Chal Chal Chal Mere Haathi Lyrics & Translaton: Let’s Learn Urdu-Hindi

Tanuja's car is pushed and pulled by elephants in haathi mere saathi.jpg

Rajesh Khanna gives Tanuja an unusual jumpstart with a herd of elephants in Haathi Mere Saathi (1971).

Today we present the delightful lyrics and English translation of everyone’s childhood favorite song “Chal Chal Chal Mere Haathi” from Haathi Mere Saathi (1971). Rajesh Khanna star as orphaned Raju who makes fast friends with a herd of elephants that protect him and become like family. Among them, Ramu, is the star elephant who helps Raju build a fortune as a street performer, eventually allowing Raju to build a zoo where the community can share in his love of animals. The song “Chal Chal Chal Mere Haathi” during which Rajesh Khanna and Tanuja fall in love is a quintessential “only-in-Bollywood” moment. Where on earth (besides your wildest fantasies) will you ever see a convertible pushed by a group of elephants as a mechanism of securing the romance?

Tanuja plays the cleverly named Tanu whose gorgeous red Chevrolet Impala convertible breaks down in the middle of the road. Raju happens to arrive at the critical moment to help this damsel in distress! Fortunately, the elephant crew knows how to drive that puppy straight to the heart.

Rajesh Khanna elephant haathi mere saathi.jpg

Rajesh Khanna rubs noses with his favorite elephant and they both look happy AF.

Kishore Kumar lends his rich voice to Laxmikant-Pyarelal’s playful composition. Anand Bakshi’s lyrics burst with flirtatious overtures as well as underhanded zingers while the singer teasingly appears to solely address the elephants the entire time. A hearty trumpet is gloriously sprinkled throughout the song’s score as a substitute for the elephants roaring their approval. Be sure to watch extra carefully during the swift stunt in which Rajesh Khanna appears to float to the top of the elephant. Anyone who has taken a good old-fashioned haathi ride during a trip to the motherland knows ascending the elephant is NEVER this graceful. Thank you, awkwardly crouched production assistants who gave our hero the leg-up!

Rajesh Khanna whistles in Tanuja's ear in haathi mere saathi.jpg

Tanuja pretends to drive as Rajesh Khanna whistles flirtatiously in her ear in Haathi Mere Saathi (1971). I mean it, take off those driving gloves, we all know steering is futile.

So pull up a high-chair and reel your kids in for this one. They’re going to love our English translation of the lyrics of “Chal Chal Chal Mere Haathi” and you’ll be glad a world still exists this innocent and colorful, even if only for a few minutes on-screen. Follow along with the video here and enjoy our translation below!

Chal Chal Chal Mere Haathi Lyrics and English Translation:

Chal chal chal mere saathii, O mere haathii
Let’s go, my companion, O my elephant
Chal le chal kaTaaraa khii.Nch ke
Come pull this piece of junk
Chal yaar, dhakka maar
Go on, friend, push!
Band hai moTar kaar
The motor car is broken down
Chal yaar dhakka maar
Go on, friend, push!
Chal chal chal mere saathii…

Phuulo.N se naazuk hai woh, moTar mei.N baiThii hai jo
She who sits in the car is more delicate than a flower
Aahistaa aahistaa chal, usko na taqliif ho
Go carefully, let her not experience any trouble
Haaye, haaye, kha na jaaye
Haaye, haaye, let it not consume me
Uskii naazuk kamariiyaa bal, chal!
The swaying of her delicate hips, let’s go!
Chal chal chal mere saathii…

Khidmat terii kaam de, shaayad woh inaam de
If your service is successful, perhaps she will reward you
Kar us hasii.N ko salaam, aa.Nkhon se paighaam de
If you salute the beautiful lady, she may send you a message through her eyes
Paas aaja, O sun raajaa
Come close, listen O King
Aisa mauqaa na jaaye nikal, chal!
Let this chance not escape, let’s go!
Chal chal chal mere saathii…

Tuu yaaro.N ka yaar hai, kitnaa vafaadaar hai!
You are a friend of friends, how faithful you are!
JhuuTha hai saaDaa jahaa.N, sachcha teraa pyaar hai
The rest of the world may be a lie, but your love is honest
Tuu paglaa, na badalaa!
You crazy creature, do not change!
SaDii duniyaa gayii hai badal, chal!
Even if the whole world has changed, let’s go!
Chal chal chal mere saathii…

Glossary:

saathi: companion; haathi: elephant; kaTaaraa: junk, jalopy; khee.Nchnaa: to pull; dhakka maarna: to push; band hona: to be broken, to be closed; yaar: friend; phuul: flower; naazuk: delicate; baiThnaa: to sit; aahistaa: carefully; taqliif: trouble, problem; khaanaa: to eat, to consume; kamariiyaa: small waist; bal: sway; khidmat: service; kaam dena: to be successful; shaayad: perhaps; inaam: reward; hasii.N: beautiful lady; aa.Nkh: eye, paighaam: message; paas: near, close; aa jaanaa: to come here; sunnaa: to listen; raajaa: king; mauqaa: chance, opportunity; nikalnaa: to escape, to go out; vafaadaar: faithful; jhuuTaa: lie; sachchaa: truth; pyaar: love; paglaa: crazy person; badalnaa: to change; duniyaa: world

elephants in Namibia

Shots of a herd of African elephants I encountered while on a safari in Namibia with my husband recently. Can you guess which song was stuck in my head the whole time?

Ramu and Raju’s friendship are everyone’s bestie goals. They have each other’s backs like nobody’s business. Haathi Mere Saathi (1971) is truly the Bambi (1942) of Bollywood–and every child will remember exactly how they felt the first time they experienced the trauma of the film’s ending. Wow, there is just so much dust flying around my house lately, my eyes really need to stop watering. Stop, get a grip on yourself, Mrs. 55. SERIOUSLY, TOO MUCH DUST, WHY ARE MY EYES SO SENSITIVE.

Rajesh Khanna riding an elephant in haathi mere saathi.jpg

Even though your outfit is the color of pepto bismol, you da man, Rajesh Khanna.

This one-of-a-kind song was requested by fan Janaki. Awesome choice! We know we’ve been slower to post lately with the busy year, but requests like these are always inspiring. We love hearing from fans!

-Mrs. 55

Khiza Ke Phool Pe Lyrics and Translation: Let’s Learn Urdu-Hindi

khiza-ke-phool-rajesh-khanna-do-raaste

Rajesh Khanna plays a hard-working college student from a poor family in Do Raaste (1969).

Today we highlight the poignant lyrics and our English translation of “Khiza Ke Phool Pe” from Do Raaste (1969). Do Raaste is a classic family drama that hits hard on the tension between Eastern and Western values through an exploration of the dissolution of a joint family household. When one of the sons marries a rich “modernized” Indian girl who refuses to allow him to help pay off his family debt, the remaining relatives fall into poverty. The youngest son, played to perfection by Rajesh Khanna, must compromise his education by dropping out of college in order to support the family. He arrives at the birthday party of his wealthy girlfriend, played by Mumtaz (whose cutesy performance will at times make you want to hang yourself on the chandelier), and realizes that he no longer belongs in her world. The ensuing flood of feelings results in the beautiful ballad “Khiza Ke Phool Pe” written by Anand Bakshki with music by Laxmikant-Pyarelaal. Kishore Kumar’s voice takes on an initially softer, velvety shade that transitions fluidly to a powerful angst at the end of each antra. I dare you not to sigh when he croons, “mai.N roz lab pe naii ek aah taktaa huu.N.”

Though she says nothing that would disrupt the song, Mumtaz appears quite understandably mortified at his public display and rejection. For more uncomfortable dinner parties in Bollywood films, refer to our how-to guide on how to play the awkward miffed lover.

do-raaste-mumtaz-khiza-ke-phool

Mumtaz is heartbroken as Rajesh Khanna announces at her birthday party that they cannot be married in Do Raaste (1969).

Reminiscent of the hallowed “Waqt Ne Kiya” cinematography, in “Khiza Ke Phool Pe,” the camera simply soars with the gloriously endless dolly-ins and dolly-outs to accentuate each poetic moment, as if everyone weren’t already emotionally fragile after seeing Rajesh Khanna fight back tears. I applaud the film director Raj Khosla, despite the kitsch film set. The decor screams of the 1970s–emphasizing all those quasi-luxurious domestic ornaments that would in no way possibly make your life any better. The tinted glass cutout room divider is a textbook case in point. Still, the film crew made lemonade out of life’s interior design lemons.

chintzy-60s-decor-colored-glass-rajesh-khanna-mumtaz

Rajesh Khanna and Mumtaz are separated by a bizarre art deco glass structure in her living room in the shot-reverse-shot sequence above. Note how in order to achieve this sequence with the actors seemingly continuing to face each other, Rajesh Khanna must move from the yellow panel to the blue panel on Mumtaz’s right for the reverse shot (below), breaking true visual continuity.

Check out the music video here and keep a box of tissues handy. We invite you join us below in our English translation and lyrics of “Khiza Ke Phool Pe” below:

Khiza Ke Phool Pe Lyrics and Translation:

Khizaa ke phuul pe aati kabhii bahaar nahii.N
The flower of Autumn never sees the Spring
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Na jaane pyaar mei.N kab mai.N zubaa.N se phir jaauu.N
I do not know when in love I may go back on my words
Mai.N ban ke aa.Nsuu khud apnii nazar se gir jaauu.N
By becoming tears, I may fall in my own eyes
Terii qasam hai meraa koii aitbaar nahii.N
I swear by you, I have no confidence
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Main roz lab pe nayii ek aah taktaa huu.N
Every day, a new sigh reaches my lips
Main roz ek naye gham kii raah taktaa huu.N
Every day, I await the arrival of a new sorrow
Kisii khushii kaa mere dil ko intezaar nahii.N
My heart is not waiting for any joy
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Ghariib kaise mohabbat kare amiiro.N se?
How can someone poor love someone rich?
BichhaD gaye hai.N kaii Raanjhe apnii Heero.N se
Many legendary heroes have been separated from their heroines
Kisi ko apne muqaddar pe ikhtiyaar nahii.N
No one has a choice over their fate
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Khizaa ke phuul pe aati kabhi bahaar nahii.N
The flower of Autumn never sees the Spring
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Glossary:

khizaa: Autumn; phuul: flower; bahaar: Spring; kabhii nahii.N: never; naseeb: destiny, fortune; dost: friend; pyaar: love; na jaane: [I] do not know, [who] knows; kab: when; zubaan.N: word, language; phir jaanaa: go back; aa.Nsuu: tears; khud: self; nazar: eyes, gaze; girnaa: to fall; qasam: swear; aitbaar: confidence, trust; roz: every day; lab: lip; nayii: new; aah: sigh; gham: sorrow; raah taknaa: to await; khushii: happiness; [kisi ka] intezaar hona: to wait [for something]; ghariib: poor; mohabbat: love; amiir: rich; bichhaD jaanaa: to become separated; Raanjhaa: hero of a classic Hindustani tale of star-crossed lovers (Heer-Ranjha); Heer: heroine of a classic Hindustani tale of star-crossed lovers (Heer Ranjha); muqaddar: fate; ikhtiyaar: choice

Now go cheer yourself up with a pumpkin spice latte and wipe those tears off your face by indulging in a symphony of Rajesh Khanna winks.

– Mrs. 55

 

Ek Ladki Bheegi Bhaagi Si Lyrics and Translation: Let’s Learn Urdu-Hindi

Madhubala car window Ek ladki bheegi bhagi si

Madhubala peers at Kishore Kumar through a car window in “Ek Ladki Bheegi Bhagi Si” from Chalti Ka Naam Gaadi (1958).

Today we bring you the lyrics and English translation of the delightful “Ek Ladki Bheegi Bhaagi Si” from Chalti Ka Naam Gaadi (1958). A meandering slapstick comedy, Chalti Ka Naam Gaadi stars the three fun-loving Kumar brothers: Ashok Kumar, Kishore Kumar, and Anoop Kumar. While Ashok often played more serious roles on the silver-screen (think serious man of affairs), this film was a chance for him to showcase another side of his personality brought out by the most eccentric of the siblings, Kishore.

In Chalti Ka Naam Gaadi, Kishore Kumar plays a hapless car mechanic who fixes the broken vehicle of a young lady, Madhubala, who both mesmerizes him and vexes him by not paying for the repairs. “Ek Ladki Bheegi Bhaagi Si” is arguably the most iconic song from the film and bears a Guru Dutt-esque quality of flowing seamlessly from the dialogue to the opening bars. Composed by S.D. Burman and written by Majrooh Sultanpuri, the song exudes the charm of a Broadway showtune that transforms every twist of a wrench and glance through an open car window into a romantic overture, easily one of the most inspiring songs of the monsoon season.

Kishore Kumar Ek Ladki Bheegi Bhaagi Si

Kishore Kumar plays an entertaining car mechanic desperately in love with Madhubala in the hit comedy “Chalti Ka Naam Gaadi” (1958).

Kishore Kumar proves downright hilarious, even now almost 60 years later. One of my favorite moments is when Kishore Kumar ascends the stairs after the second antra. You know that noise that comes out of your mouth that sounds sort of like a dying cat when you’re jamming out to your favorite song alone in the safety of your own home and you don’t really know the words? That’s precisely what Kishore Kumar does too. Except in his case, he jams out as if extemporaneously to his own song smack dab in the middle of the opening performance. You gotta love a guy who enjoys his own tunes this much. Throughout the song, he engages the audience by appearing to break the fourth wall, inviting us to share in his intrigue about the mysterious woman who has entered his shop.

The adorable chemistry between Kishore Kumar and Madhubala is palpable. You can see what each loved about each other that was shared in their real-life romance. Sadly, Madhubala died prematurely at the age of 38, leaving him heartbroken only 3 years after their marriage. Join us below as we navigate the lyrics and English translation of “Ek Ladki Bheegi Bhaagi Si.” Follow along with the video here, and I dare you to try to get through the whole song without smiling!

Ek Ladki Bheegi Bhaagi Si Lyrics and Translation:

Ek laDki bhiigi bhaagi sii
A girl who appears rather wet
Sotii raaton mei.N jaagi sii
And seems awake in a sleepy night
Milii ek ajnabii se
She met a stranger
Koii aage na piichhe
No one preceded or followed her
Tum hii kaho yeh koii baat hai!

You tell me if this is appropriate!

Hmm…

Dil hii dil mei.N jalii jaatii hai.N
In her heart of hearts, she is burning
BigaDii bigaDii chalii aatii hai.N…
In a bad mood, she approaches
Jhunjhalaatii hui, balkhaatii huii
Sulking, swaying
Saawan ki sunii raat mei.N
In this quiet monsoon night

Milii ek ajnabii se
She met a stranger
Koii aage na piichhe
No one preceded or followed her
Tum hii kaho yeh koii baat hai!

You tell me if this is appropriate!

Dagmag Dagmag, lehakii lehakii
Wobbling, wavering
Bhuulii bhaT kii behakii behakii
With lost steps, she wanders
Machalii machalii, ghar se nikalii
Restless, she left her home
Paglii sii kalii raat mei.N
Acting a bit crazy in this black night

Tan bhiigaa hai, sar giilaa hai
Her body is drenched, her head is wet
Uskaa koii pech bhii Dhiila hai!
One of her screws must also be loose!
Tanatii, jhuktii, chaltii, rukhtii
Strutting, cowering, moving, then pausing
Nikalii andherii raat mei.N
She emerged into this dark night

Milii ek ajnabii se
She met a stranger
Koii aage na piichhe
No one preceded or followed her
Tum hii kaho yeh koii baat hai!

You tell me if this is appropriate!

Hmm…

Glossary:

ladkii: girl; bheegii-bhaagii: wet, drenched; sonaa: to sleep; raat: night; jaagii: awake; milnaa: to meet; ajnabii: stranger; koi: someone; aage: ahead; peechhe: behind; baat: issue, matter; dil: heart; jalnaa: to burn; bigaDnaa: to deteriorate, to become in a bad mood; jhunjhalaanaa: to scoff, to sulk; balkaanaa: to sway, to move in a circle; sawaan: the rainy season; sunii: lonely, quiet; Dagmag: wobbly; lehakii: wavering; bhuulii: lost, forgotten; bhaT: steps; behakii: wandering; machalnaa: to become restless; ghar: home; nikalnaa: to emerge, to come out; tan: body; sar: head; giilaa: wet; pech Dheela: loose screw; tanatnaa: to strut; to appear confident; jhuknaa: to bow; chalnaa: to go; rukhnaa: to stop; andheraa: dark

Kishore Kumar bashful ek ladki bheegi bhagi si

Kishore Kumar’s genius comedic timing remains timeless in “Ek Ladki Bheegi Bhaagi Si” from Chalti Ka Naam Gaadi (1958).

A quick note about the term “baat” of “koi baat hai/kya baat hai” fame. I translated the phrase above roughly as “something appropriate” but the meaning of the word is far more nuanced. “baat” alone can mean words or conversation, as in the verb “baat karnaa,” meaning “to speak.” You can say “kya baat hai?” to ask “what is the matter?” or you can exclaim “kya baat hai!” as a way of demonstrating awe. A translation that gets more to the heart of how the phrase “tum hii kaho yeh koii baat hai” is being used here is perhaps “you tell me if this is something worth talking about,” but to me that felt too cumbersome to write poetically above.

And while I have a captive audience, let’s also examine the grammar of “bheegii/bhaagii sii.” Tacking on the “sii” (feminine) or “saa” (masculine) to any adjective in Hindi softens the descriptor (somewhat like the way in English we sometimes add “ish” to the end of adjectives) or indicates “a little”–as in, she is “a little” wet. A common example you’ll hear is “chhoTaa saa/chhoTii sii” as in the classic Bollywood heroine’s wish to have nothing more than “ek chhoTaa sa ghar” with her faithful husband. But we digress.

– Mrs. 55

The Top 30 Best Classic Bollywood Soundtracks of All Time

The best music albums from classic Bollywood have been chosen. Which songs made the list of Bollywood’s top 30 greatest?

Raj Kapoor Nargis Iconic BarsaatIntroduction

Welcome to the greatest music of classic Bollywood! We at Mr. and Mrs. 55 – Classic Bollywood Revisited! have compiled our ultimate list of the top 30 best classic Bollywood film soundtracks of all-time. Music is the very soul of classic Bollywood, a legacy of beauty and style that once lit the world. These soundtracks showcase the most talented artists of Bollywood and are as diverse and transformative as the films to which they lent their magic. Long after the cinema lights fade, this music remains in the air, haunting us with desire, sustaining us through tragedy, and enchanting our daily experiences in the world.

Soundtracks of all Hindi films released between the years of 1945 to 1985 were considered and ranked based on the merit of lyrics, musical composition and complexity, historical and cultural value, vocal performance, and accomplishments of the soundtrack elements as an ensemble. Topping our list are composers Sachin Dev Burman, Rahul Dev Burman, Naushad, and the duo Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal (often credited as Shankar-Jaikishen) whose works both defined and reinvented Bollywood. Like our enormously popular list of the Top 30 Greatest Classic Bollywood Films of All Time, these soundtracks embrace the unexpected.

The advent of music in Bollywood binds the stormy history of a shackled India emerging from depression and war with the golden age of Hollywood musical film. Many believe that films with de rigeur musical numbers is a unique hallmark of Hindi cinema. However, the early “talkie” pictures of India such as Alam Ara (1931) were heavily influenced by the popular western films like The Jazz Singer (1927) and Showboat (1929) in which the new sound technology instantly propelled musical film as the most profitable genre. Hollywood directors like Busby Berkeley whose signature spectacle was the mass ornament and nimble-footed singer-dancers like Fred Astaire and Ginger Rogers helped contribute to the hundreds and hundreds of musical films cherished by the western world during the 1930s-1950s. The then universal convention of five to seven musical numbers peppering a film was easily embraced and adapted by Hindi movie directors who introduced Hindustani musical traditions to their work. Playback singers such as Lata Mangeshkar, Mohammed Rafi, Kishore Kumar, and Asha Bhonsle were as celebrated as the actors for whom they lent their voices. Often before a film was released, a Bollywood movie’s soundtrack was played repeatedly on the radio, reaching the hearts of millions across the country who may not have afforded the luxury to see the actual film in theatres.

While Hollywood eventually diverged from the musical film genre by the late 1960s, India was awakening to its own golden era of film in which music dominated the sensory milieu. Perhaps it was the escapism of music with its perfect harmonies and piercing poetry that touched the newly freed country still finding its identity. From solemn hymns of the countryside to feverish cabarets of city nightlife, from extravagant orchestras to solitary sitar solos, and from singers whose voices seem to descend from heaven, these soundtracks unleashed new eras of possibility and romance. The music of classic Bollywood will change you forever. For a few fleeting minutes, the ideals you dreamed of are made real.

Take this journey with us through the best music albums of yesteryear Hindi cinema. This music the way is was meant to be. This is classic Bollywood.

The Top 30 Best Classic Bollywood Soundtracks of All Time:

1. Pakeezah

Pakeezah Meena Kumari Chalte Chalte

Ghulam Mohammed and Naushad, 1971

2. Guide

Guide

S.D. Burman, 1965

  • Din Dhal Jaaye – Mohammed Rafi
  • Aaj Phir Jeene Ki – Lata Mangeshkar
  • Piya Tose – Lata Mangeshkar
  • Tere Mere Sapne – Mohammed Rafi
  • Gaata Rahe Mera Dil – Lata Mangeshkar and Mohammed Rafi
  • Kya Se Kya Ho Gaya – Mohammed Rafi
  • Saiyan Beiman – Lata Mangeshkar

3. Mughal-e-Azam

Mughal-e-Azam

Naushad, 1960

  • Teri Mehfil Mein Qismat – Lata Mangeshkar and Shamshad Begum
  • Pyar Kiya To Darna Kya – Lata Mangeshkar
  • Mohe Pangat Pe – Lata Mangeshkar
  • Mohabbat Ki Jhooti Kahani – Lata Mangeshkar
  • Aye Mohabbat Zindabad – Mohammed Rafi
  • Prem Jogan Ban Ke – Ustad Bade Ghulam Ali Khan
  • Yeh Dil Ki Lagi – Lata Mangeshkar
  • Title Music

4. Nagin

Nagin

Hemant Kumar, 1954

  • Man Dole Mera – Lata Mangeshkar
  • Jadugar Saiyan – Lata Mangeshkar
  • Tere Dwar Khada Ek Jogi – Hemant Kumar
  • Mera Dil Yeh Pukare Aaja – Lata Mangeshkar
  • Sun Ri Sakhi – Lata Mangeshkar
  • Yaad Rakhna Pyar Ki Nishani – Asha Bhonsle and Hemant Kumar

5. Aradhana

Aradhana

S.D. Burman, 1969

  • Roop Tera Mastana – Kishore Kumar
  • Mere Sapnon Ki Rani – Kishore Kumar
  • Kora Kaagaz Tha – Lata Mangeshkar and Kishore Kumar
  • Gunguna Rahe Hai Bhanware – Asha Bhonsle and Mohammed Rafi
  • Baghon Mein Bahar Hai – Mohammed Rafi and Lata Mangeshkar
  • Saphal Hogi Teri Aradhana – S.D. Burman

6. Teesri Manzil

Teesri Manzil

R.D. Burman, 1966

  • Aaja Aaja – Asha Bhonsle and Mohammed Rafi
  • Deewana Mujhsa Nahin – Mohammed Rafi
  • O Haseena Zulfonwali – Asha Bhonsle and Mohammed Rafi
  • O Mere Sona Re – Asha Bhonsle and Mohammed Rafi
  • Tumne Mujhe Dekha – Mohammed Rafi

7. Barsaat

Barsaat

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1949

  • Hawa Mein Udta Jaye – Lata Mangeshkar
  • Chhod Gaye Balam – Lata Mangeshkar and Mukesh
  • Jiya Beqarar Hai – Lata Mangeshkar
  • Mujhe Kisise Pyar – Lata Mangeshkar
  • Patli Kamar Hai – Lata Mangeshkar and Mukesh

8. Anarkali

Anarkali

C. Ramachandra, 1953

  • Yeh Zindagi Usiki Hai – Lata Mangeshkar
  • O Zindagi Ke Denewale – Hemant Kumar
  • O Aasmanwale – Lata Mangeshkar
  • Jaag Dard-e-Ishq – Lata Mangeshkar and Hemant Kumar
  • Mohabbat Aisi Dhadhkan Hai – Lata Mangeshkar
  • Mujhse Mat Pooch – Lata Mangeshkar
  • Aaja Ab To Aaja – Lata Mangeshkar

9. Kati Patang

Kati Patang

R.D. Burman, 1970

  • Jis Gali Mein – Mukesh
  • Yeh Jo Mohabbat Hai – Kishore Kumar
  • Na Koi Umang Hai – Lata Mangeshkar
  • Yeh Shaam Mastani – Kishore Kumar
  • Pyaar Diwanaa Hota Hai – Kishore Kumar
  • Aaj Na Chhodenge – Lata Mangeshkar and Kishore Kumar

10. Chori Chori

Chori Chori

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1956

  • Panchi Banoon Udti – Lata Mangeshkar
  • Aaja Sanam – Lata Mangeshkar and Manna Dey
  • Jahan Main Jaati Hoon – Lata Mangeshkar and Manna Dey
  • Yeh Raat Bheegi Bheegi – Lata Mangeshkar and Manna Dey
  • Rasik Balma – Lata Mangeshkar
  • Man Bhavan Ke Ghar – Lata Mangeshkar and Asha Bhonsle

11. Taj Mahal

Taj Mahal

Roshan, 1963

12. Hum Dono

Hum Dono Abhi Na Jao Dev Anand Sadhana

Jaidev, 1961

13. Jewel Thief

Jewel Thief

S.D. Burman, 1967

  • Honton Pe Aisi Baat – Lata Mangeshkar
  • Aasman Ke Neeche – Lata Mangeshkar and Kishore Kumar
  • Dil Pukare – Lata Mangeshkar and Mohammed Rafi
  • Rulake Gaya Sapna – Lata Mangeshkar
  • Yeh Dil Na Hota – Kishore Kumar
  • Title Music

14. Caravan

Caravan

R.D. Burman, 1971

  • Piya Tu Ab To – Asha Bhonsle
  • Chadti Jawani – Lata Mangeshkar and Mohammed Rafi
  • Kitna Pyara Wada – Lata Mangeshkar and Mohammed Rafi
  • Goriya Kahan – Asha Bhonsle and Mohammed Rafi
  • Ab Jo Mile Hai – Asha Bhonsle

15. Bobby

Bobby Main Shayar To Nahin

Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma, 1973

  • Main Shayar To Nahin – Shailendra Singh
  • Bahar Se Koi Andhar – Lata Mangeshkar and Shailendra Singh
  • Jhoot Bole Kauwa Kate – Lata Mangeshkar and Shailendra Singh
  • Mujhe Kuch Kehna Hai – Lata Mangeshkar and Shailendra Singh
  • Na Mangoon Sona Chandi – Manna Dey and Shailendra Singh

16. Pyaasa

Pyaasa

S.D. Burman, 1957

  • Jaane Woh Kaise – Hemant Kumar
  • Aaj Sajan Mohe – Geeta Dutt
  • Hum Aap Ki Ankhon Mein – Geeta Dutt and Mohammed Rafi
  • Jane Kya Tune Kahi – Asha Bhonsle
  • Yeh Duniya Agar Mil Bhi Jaaye – Mohammed Rafi

17. Abhiman

Abhiman

S.D. Burman, 1973

18. Anand

Anand

Salil Choudhury, 1971

19. Kabhi Kabhi

Kabhi Kabhi

Mohammed Zayur Khayyam, 1976

20. Baiju Bawra

Baiju bawra

Naushad, 1952

  • O Duniya Ke Rakhwale – Mohammed Rafi
  • Man Tarpat Hari Dar – Mohammed Rafi
  • Mohe Bhool Gaye Sanwariya – Lata Mangeshkar
  • Jhoole Mein Pawan Ke – Lata Mangeshkar and Mohammed Rafi
  • Tu Ganga Ki Mauj – Lata Mangeshkar and Mohammed Rafi

21. Mother India

Mother India

Naushad, 1957

22. Madhumati

Madhumati

Salil Choudhury, 1958

  • Aaja Re Pardesi – Lata Mangeshkar
  • Dil Tadap Tadap – Lata Mangeshkar and Mukesh
  • Suhana Safar – Mukesh
  • Ghadi Ghadi Mora Dil – Lata Mangeshkar
  • Chadh Gayo Papi Bichua – Lata Mangeshkar and Manna Dey

23. Basant Bahar

Basant Bahar

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1956

  • Duniya Na Bhaye Mohammed Rafi
  • Bhaye Bhanjana – Manna Dey
  • Ja Ja Re Ja – Lata Mangeshkar
  • Main Piya Teri – Lata Mangeshkar
  • Nain Mile Chain Kahan – Lata Mangeshkar and Manna Dey

24. Aar Paar

Aar Paar

O.P. Nayyar, 1954

  • Babuji Dheere Chalna – Geeta Dutt
  • Sun Sun Sun Zalima – Geeta Dutt and Mohammed Rafi
  • Kabhi Aar Kabhi Par – Shamshad Begum
  • Yeh Lo Main Haari Piya – Geeta Dutt
  • Hoon Abhi Main Jawan – Geeta Dutt

25. Kashmir Ki Kali

Kashmir Ki Kali

O.P. Nayyar, 1964

26. Bandini

Bandini

S.D. Burman, 1963

  • Ab Ke Baras Bhej – Asha Bhonsle
  • O Re Mahji – S.D. Burman
  • Mora Gora Ang Laile – Lata Mangeshkar
  • Jogi Jab Se Tu Aaya – Lata Mangeshkar
  • O Janewale Ho Sake – Mukesh

27. Sangam

Sangam

Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, 1964

28. Yaadon Ki Baraat

Yaadon Ki Baraat

R.D. Burman, 1973

  • Chura Liya Hai – Asha Bhonsle and Mohammed Rafi
  • Aapke Kamre Mein – Asha Bhonsle and Kishore Kumar
  • Lekar Hum Deewana Dil – Asha Bhonsle and Kishore Kumar
  • Meri Soni Meri Tamana – Asha Bhonsle and Kishore Kumar
  • Yaadon Ki Baraat – Mohammed Rafi and Kishore Kumar

29. Amar Prem

Rajesh Khanna Amar Prem

R.D. Burman, 1972

  • Chingari Koi Bhadke – Kishore Kumar
  • Raina Beeti Jaaye – Lata Mangeshkar
  • Kuch To Log Kahenge – Kishore Kumar
  • Yeh Kya Hua – Kishore Kumar
  • Bada Natkhat Hai Yeh – Lata Mangeshkar

30. Umrao Jaan

 

Rekha2_UmraoJaan

Mohammed Zayur Khayyam, 1981

Find out more about these and other classic Bollywood soundtracks on our song pages! Which soundtracks do you consider among classic Bollywood’s all-time best and why? Leave us a comment and let us know!

– Mrs. 55

Shokhiyon Mein Ghola Jaaye Lyrics and Translation: Let’s Learn Urdu-Hindi

Shokhiyon Mein Ghola Jaaye Waheeda and Dev Anand sugarcane

As Dev Anand croons “Shokhiyon Mein Ghola Jaaye” in Prem Pujari (1970), Waheeda Rehman makes even chomping raw sugarcane look attractive.

Today we present the lyrics and English translation of the evergreen duet “Shokhiyon Mein Ghola Jaaye” from Prem Pujari (1970). There could be no better song to welcome the change of seasons than this sweet exploration of the meaning of love…and of a haystack maze. Dev Anand plays a peace-loving son of a veteran who would rather be catching butterflies and whispering words of love to his fiancee, Waheeda Rehman, than holding a gun. However, when war breaks out, he is forced to reconcile his rosy temperament with patriotic duty, ultimately becoming a double spy for India at the expense of his family and loved ones.

But before these complexities of the spirit arise, Waheeda Rehman and Dev Anand spend a few moments blissfully unaware of the perils ahead, playing hide-and-go-seek together like any fully-grown adults in love would do. Their delightful escapades among the haystacks are second only to the passionate Bollywood thrills of running around a tree. I’m a huge sucker for nature-themed flirtation in Hindi films. In “Shokhiyon Mein Ghola Jaaye,” the camera surges between haystacks on a dolly track like a sheep on the loose, anticipating every peekaboo moment of Dev Anand poking his head through the straw or tracing Waheeda’s bright red chunni across the hay to victory. And don’t miss the special moment as they are just about to kiss each other when the camera suddenly cuts to a completely random shot of a raging fire followed by a shot of a gushing water stream. Try to make sense of that adorably antagonistic symbolism, just try. Fortunately, S.D. Burman’s musical genius provides exactly the rip-roaring crescendo we needed to seam all the pieces together.

Gopal Das Neeraj’s poem was originally written as “Chandnii Mei.N Ghola Jaaye,” however Dev Anand wanted to picturize the song during daylight and hence the lyrics were changed. Lata Mangeshkar’s celestial voice is at such a peak in this song, it will make you question her divinity. Kishore Kumar balances her angelic vocals with manly aplomb, helping us gloss past the rough patches caused by Dev Anand’s crimson blazer and matching butterfly net.

Waheeda climbs up a haystack

Forgetting that sound travels, Waheeda Rehman sings while playfully climbing up a haystack to hide from her lover in Prem Pujari (1970).

Doesn’t this all just make you crave a pumpkin spice latte? We tragically don’t have sugarcane fields in my town, but I hope you enjoy our translation of this charming Autumn ballad and feel inspired to hit your nearest corn maze, apple orchard, or petting zoo with the one you love. Watch the video on youtube here and follow along with our lyrics and English translation below!

Shokhiyon Mein Ghola Jaaye Lyrics and Translation:

KISHORE: Shokhiyo.N mei.N gholaa jaaye, phoolo.N kaa shabaab
Take a swirl of mischievousness, and the youthfulness of flowers
Us mei.N phir milaaii jaaye thoDii sii sharaab
In those mix in a little bit of wine
Hogaa yuu.N nashaa jo taiyyaar
The intoxication you create like this
Haa.N , hogaa yuu.N nashaa jo taiyyaar, woh pyaar hai
Yes, the intoxication you create like this is love
Shokhiyo.N mei.N gholaa jaaye, phoolo.N kaa shabaab…

KISHORE: Hey hey, hey hey, hey hey, hey hey!

LATA: Ha.Nstaa huaa bachpan woh, bahakaa huaa mausam hai
It is a childhood of laughter, it is a deceptive atmosphere
ChheDo to ek sholaa hai, chhuu lo to bas shabnam hai
It teases you like an ember, but when it touches you, it feels like a dewdrop
Gaao.N mei.N, mele mei.N, raah mei.N, akele mei.N
Whether in a village or in a fair, whether upon a street or by yourself
Aataa jo yaad baar baar, woh pyaar hai
That memory that comes to you all the time is love
Shokhiyo.N mei.N gholaa jaaye, phoolo.N kaa shabaab…

LATA: Oh, la la, la la la, la la la, ah…

KISHORE: Rang mei.N pighale sonaa, ang se yuu.N ras chhalke
It is the color of liquid gold, nectar flows from its body
Jaise baje dhun koi raat mei.N halke halke
It is as if a melody is played softly at night
Dhuup mei.N, chhaao.N mei.N, jhuumtii hawaao.N mei.N
In the sunlight, in the shadows, in the playful winds
Har dam kare jo intezaar, woh pyaar hai
That which waits for you every moment is love
Shokhiyo.N mei.N gholaa jaaye, phoolo.N kaa shabaab…

KISHORE: Yaad agar woh aaye…
If you remember your love…
LATA: Oh, yaad agar woh aaye, aise kaTe tanhaaii
Oh, if you remember your love, then loneliness is eased
Suune sheher mei.N jaise bajne lage shahanaai
As if in an empty city, wedding music begins to play
KISHORE: Yaad agar woh aaye, aise kaTe tanahaai
If you remember your love, then loneliness is eased
Suune shahar mei.N jaise bajane lage shahanaai
As if in an empty city, wedding music begins to play
BOTH: Aanaa ho, jaanaa ho, jaisaa bhii zamaanaa ho
Whether you are coming or leaving, however the world may be
Utare kabhii naa jo khumaar, woh pyaar hai
That feeling of intoxication which never lifts is love

BOTH: Shokhiyo.N mei.N gholaa jaaye, phoolo.N kaa shabaab
Take a swirl of mischeviousness, and the youthfulness of flowers
Us mei.N phir milaaii jaaye thoDii sii sharaab
In those mix in a little bit of wine
KISHORE: Hogaa yuu.N nashaa jo taiyyaar
The intoxication you create like this
LATA: Woh pyaar hai
That is love
BOTH: Shokhiyo.N mei.N gholaa jaaye, phoolo.N kaa shabaab…

Glossary:

Shokh: mischievousness, prank; gholaa: solution, swirl; phool: flower, shabaab: youthfulness; thoDii sii: a little bit; sharaab: alcohol; nashaa: intoxication; taiyyaar: ready; ha.Nsnaa: to laugh; bachpan: childhood; bakahnaa: to deceive; mausam: season, atmosphere; chheDnaa: to tease; sholaa: ember; chhuunaa: to touch; shabnam: dewdrop; gaao.N: village; melaa: fair; raah: path; akelaa: alone; yaad: memory; baar baar: time to time, often; rang: color; phigalnaa: to flow, to liquify; sonaa: gold; ang: body; ras: nectar; dhun: tune, melody; raat: night; halkaa: soft; dhuup: sunlight: chaao.N: shadow, cloud; jhoomnaa: to swing; hawaa: wind; har dam: every moment; intezaar: wait; kaTnaa: to be cut; tanhaaii: loneliness; suunaa: lonely, empty; sheher: city; bajnaa: to play [an instrument]; shahanaaii: traditional wind instrument played at weddings; zamaanaa: world, earth; utarnaa: to lift, to raise; khumaar: state of intoxication

Waheeda and Dev anand cuddle

Perched on an excessively romantic pile of hay, Dev Anand presses his nose affectionately to Waheeda Rehman’s ear in Prem Pujari (1970). Is it getting hot in here, or is it just me?

This lovely duet was requested by fan Roshan Sadanani. Thank you for the excellent suggestion, and keep the requests coming! For more on-screen magic between Dev Anand and Waheeda Rehman, check out our translations of “Na Tum Humen Jano,” “Hai Apna Dil To Awaraa,” and “Khoya Khoya Chand!”

-Mrs. 55

Tere Bina Zindagi Se Koi Shikwa Lyrics and Translation: Let’s Learn Urdu-Hindi

Directed by the renowned lyricist Gulzar, Aandhi stirred up quite the controversy after the film was released in 1975. Shortly after the release of Aandhi, India found itself in the midst of a national state of emergency instituted by Prime Minister Indira Gandhi in response to the deep-seated political unrest and instability that had emerged across the nation. The 21-month Emergency of 1975-1977 is often viewed as one of the darkest eras in the political history of post-independence India: corruption, censorship, and the suspension of civil liberties threatened to compromise the basic principles upon which the nation’s democracy had been built. In this context, it’s not surprising that Aandhi was banned by the government during the Emergency on the grounds that the film’s protagonist bore an inappropriate resemblance to Mrs. Gandhi. As a result, certain scenes depicting the protagonist drinking and smoking were re-shot and an extra scene in which the protagonist tells her father that she idolizes Indira Gandhi (“ye hii to mere ideal hai.n“) was included to separate the film from real life. Although the parallels in appearance, mannerisms, and even the film’s title (Aandhi, meaning storm, rhymes with Gandhi) are undeniable, Gulzar explains in an old Filmfare interview that he never intended to base this film on the life of Indira Gandhi:

“Contrary to popular opinion, my story wasn’t based on Indira Gandhi’s life. It had nothing to do with Indira-ji. She was just the role model for the lady politician. Frankly, who better could there be? She was such a dynamic lady.”

SuchitraSen_Aandhi_IndiraGandhi

Suchitra Sen tells her father that she idolizes Indira Gandhi in a flashback scene that was added to Aandhi (1975) after the film was initially banned by the government.

With inspiration from a novel titled Kali Aandhi by Hindi author Kamaleshwar, Aandhi (1975) depicts the story of Aarti Devi (portrayed by Suchitra Sen) as she struggles to balance her professional ambitions with her quest for personal gratification while navigating through the volatile world of Indian politics. While traveling on the campaign trail, Aarti is caught by surprise when she runs into her estranged husband JK (portrayed by Sanjeev Kumar), who happens to be the owner of the hotel where she is staying currently. Nine years ago, the call to public service compelled Aarti to eschew her domestic duties and leave her husband and daughter in order to pursue her dreams of becoming a politician. After their unexpected reunion, Aarti and JK cultivate a tender but awkward relationship as they reminisce about memories from their past and come to realize that they still have unresolved feelings for each other after all these years. Through an artistic use of flashbacks, we learn about the development of Aarti and JK’s early romance, the disapproval of their marriage by Aarti’s father, and the eventual breakdown of their relationship. Their domestic conflict evolves into an Abhimaan-esque clash of egos and personalities, and they eventually decide to part ways after several failed efforts to maintain a happy marriage.

Su

Suchitra Sen sports Indira Gandhi’s trademark silver streak in Aandhi (1975).

Ultimately, Aandhi illustrates the complexities of an evolving relationship between two individuals who share mutual respect and affection for each other but are unable to reconcile their differences to converge seamlessly on the same path. In addition to providing a mature and realistic view of human relationships, Aandhi sheds light on the unique challenges that confront Indian women in positions of power as they attempt to balance their professional and personal lives. Although Aarti wins her election at the conclusion of the film, this victory is made bittersweet as she grapples with an unfortunate reality: professional success and domestic bliss were often mutually exclusive for Indian women of her time.

SK

The Martand Sun Temple near Anantnag, Kashmir serves as a gorgeous backdrop for this classic song from Aandhi (1975).

In addition to Gulzar’s skillful direction and the captivating performances delivered by Suchitra Sen (her diction is excused!) and Sanjeev Kumar, Aandhi is remembered most often today for its soundtrack of stunning songs composed by R.D. Burman using Gulzar’s poetry. Each Lata-Kishore duet is a gem and serves to illustrate a different facet of Aarti and JK’s relationship in the film. In particular, the classic “tere binaa zindagii se koii” is a tender and wistful expression of regret and lost love. Without the frills of an elevated vocabulary, this song boldly questions: can living life without the one you love be considered a life at all?

Tere Bina Zindagi Se Koi Shikwa: Lyrics and Translation

tere binaa zindagii se koii shikvaa to nahii.n, shikvaa nahii.n
I have no complaints against a life without you.
tere binaa zindagii bhii lekin zindagii to nahii.n, zindagii nahii.n
Yet a life without you is not a life at all.

kaash aisaa ho tere qadamo.n se
I wish that, from your footsteps,
chunke manzil chale.n aur kahii.n, duur kahii.n
we could find a new destination; somewhere else, somewhere far.
tum gar saath ho manzilo.n kii kamii to nahii.n
With you by my side, there is no shortage of destinations for us to reach.

SK: suno Aartii, ye jo phuulo.n kii bele.n nazar aatii hai.n na?
Listen Aarti, do you see those things that look like flower vines?
darasal ye bele.n nahii.n, arabii me.n aayate.n likhii.n hai.n.
In fact, they are not vines. They are verses written in Arabic.
ise din ke vaqt dekhnaa chaahiye, bilkul saaf nazar aatii hai.n.
We should see them during the day. They can be read very clearly.
din ke vaqt yah saaraa paanii se bharaa rahtaa hai.
During the day, this whole place is filled with water. 
din ke vaqt jab ye phuvaaare

During the day, when these fountains…

SS:  din kii baat kyo.n kar rahe ho? kahaa.n aa paauu.ngii mai.n din me.n?
Why do you keep talking about the day? How will I come here during the day?

SK: yah jo chaand hai na? ise raat main dekhnaa.
Do you see this Moon? Watch it at night.
yah din me.n nahii.n nikaltaa.

It does not come out during the day. 

SS: yah to roz nikaltaa hogaa.
But the Moon comes out every night.

SK: haa.n, lekin biich me.n amaavas aa jaatii hai.
Yes, but the dark fortnight comes in between.
vaise to amaavas pandrah din kii hotii hai.
The dark fortnight usually lasts 15 days.
lekin is baar bahut lambii thii.
But this time, it felt much longer.

SS: nau baras lambii thii na?
It felt as if it were nine years long, no?

jii me.n aataa hai tere daaman me.n
I yearn to seek refuge in your bosom
sar chhupake ham rote rahe.n, rote rahe.n
to hide my face as I continue to weep.
terii bhii aa.nkho.n me.n aa.nsuuo.n kii namii to nahii.n
Are your eyes not clouded by the mist of fresh tears, too?

tum jo kah do to aaj kii raat
If you say so tonight,
chaa.nd Duubegaa nahii.n, raat ko rok lo
even the Moon will not wane. Please stop the night from passing!
raat kii baat hai, aur zindagii baaqii to nahii.n
We only have tonight, for the rest of our lives will not be shared together.

tere binaa zindagii se koii shikvaa to nahii.n, shikvaa nahii.n
I have no complaints against a life without you.
tere binaa zindagii bhii lekin zindagii to nahii.n, zindagii nahii.n
Yet a life without you is not a life at all.

*Female lines in red are sung by Lata Mangeshkar. Male lines in green are sung by Kishore Kumar.  The dialogue takes place between Sanjeev Kumar (SK) and Suchitra Sen (SS). 

Glossary

shikvaa: complaint; qadam: footstep; chunnaa: to select; manzil: destination; kamii: shortage, dearth; bele.n: vines; darasal: in fact; aayate.n: verses; phuvaare: fountains; amaavas: dark fortnight; pandrah: fifteen; baras: year; daaman: lap, bosom; aa.nsuu: tear; namii: moistness; chaa.nd: Moon. 

SK

After rumors circulate regarding her nightly meetings with Sanjeev Kumar, Suchitra Sen reveals to the public that she has been meeting her estranged husband in Aandhi (1975).

Did you know that this song was based on a Bengali melody originally composed by R.D. Burman for a Durga Puja album in the 1970s? Listen to “jete jete pathe holo deri” to hear this melody sung by the composer himself! When Gulzar heard R.D. Burman working on this song with Bengali lyricist Gauriprasanna Mazumdar, he enjoyed the song so much that he wrote Hindi lyrics for the tune so it could be included in Aandhi. When Gulzar inserted the iconic “nau baras lambii thii, na?” dialogue in between antaras of this song, he reports in the same interview that R.D. Burman was not pleased:

“So we kept the original tune for the mukhda, and he composed something else for the antara. But when I inserted some dialogue into the lyrics, Pancham scolded me, “’Do you have any idea of sur and taal? You cut in with your dialogue anywhere you want. It’s not done!”’ But we did it!”

They certainly did something right, as this song has become immortalized as one of Hindi film music’s most treasured creations. Thanks to our reader Raju for requesting this post! Until next time…

-Mr. 55

Shayad Meri Shaadi Ka Khayal Lyrics and Translation: Let’s Learn Urdu-Hindi

Rajesh Khanna Tina Munim Shayad Meri Shadi Mauritius

Rajesh Khanna and Tina Munim fall in love by the beautiful Mauritian beaches in Souten (1983).

Today we present the lyrics and complete English translation to the duet “Shayad Meri Shadi Ka Khayal” from the film Souten (1983). A landmark film for prominently portraying the lives of Indians in the island of Mauritius, Souten tells the story of Mauritian businessman Rajesh Khanna and his relationship with Tina Munim who uses the romantic landscapes to her advantage. The song “Shayad Meri Shadi Ka Khayal” is a playful age-old favorite, with back-and-forth witticisms between an eager young woman anxious to marry a reluctant bachelor.

From frolicking through a forest of palm trees to dancing upon a yacht in a sapphire blue ocean, the song highlights the island’s natural beauty as one of India’s favorite foreign tourist destinations. More exotic than Kashmir, but more familiar than Toyko, Southern Africa’s hidden gem, Mauritius, became the ideal dream-world for filmi escapsim. The bungalow in which much of the Mauritian scenes are filmed was none other than the then Prime Minister of Mauritius’ own house. While filming, Rajesh Khanna loved the set so much that upon his return to India, he modeled his own bungalow “Ashirwad” after the house in Mauritius!

Saawan Kumar Tak, director of Souten, recalls of working with Rajesh Khanna on the film,

“I did a great film like Souten with him. He was born to play that role and I was born to make that film. Such was our rare match. It was a memorable experience working with him. Souten was the first Bollywood film to be shot in Mauritius and since then the beautiful destination gained popularity.” 

Tina Munim mauritius shayad meri

Palm trees sway as Tina Munim playfully urges Mauritian businessman Rajesh Khanna to ask her parents for permission to marry in Souten (1983).

This song has a special parallel meaning for me and my fiancé, who is actually a Mauritian native who came to America for college where we met! Like the heroine in the film, I was all over trying to get him to marry me almost as soon as I heard his French accent the first time! I can totally relate to Tina Munim in this song. And he too went through an elaborate process of asking my parent’s permission to marry me, but unlike the couple in the film, we’ve been lucky. You have to see the movie to learn more about the troubles that follow the marriage of Rajesh Khanna and Tina Munim’s characters in Souten–but the title of the film, (“Second Wife”) can perhaps give you a clue!

Now Souten was actually not the first Indian film to have been shot in Mauritius (Sanjay Khan’s Chandi Sona in 1977 had precedence), however the huge success of Souten is credited for giving Mauritian the popularity it deserved. Dozens of more recent films have taken advantage of the economically-friendly and culturally-similar atmosphere of a country whose citizens are largely of Indian ancestry themselves. In fact, the big blockbuster of the 90s, Kuch Kuch Hota Hai was shot at my fiance’s own high school, Royal College Curepipe!

Rajesh Khanna visor mauritius

Sweet red visor, Rajesh! Show those locals how we do it in Bombay!

Composed by glass-ceiling shattering female music director, Usha Khanna, “Shayad Meri Shadi” is sung by dynamic duo Lata Mangeshkar and Kishore Kumar. I hope our English translation of “Shayad Meri Shadi” opens up your horizons to the splendor of an island you perhaps otherwise would have never known. Follow along with our lyrics by watching the song here, and enjoy more sights of Mauritian beauty with some of our engagement pictures at Caselas Nature and Wildlife Park in Mauritius below!

 

Shayad Meri Shaadi Ka Khayal Lyrics and Translation:

Female:
Shaayad merii shaadi kaa khayaal dil mei.N aayaa hai
Perhaps the thought of my marriage came to her heart
Isii liye mummy ne merii, tumhe.N chaaii pe bulaayaa hai
For this reason, my mother has called you over for tea

Male:
Kyaa kahaa? Phir se doharaanaa na
What did you say? Repeat it again

Female:
Shaayad merii shaadi kaa khayaal dil mei.N aayaa hai
Perhaps the thought of my marriage came to her heart
Isii liye mummy ne merii, tumhe.N chaaii pe bulaayaa hai
For this reason, my mother has called you over for tea

Male:
Panchhii akelaa dekh ke mujhe, yeh jaal bichhaayaa hai
You saw me as a lone bird and set this trap
Isii liye mummy ne terii, mujhe chaaii pe bulaayaa hai
For this reason, your mother has called me over for tea
Kyuu.N hai na?
Isn’t that right?

Female:
Nahii.N, nahii.N!
No, no!
Thiik tum, chaar baje, ghar chale aanaa
At precisely four o’clock, come to the house
Meraa haath maang lenaa, zaraa naa sharamaanaa
Do not feel embarrassed to ask for my hand

Male:
Saat phere mere sang sapne dekh rahi ho
You are seeing dreams of wedding rituals alongside me
Khili huii dhuup mei.N, taare dekh rahi ho!
In broad daylight, you are seeing stars!
Are nahii.N, nahii.N baabaa, chaaii nahii.n peenaa!
No, no, lady, I will not drink tea!

Female:
Kyuu.N, kyuu.N?
Why, why?

Male:
Taubaa merii taubaa, maaf kar denaa!
Oh my goodness, forgive me!

Female:
Inhii.N adaao.N par to haaye apnaa dil aayaa hai
Because of your pretenses, my heart is sighing
Isii liye mummy ne terii, mujhe chaaii pe bulaayaa hai
For this reason, my mother has called you over for tea

Male:
Naa, naa, naa, naa!
No, no, no, no!

Female:
Dillagi na karo, chheDo na humko sanam
Do not play around, do not tease me, beloved
Haa.N kaho, ghar chalo, tumko meri qasam
Say yes, come to the house, swear by me

Male:
Jaan-e-man, maanaa ham tumpe marte hai.N
Darling, I accept that I have fallen for you
Pyaar to Theek hai, shaadii se Darte hai.N!
Love is fine, but I am afraid of marriage!
Shaadi se pehle to, sab achchhaa lagtaa hai
Before marriage, everything seems great
Saari umr ko phir, ronaa paDtaa hai!
But for the rest of my years, I will have to cry!

Female:
Inhii.N adaao.N par to haaye apnaa dil aayaa hai
Because of your pretenses, my heart is sighing
Isii liye mummy ne terii, mujhe chaaii pe bulaayaa hai
For this reason, my mother has called you over for tea

Male:
O, panchhii akelaa dekh ke mujhe, yeh jaal bichhaayaa hai
You saw me as a lone bird and set this trap
Isii liye mummy ne terii, mujhe chaaii pe bulaayaa hai
For this reason, your mother has called me over for tea

Female:
Tumhe.N merii qasam aaoge, na?
You swear by me that you will come, right?

Male:
Nahii.N, bilkul nahii.N!
No, absolutely not!
Haa.N terii qasam, aauu.Ngaa!
OK, yes, I swear by you that I will come!

Glossary:

shaayad: perhaps; shaadi: wedding; khayal: thought; dil: heart; isii liye: for this reason; chaaii: tea; doharaanaa: to repeat; panchhii: bird, akelaa: alone; jaal: trap; Thiik chaar baje: at precisely four o’clock; [kisi ka] haath maangnaa: to ask [for someone’s] hand in marriage; sharmaanaa: to become embarrassed; saath phere: Hindu wedding ritual of seven circles around a ceremonial fire; sapnaa: dream; dhuup: sunlight; taaraa: star; maa’af kar dena: to give forgiveness; adaa: style, grace, pretense; dillagi: amusement; chheDnaa: to tease; [kisi ki] qasam: to swear by someone; jaan-e-man: mind of my soul, darling; maannaa: to accept, to agree; [kisi pe] marnaa: to fall in love with someone; Darnaa: to be afraid of; pehlaa: first, before; umr: years; ronaa: to cry

This song is dedicated to another Mauritian ex-patriot and fan of Mr. and Mrs. 55, Ayoob! Hope you enjoy the reminder of paradise glamourized as only Rajesh Khanna in an all-white jumpsuit can. My challenge to you, Mauritian fans: which Mauritian beach do you think this song is film at? Grand Baie, Péreybère, Belle Mar Plage, etc.? Let us know your insider opinion!

-Mrs. 55

blue beach mauritius shayad meri shadi

Despite the close-call of an on-screen kiss between Tina Munim and Rajesh Khanna, the blue beaches of Mauritius steal the show in Souten (1983).

P.S. Speaking of shaadis, it’s T-minus 7 months to my wedding! Mr. and Mrs. 55 and I have been busily planning our “surprise item” for the Sangeet (non-surprising spoiler alert: it’s going to be a performance of an old Hindi film love song!), and I just returned from India for an epic shopping trip that resulted in more Sabyasachi lenghas than should be legal. We’ll keep posting more details in future posts as the wedding day approaches!