Shammi Kapoor Asha Parekh Teesri Manzil.png

O Mere Sona Re Lyrics & Translation: Let’s Learn Urdu-Hindi

Shammi Kapoor Asha Parekh in O Mere Sona Re Teesri Manzil
Asha Parekh flirts with Shammi Kapoor by poking hay in his ear during “O Mere Sona Re” from Teesri Manzil (1966).

Today we showcase the lyrics and English translation of “O Mere Sona Re” from the film Teesri Manzil (1966). This playful duet is one of many gems in R. D. Burman’s crowning soundtrack for this memorable film.

Teesri Manzil opens as a dark murder mystery when Asha Parekh’s sister falls to her death off the balcony of the third story of a hotel. Seeking revenge on her sister’s ex-lover Rocky whom she believes to be the culprit, Asha travels to Deradhun where Rocky is the lead singer in a band. However, she’s (almost literally) derailed by a train ride meet-cute with Shammi Kapoor, transforming the film into a slapstick romantic-comedy. Smooth operator Shammi Kapoor and corny, but savage Asha Parekh exchange a biting repartee that builds a perfect synergy between the two notoriously over-the-top actors.

After a misunderstanding about Shammi’s romantic, but honorable intentions, Asha leaves him in the lurch only for him to be beaten up by goons before her eyes–a consequence she deeply regrets. Asha cajoles him with the energetically flirtatious “O Mere Sona Re” on a sunny hillside. The song has particular significance in the film as she had hitherto refused to call him by his nickname “Sona.” Although she now uses this term of endearment for romantic effect, the joke is on her because the audience knows something he has been desperately hiding from her: Sona is actually Rocky!

Shammi Kapoor Asha Parekh Teesri Manzil.png
Asha Parekh and Shammi Kapoor create Vaudevillian chemistry in Teesri Manzil (1966).

Can you hear that single-note high-pitched violin? It’s the sound of your interest being piqued. We hope that you love our English translation of the beloved “O Mere Sona Re” below–it’s one of the most fun Asha-Rafi duets from that era! And we both know you never hit “skip” when it pops up on your iTunes shuffle.

O Mere Sona Re Lyrics & Translation:

O mere sonaa re, sonaa re, sonaa re
Oh my beloved, my beloved, my beloved
de duu.Ngii jaa.N judaa mat honaa re
I will give you my life, but let us not be separated
mai.N ne tujhe zaraa der mei.N jaanaa
I took some time to get to you know better
huaa qusuur khafaa mat honaa re
It was my fault, but do not become upset
O mere sonaa re, sonaa re, sonaa …
Oh my beloved, my beloved, my beloved…

o merii baaho.N se nikal ke, tu agar mere raste se haT jayegaa
Oh if you escape from my arms and leave my path
toh laharaake ho balkhaake, meraa saayaa tere tan se lipaT jaayegaa
Then swaying and billowing, my shadow will wrap around your body
Tum chhuDaao laakh damaa.N
You may release yourself from a hundred thousand of my embraces
chhoDte hai.N kab yeh armaa.N?
But when will you let go of these desires?
Ki mai.N bhii saath rahuu.Ngii rahoge jahaa.N
For I will stay together with you wherever you are

O mere sonaa re, sonaa re, sonaa…

O miyaa, hamse na chhipaao, woh banaavaT kii saarii adaaye.N liye
O gentleman, do not hide from me with all your artificial graces
Ki tum is pe ho itaraate, ki mai.N piichhe huu.N sau iltijaae.N liye
Why must you flaunt so much when I am behind you pleading a hundred times?
jii, mai.N khush huu.N, mere sonaa
Yes, I am happy my beloved
jhuuTh hai kyaa? Sach kaho na!
Is this a lie? Tell me the truth!
Ki mai.N bhii saath rahuu.Ngii rahoge jahaa.N
For I will stay together with you wherever you are

O mere sonaa re sonaa re sonaa…

O phir hamse na ulajhnaa, nahii.N laT aur uljhan mei.N paD jayegii
Oh, do not entangle me again, for if not, your hair will become even more tangled
O pachtaaogii kuch aise, ki yeh surakhii labo.N kii utar jaayegii
Oh, you will regret so much that the redness of your lips will disappear
yeh sazaa tum bhuul na jaanaa
Do not forget this punishment
pyaar ko Thokar mat lagaanaa
Do not knock down love again
ki chalaa jaau.Ngaa phir mai.N na jaane kahaa.N
For I will leave then, I do not know where

O mere sonaa re sonaa re sonaa…

Glossary:

sonaa: beloved (literally: gold/golden one); jaan: life; judaa: separation; der mei.N: late; qusuur: fault; khafaa: angry; baahe.N: arms; nikalnaa: to come out, to emerge; raastaa: path; haT jaanaa: to get out; laharaanaa: to sway, to wave; balkhaanaa: to billow; saayaa: shadow; tan: body; lipaT jaanaa: to wrap around, to twist; chhudaanaa: to release, to disengage; laakh: one hundred thousand; daamaa.N: embrace; chhodnaa: to let go of, to release; armaa.N: desire; miyaa: gentleman; chhipaanaa: to hide; banaavaT: artificial, fake; adaa: grace, style; itaraanaa: to flaunt, to show off; piichhe: behind; iltajaa: plea; khush: happy; jhuuTh: lie; sach: truth; phir: again, then; ulajhnaa: to bother, to entangle; laT: locks of hair; pachtaanaa: to regret; surakhii: redness; lab: lips; utarnaa: to get off, to descend; sazaa: punishment; bhuulnaa: to forget; Thokar: knock;

Shammi Kapoor O Mere Sona Re
His pompadour ruffled irreparably, Shammi Kapoor reproaches Asha Parekh at the end of “O Mere Sona Re” from Teesri Manzil (1966).

You may now be asking yourself, what is poetic genius Majrooh Sultanpuri really saying on a deeper level with the whole “pachtaaogii kuch aise, ki yeh surakhii labo.N kii utar jaayegii“?

Like…are we just talking about lipstick getting smudged here…by her love interest perhaps? Or is she going to lose that red color because she grows pale from iron deficiency anemia? Will there be actual blood loss?

So many ways to interpret this. I leave it to you, O, gentle reader.

This winner was requested by superfan Shiraz. We love getting great requests like this one!

– Mrs. 55

Zeenat Aman pretending to play guitar in Yaadon ki Baraat

Chura Liya Hai Lyrics & Translation: Let’s Learn Urdu-Hindi

Zeenat aman chura liya hai asha bhonsle
Zeenat Aman opens “Chura Liya Hai” with a perfectly harmonious clanking of bar goblets in Yaadon Ki Baraat (1973). R.D. Burman achieved this sound by actually clanking a spoon against a glass!

Today we showcase the lyrics and English translation to “Chura Liya Hai” from retro classic Yaadon Ki Baraat (1973).

The robust musical composition of “Chura Liya Hai” is nothing short of genius: its instrumental experimentation and rich layers of orchestral nuance are what made R.D. Burman such a radical revolutionary in the industry. But first we must start by discussing the comical opening sequence of Zeenat Aman fake guitaring. I’m sorry, but this can’t be ignored, nor can anyone’s feelings about it be overstated.

Have you ever seen someone play the guitar, Zeenat? Does the timing of when you pluck strings and when the guitar emits sound make sense to you? Or were you rushing through the scene because Elvis was calling and wanted his white jumpsuit back?

Zeenat Aman pretending to play guitar in Yaadon ki Baraat
Abandoning all pretense, Zeenat Aman gives her guitar a hug in Yaadon ki Baraat (1973).

I’ll move on. Director Nasir Hussein’s hit film Yaadon Ki Baraat plays upon the classic Hindi film trope of three-brothers-separated-in-childhood who reunite as adults and serve up some nice cold justice on a platter. I’m waiting for someone to remix this as a sister story with a welcome whiff of feminism, but it’s fine. While I would argue Waqt and Amar, Akbar, Anthony made far more note-worthy contributions to cinema, Yaadon Ki Baraat was a formulaic commercial success despite the gauche performance by its leading man Vijay Arora. And yes, I have strong feelings about those protruding ruffles on his tuxedo shirt, but I’ll spare you.

Vijay Arora in Chura liya hai.png
Vijay Arora casually throws the guitar he does not know how to hold over his shoulder in “Chura Liya Hai” from Yaadon Ki Baraat (1973). In doing so, Zeenat realizes she has found someone who truly understands her.

Vijay Arora plays one of the three brothers who falls for the wealthy daughter of his adoptive father’s employer (played by Zeenat Aman). With vocals that have reached peak Rafi perfection (just years before his voice took a turn for the husky), Vijay easily lands the girl by transforming “Chura Liya Hai” into a flirtatious duet when he pipes up mid-way through the number.

We hope you enjoy our lyrics and English translation to “Chura Liya Hai” below! God bless you, Majrooh Sultanpuri. Punjabi words like lahuu never make it to mainstream Bollywood songs.

Chura Liya Hai Lyrics & English Translation:

ASHA: Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Badal ke merii tum zindagaanii
Even as you change my life
Kahii.N badal na jaanaa, sanam
Do not go and change yourself, my beloved

Ho! le liyaa dil, oh! Haaye meraa dil!
Oh you have taken my heart! Oh, sigh, my heart!
Haaye, dil lekar mujhko na behlaanaa
Sigh, as you take my heart, do attempt to pacify me

Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Badal ke merii tum zindagaanii
Even as you change my life
Kahii.N badal na jaanaa, sanam
Do not go and change yourself, my beloved

Bahar banke aauu.N kabhii tumhaarii duniyaa mei.N
I will become the Spring and enter your world
Guzar na jaaye yeh din kahii.N issii tamannaa mei.N
Let my days not disappear with this desire
Tum mere ho, ho! tum mere ho, aaj tum itnaa waadaa karte jaanaa
You are mine, oh! You are mine, today you can only leave if you promise me this

Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Badal ke merii tum zindagaanii
Even as you change my life
Kahii.N badal na jaanaa, sanam
Do not go and change yourself, my beloved

RAFI: Ho! sajaau.Ngaa luT kar bhi tere badan ki Daali ko
Oh! I would destroy myself to decorate the branches of your body
Lahuu jigar ka duu.Ngaa hasii.N labo.N ki laalii ko
I will give the blood from my heart for the rouge of your lips
Hai wafaa kyaa is jahaa.N ko, ek din dikhlaa duu.Ngaa mai.N diiwaanaa
One day, this crazy man will show the world what a true promise is

Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Badal ke merii tum zindagaanii
Even as you change my life
Kahii.N badal na jaanaa, sanam
Do not go and change yourself, my beloved

Ho! le liyaa dil, oh! Haaye meraa dil!
Oh you have taken my heart! Oh, sigh, my heart!
Haaye, dil lekar mujhko na behlaanaa
Sigh, as you take my heart, do attempt to pacify me

Churaa liyaa hai tumne jo dil ko
If you steal my heart
Nazar nahii.N churaanaa, sanam
Do not steal your gaze away from me, my beloved
Hmmm hmmm hmmmm
Hmmm hmmm hmmmm

Glossary:

churaanaa: to steal; dil: heart; nazar: gaze; sanam: beloved; badalnaa: to change; zindagaanii: life; behlaanaa: to pacify; Bahaar: Spring; duniyaa: world; guzaar jaanaa: to pass; tamannaa: desire; waadaa: promise; sajaanaa: to decorate; luT: ruin, destruction; badan: body; Daalii: branch; lahuu: blood [Panjabi]; jigar: liver/heart; hasii.N: beautiful; lab: lips; laalii: redness; jahaa.N: world; din: day; dikhlaanaa: to show; diiwaanaa: crazy (in love), a la Beyonce

Vijay Arora and Zeenat Aman in Yaadon Ki Baarat.png
Zeenat Aman and Vijay Arora  act all like they didn’t notice the other one is singing straight at them in “Chura Liya hai” from Yaadon Ki Baraat (1973).

You guys might recall that album “You’ve Stolen My Heart” by the Kronos Quartet and Asha Bhonsle in 2005. It features this song…and let’s just say, my heart didn’t get stolen. To me, this song could not be improved upon–and I rarely ever question the absolute sublimity of a Rafi-Lata duet. Here, I have come to appreciate what Asha uniquely brings to this song–a kind of vivacity and playfulness that Lata would have done very differently–and I wouldn’t change it even if I could!

-Mrs. 55

O Sajna Barkha Bahar Aayi Lyrics and Translation: Let’s Learn Urdu-Hindi

Sadhana wistfully enjoys the rain in "o sajna barkhaa bahaar aayii" from Parakh (1960). Because she plays the role of a village girl here, she was instructed to get rid of the characteristic "fringe" hairstyle seen in her later movies in order to avoid looking too glamorous!

Rain songs have always held a special place in Bollywood cinema. From “pyaar hua iqraar hua” in Shree 420 (1955) to “ghanan ghanan ghir aayii badra” in Lagaan (2001), fans of Hindi cinema have been treated to a number of beautiful gems about the rain over the years. Today, I’ve translated an all-time classic rain song from the film Parakh (1960) directed by Bimal Roy (he won his third Filmfare Award for Best Director for this film!): “o sajna barkhaa bahaar aayii”.   Parakh satirizes Indian democracy using a plot in which the postmaster (Nasir Hussain) of a village mysteriously receives a check for five lakh rupees to be given to an individual who is most well-equipped to benefit the village. When it is decided that an election will be held, influential characters in the village begin campaigning to persuade the village that they are the most deserving candidate to receive the check: namely, the impious postman (Motilal), the pious piest (Kanhaiyya Lal), the creepy rich man (Asit Sen), the greedy doctor (Rashid Khan) , the landlord (Jayant), and the well-respected schoolmaster (Vasant Chowdhury). Meanwhile, the postmaster’s daughter (Sadhana) begins to fall in love with the schoolmaster, and she sings “o sajna” as she pines for him in the rain.

A musically timeless duo: playback singer Lata Mangeshkar and music director Salil Chowdhury

This song is considered to be one of the finest compositions of the music director Salil Chowdhury (who also wrote the story for Parakh). Although Salil Chowdhury did not receive his due during his lifetime, he is undeniably  one of the most talented and revolutionary composers from the Golden Era. His compositions are often remembered for their unusual melodies, rich orchestration, and integration of Western and Indian classical themes. Those of you familiar with Salil Chowdhury’s work in Bollywood may be surprised to know that he also composed songs for a wide variety of Indian languages, including Bengali, Malayalam, Tamil, Kannada, Telegu. Among these languages, Salil’s most prolific work was in his native tongue Bengali–he revolutionized the genre of the Bengali adhunik (modern) song with his musical compositions and self-written lyrics (what a multi-talent!). In fact, as is the case with many of his Hindi songs,  the tune for “o sajna” was released in Bengali first in 1959 as “na jeo na.” This song was one of Lata Mangeshkar’s earliest hits in the Bengali music industry, and Bengalis have cherished the collaboration between Lata and Salil ever since this major musical milestone.

–Mr. 55

P.S: As an extra tidbit of trivia, it has been said that the only non-classical record found in the collection of renowned Hindustani vocalist Ustad Bade Ghulam Ali Khan after his death was an LP of “na jeo na.” What an honor!

O Sajna Barkha Bahar Aayi Lyrics and Translation

o sajnaa barkhaa bahaar aayii
Oh, my beloved, the rain-filled season of spring has arrived.
ras
kii puhaar laayii, a.nkhiyo.n me.n pyaar laayii
It has brought sprinkling droplets of nectar, it has brought love to these eyes.

tum ko pukaare mere man kaa papiiharaa
The cuckoo bird in my heart calls out to you,
miThii miThii aganii me.n jale moraa jiiyaraa
as my heart burns in a sweet fire.

aisii rimjhim me.n, o sajan, pyaase pyaase mere nayan
My eyes long for you, my beloved, in this light shower of rain;
tere hii khvaab me.n kho gaye
they have become lost in a dream of you.

saa.nvalii salonii ghaTaa jab jab chhaayii
When the beautiful dark clouds spread throughout the sky,
a.nkhiyo.n me.n rainaa gayii, nindiyaa na aayii
the night passed in my eyes, and I could not fall asleep.

o sajna barkhaa bahaar aayii
Oh beloved, the rain-filled season of spring has arrived.

Glossary

barkhaa: rain; ras: nectar; puhaar: sprinkles, droplets; papiiharaa: pied-crusted cuckoo bird (associated with the monsoons in Indian mythology); jiyaraa: heart; rimjhim: light rain; saa.nvalii: beautiful; salonii: dark; ghaTaa: clouds; rainaa: night; nindiyaa: sleep.