” as a way of demonstrating awe. A translation that gets more to the heart of how the phrase “tum hii kaho yeh koii baat hai” is being used here is perhaps “you tell me if this is something worth talking about,” but to me that felt too cumbersome to write poetically above.

And while I have a captive audience, let’s also examine the grammar of “bheegii/bhaagii sii.” Tacking on the “sii” (feminine) or “saa” (masculine) to any adjective in Hindi softens the descriptor (somewhat like the way in English we sometimes add “ish” to the end of adjectives) or indicates “a little”–as in, she is “a little” wet. A common example you’ll hear is “chhoTaa saa/chhoTii sii” as in the classic Bollywood heroine’s wish to have nothing more than “ek chhoTaa sa ghar” with her faithful husband. But we digress.

– Mrs. 55

20 Gorgeous Waltz Songs from Classic Bollywood Films

Guru Dutt Pyaasa not a waltz

Guru Dutt and Mala Sinha are NOT actually waltzing in the iconic song “Hum Aap Ki Ankhon Mein” from Pyaasa (1957).

The waltz is a beautiful dance form with music in triple meter that originated in 16th century Germany. The name is derived from the Latin volvere, describing the ensemble rotations of the dancers. So what place does the waltz have in 20th century Bollywood films? How did this art form cross continents and cultures?

I first starting looking closely at waltz songs in classic Bollywood films when trying to select a song for my husband and my “first dance” at our wedding. I wanted to use an old Bollywood song for this western tradition, and found myself unsure where to start looking. My mind jumped to the most iconic waltz dance from Bollywood I could think of: who doesn’t recall the serene dream sequence from Pyaasa (1957) in which Guru Dutt and Mala Sinha twirl together through the mist? There was just one issue: “Hum Aap Ki Ankhon Mein” was not actually a waltz.

Meena Kumari Kishore Kumar Mere Neendon Mein Tum waltz

Meena Kumari and Kishore Kumar waltz to O.P. Nayyar’s “Mere Neendon Mein Tum” from Naya Andaz (1956).

Yup. You and I were both fooled. As I discovered the distinct triple meter of the waltz is not ubiquitous in classic Bollywood, nor can you really fake dancing a waltz to anything else. The 3/4 meter of the waltz bears a similarity to the Hindustani dadra 6/8 meter, paving the way for a transition across continents. You can recognize the distinct rhythm of the waltz by listening for a strong first beat followed by two lighter beats. A common mistake is that many people think when dancing the waltz, the first beat is when both dancers move “up.” In reality, that first strong beat is when the dancers may move downwards in unison, and return to normal height (or on the balls of their feet) for the lighter beats following. There are many variations to this pattern, but generally, it gives the waltz dancers that beautiful wave-like cadence as if they are floating across the floor.

The waltz assumes many unexpected incarnations in classic Bollywood, exemplifying everything from urban glamour to girlish excitement to full-out pity party. The first known appearance of waltz in a Bollywood song is in “Hum Aur Tum Aur Yeh Khushi” from Ali Baba (1940) composed by the legendary Anil Biswas. Music director Naushad, known for his brilliant Hindustani classical compositions, helped usher the waltz rhythm into Bollywood mainstream as early as with the tragic “Tod Diya Dil Mera” from Andaz (1949), “Ab Raat Milan Ki” from Jadoo (1951), and “Tara Ri Yara Ri” from Dastan (1952). S.D. Burman highlighted the waltz in his hit House No. 44 (1955) with amorous ballads “Phaili Hui Hai Sapnon” and”Chhup Hai Dharti.” By the late 1950s, the waltz was adopted by nearly every composer, developing an important place in Bollywood well into the 1970s.

Nargis dil ki girah khol waltz

Nargis’ surprisingly incredible waltz moves school everyone in “Dil Ki Girah Khol Do” from Raat Aur Din (1967). And you thought she was only cut out for the village belle.

In Hindi films, a song with a waltz rhythm need not always portray a couple dancing–in fact, some of the best waltz songs create tension by not showing the couple come together. Other times, such as in Nargis’ incredible performance in Raat or Aur Din (1967), waltzing with ease was a sign of Western sophistication and elitism. The waltz gained a brief romantic revival in the 1990s with the super hit song “Kuch Na Kaho” from 1942: A Love Story (1993). But this song became quickly overdone at every Indian function I attended growing up, so I refused to use it at my own wedding. I needed a list of off-the-beaten-path waltz songs from classic Bollywood that would still make us look stylish.

Raj Kapoor Mud Mud Ke Na Dekh waltz

Raj Kapoor and Nadira dance together singing “Mud Mud Ke Na Dekh,” which begins as a lilting waltz in Shree 420 (1955).

But when I was planning my wedding, I never found that list. It’s as though thousands of men and women out there aren’t actually scrambling to dance to a Mohammed Rafi song in front of all their friends and family. I don’t get it. To the couple out there who wants to have the coolest wedding ever, this list is my gift to you!

20 Waltz Songs from Classic Bollywood Films:

  1. Lag Ja Gale (Woh Kaun Thi? 1964)

  2. Dil Ki Nazar Se (Anadi 1959)

  3. Dil Ki Girah Khol Do (Raat Aur Din 1967)

  4. Mud Mud Ke Na Dekh (Shree 420 1955)

  5. Dil Ke Jharoke (Brahmachari 1968)

  6. Yeh Raaten Yeh Mausam (Dilli Ka Thug 1958)

  7. Mere Neendon Mein Tum (Naya Andaz 1956)

  8. Phoolon Ke Rang Se (Prem Pujari 1969)

  9. Hum Aur Tum Aur Yeh Sama (Dil Deke Dekho 1959)

  10. Udhar Tum Haseen Ho (Mr. and Mrs. ’55 1955)

  11. Yeh Hai Bombay Meri Jaan (C.I.D. 1956)

  12. Jeena Yahan Marna Yahan (Mera Naam Joker 1970)

  13. Main Shayar To Nahin (Bobby 1973)

  14. Phaili Hui Hai Sapnon (House No. 44 1955)

  15. Tod Diya Dil Mera (Andaz 1949)

  16. Chhup Hai Dharti (House No. 44 1955)

  17. Geet Gaata Hoon Main (Lal Patthar 1971)

  18. Tara Ri Yara Ri (Dastan 1950)

  19. Tera Aana Ik Pal Meri (Hum Naujawan 1985)

  20. Aaja Panchi Akela Hai (No Do Gyarah 1957)

Bollywood wedding waltz

My husband and my ‘first dance’ at our wedding: a waltz to Lata Mangeshkar’s “Lag Ja Gale.” When watching the video of us later, it was clear that I was no Nargis, but at least we had fun!

We ultimately decided on the Viennese waltz “Lag Ja Gale” for our first dance, which proved pretty ambitious for two people whose primary dance skills involved interpretive bhangra. Don’t see your favorite Bollywood waltz on our list? Let us know what other Bollywood waltzes you love in the comments!

– Mrs. 55

The Top 30 Best Classic Bollywood Soundtracks of All Time

The best music albums from classic Bollywood have been chosen. Which songs made the list of Bollywood’s top 30 greatest?

Raj Kapoor Nargis Iconic BarsaatIntroduction

Welcome to the greatest music of classic Bollywood! We at Mr. and Mrs. 55 – Classic Bollywood Revisited! have compiled our ultimate list of the top 30 best classic Bollywood film soundtracks of all-time. Music is the very soul of classic Bollywood, a legacy of beauty and style that once lit the world. These soundtracks showcase the most talented artists of Bollywood and are as diverse and transformative as the films to which they lent their magic. Long after the cinema lights fade, this music remains in the air, haunting us with desire, sustaining us through tragedy, and enchanting our daily experiences in the world.

Soundtracks of all Hindi films released between the years of 1945 to 1985 were considered and ranked based on the merit of lyrics, musical composition and complexity, historical and cultural value, vocal performance, and accomplishments of the soundtrack elements as an ensemble. Topping our list are composers Sachin Dev Burman, Rahul Dev Burman, Naushad, and the duo Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal (often credited as Shankar-Jaikishen) whose works both defined and reinvented Bollywood. Like our enormously popular list of the Top 30 Greatest Classic Bollywood Films of All Time, these soundtracks embrace the unexpected.

The advent of music in Bollywood binds the stormy history of a shackled India emerging from depression and war with the golden age of Hollywood musical film. Many believe that films with de rigeur musical numbers is a unique hallmark of Hindi cinema. However, the early “talkie” pictures of India such as Alam Ara (1931) were heavily influenced by the popular western films like The Jazz Singer (1927) and Showboat (1929) in which the new sound technology instantly propelled musical film as the most profitable genre. Hollywood directors like Busby Berkeley whose signature spectacle was the mass ornament and nimble-footed singer-dancers like Fred Astaire and Ginger Rogers helped contribute to the hundreds and hundreds of musical films cherished by the western world during the 1930s-1950s. The then universal convention of five to seven musical numbers peppering a film was easily embraced and adapted by Hindi movie directors who introduced Hindustani musical traditions to their work. Playback singers such as Lata Mangeshkar, Mohammed Rafi, Kishore Kumar, and Asha Bhonsle were as celebrated as the actors for whom they lent their voices. Often before a film was released, a Bollywood movie’s soundtrack was played repeatedly on the radio, reaching the hearts of millions across the country who may not have afforded the luxury to see the actual film in theatres.

While Hollywood eventually diverged from the musical film genre by the late 1960s, India was awakening to its own golden era of film in which music dominated the sensory milieu. Perhaps it was the escapism of music with its perfect harmonies and piercing poetry that touched the newly freed country still finding its identity. From solemn hymns of the countryside to feverish cabarets of city nightlife, from extravagant orchestras to solitary sitar solos, and from singers whose voices seem to descend from heaven, these soundtracks unleashed new eras of possibility and romance. The music of classic Bollywood will change you forever. For a few fleeting minutes, the ideals you dreamed of are made real.

Take this journey with us through the best music albums of yesteryear Hindi cinema. This music the way is was meant to be. This is classic Bollywood.

The Top 30 Best Classic Bollywood Soundtracks of All Time:

1. Pakeezah

Pakeezah Meena Kumari Chalte Chalte

Ghulam Mohammed and Naushad, 1971

2. Guide

Guide

S.D. Burman, 1965

3. Mughal-e-Azam

Mughal-e-Azam

Naushad, 1960

4. Nagin

Nagin

Hemant Kumar, 1954

5. Aradhana

Aradhana

S.D. Burman, 1969

6. Teesri Manzil

Teesri Manzil

R.D. Burman, 1966

  • Aaja Aaja – Asha Bhonsle and Mohammed Rafi
  • Deewana Mujhsa Nahin – Mohammed Rafi
  • O Haseena Zulfonwali – Asha Bhonsle and Mohammed Rafi
  • O Mere Sona Re – Asha Bhonsle and Mohammed Rafi
  • Tumne Mujhe Dekha – Mohammed Rafi

7. Barsaat

Barsaat

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1949

  • Hawa Mein Udta Jaye – Lata Mangeshkar
  • Chhod Gaye Balam – Lata Mangeshkar and Mukesh
  • Jiya Beqarar Hai – Lata Mangeshkar
  • Mujhe Kisise Pyar – Lata Mangeshkar
  • Patli Kamar Hai – Lata Mangeshkar and Mukesh

8. Anarkali

Anarkali

C. Ramachandra, 1953

  • Yeh Zindagi Usiki Hai – Lata Mangeshkar
  • O Zindagi Ke Denewale – Hemant Kumar
  • O Aasmanwale – Lata Mangeshkar
  • Jaag Dard-e-Ishq – Lata Mangeshkar and Hemant Kumar
  • Mohabbat Aisi Dhadhkan Hai – Lata Mangeshkar
  • Mujhse Mat Pooch – Lata Mangeshkar
  • Aaja Ab To Aaja – Lata Mangeshkar

9. Kati Patang

Kati Patang

R.D. Burman, 1970

  • Jis Gali Mein – Mukesh
  • Yeh Jo Mohabbat Hai – Kishore Kumar
  • Na Koi Umang Hai – Lata Mangeshkar
  • Yeh Shaam Mastani – Kishore Kumar
  • Pyaar Diwanaa Hota Hai – Kishore Kumar
  • Aaj Na Chhodenge – Lata Mangeshkar and Kishore Kumar

10. Chori Chori

Chori Chori

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1956

  • Panchi Banoon Udti – Lata Mangeshkar
  • Aaja Sanam – Lata Mangeshkar and Manna Dey
  • Jahan Main Jaati Hoon – Lata Mangeshkar and Manna Dey
  • Yeh Raat Bheegi Bheegi – Lata Mangeshkar and Manna Dey
  • Rasik Balma – Lata Mangeshkar
  • Man Bhavan Ke Ghar – Lata Mangeshkar and Asha Bhonsle

11. Taj Mahal

Taj Mahal

Roshan, 1963

12. Hum Dono

Hum Dono Abhi Na Jao Dev Anand Sadhana

Jaidev, 1961

13. Jewel Thief

Jewel Thief

S.D. Burman, 1967

  • Honton Pe Aisi Baat – Lata Mangeshkar
  • Aasman Ke Neeche – Lata Mangeshkar and Kishore Kumar
  • Dil Pukare – Lata Mangeshkar and Mohammed Rafi
  • Rulake Gaya Sapna – Lata Mangeshkar
  • Yeh Dil Na Hota – Kishore Kumar
  • Title Music

14. Caravan

Caravan

R.D. Burman, 1971

  • Piya Tu Ab To – Asha Bhonsle
  • Chadti Jawani – Lata Mangeshkar and Mohammed Rafi
  • Kitna Pyara Wada – Lata Mangeshkar and Mohammed Rafi
  • Goriya Kahan – Asha Bhonsle and Mohammed Rafi
  • Ab Jo Mile Hai – Asha Bhonsle

15. Bobby

Bobby Main Shayar To Nahin

Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma, 1973

  • Main Shayar To Nahin – Shailendra Singh
  • Bahar Se Koi Andhar – Lata Mangeshkar and Shailendra Singh
  • Jhoot Bole Kauwa Kate – Lata Mangeshkar and Shailendra Singh
  • Mujhe Kuch Kehna Hai – Lata Mangeshkar and Shailendra Singh
  • Na Mangoon Sona Chandi – Manna Dey and Shailendra Singh

16. Pyaasa

Pyaasa

S.D. Burman, 1957

  • Jaane Woh Kaise – Hemant Kumar
  • Aaj Sajan Mohe – Geeta Dutt
  • Hum Aap Ki Ankhon Mein – Geeta Dutt and Mohammed Rafi
  • Jane Kya Tune Kahi – Asha Bhonsle
  • Yeh Duniya Agar Mil Bhi Jaaye – Mohammed Rafi

17. Abhiman

Abhiman

S.D. Burman, 1973

18. Anand

Anand

Salil Choudhury, 1971

19. Kabhi Kabhi

Kabhi Kabhi

Mohammed Zayur Khayyam, 1976

20. Baiju Bawra

Baiju bawra

Naushad, 1952

  • O Duniya Ke Rakhwale – Mohammed Rafi
  • Man Tarpat Hari Dar – Mohammed Rafi
  • Mohe Bhool Gaye Sanwariya – Lata Mangeshkar
  • Jhoole Mein Pawan Ke – Lata Mangeshkar and Mohammed Rafi
  • Tu Ganga Ki Mauj – Lata Mangeshkar and Mohammed Rafi

21. Mother India

Mother India

Naushad, 1957

22. Madhumati

Madhumati

Salil Choudhury, 1958

  • Aaja Re Pardesi – Lata Mangeshkar
  • Dil Tadap Tadap – Lata Mangeshkar and Mukesh
  • Suhana Safar – Mukesh
  • Ghadi Ghadi Mora Dil – Lata Mangeshkar
  • Chadh Gayo Papi Bichua – Lata Mangeshkar and Manna Dey

23. Basant Bahar

Basant Bahar

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1956

  • Duniya Na Bhaye Mohammed Rafi
  • Bhaye Bhanjana – Manna Dey
  • Ja Ja Re Ja – Lata Mangeshkar
  • Main Piya Teri – Lata Mangeshkar
  • Nain Mile Chain Kahan – Lata Mangeshkar and Manna Dey

24. Aar Paar

Aar Paar

O.P. Nayyar, 1954

  • Babuji Dheere Chalna – Geeta Dutt
  • Sun Sun Sun Zalima – Geeta Dutt and Mohammed Rafi
  • Kabhi Aar Kabhi Par – Shamshad Begum
  • Yeh Lo Main Haari Piya – Geeta Dutt
  • Hoon Abhi Main Jawan – Geeta Dutt

25. Kashmir Ki Kali

Kashmir Ki Kali

O.P. Nayyar, 1964

26. Bandini

Bandini

S.D. Burman, 1963

  • Ab Ke Baras Bhej – Asha Bhonsle
  • O Re Mahji – S.D. Burman
  • Mora Gora Ang Laile – Lata Mangeshkar
  • Jogi Jab Se Tu Aaya – Lata Mangeshkar
  • O Janewale Ho Sake – Mukesh

27. Sangam

Sangam

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1964

28. Yaadon Ki Baraat

Yaadon Ki Baraat

R.D. Burman, 1973

  • Chura Liya Hai – Asha Bhonsle and Mohammed Rafi
  • Aapke Kamre Mein – Asha Bhonsle and Kishore Kumar
  • Lekar Hum Deewana Dil – Asha Bhonsle and Kishore Kumar
  • Meri Soni Meri Tamana – Asha Bhonsle and Kishore Kumar
  • Yaadon Ki Baraat – Mohammed Rafi and Kishore Kumar

29. Amar Prem

Rajesh Khanna Amar Prem

R.D. Burman, 1972

  • Chingari Koi Bhadke – Kishore Kumar
  • Raina Beeti Jaaye – Lata Mangeshkar
  • Kuch To Log Kahenge – Kishore Kumar
  • Yeh Kya Hua – Kishore Kumar
  • Bada Natkhat Hai Yeh – Lata Mangeshkar

30. Umrao Jaan

Rekha2_UmraoJaan

Mohammed Zayur Khayyam, 1981

Find out more about these and other classic Bollywood soundtracks on our song pages! Which soundtracks do you consider among classic Bollywood’s all-time best and why? Leave us a comment and let us know!

– Mrs. 55