Tum Hi Mere Mandir Lyrics and Translation: Let’s Learn Urdu-Hindi

Nutan_Khandan
Nutan embodies the essence of an archetypal pativrata wife in Khandaan (1965)

Today, we present the lyrics and English translation to “Tum Hi Mere Mandir” from Khandaan (1965).

In light of the ongoing #MeToo movement that has now made its way to the echelons of Bollywood elite, perhaps this song was not the most timely choice. Let me be clear: I do not support the misogynistic undertones of husband-worshipping expressed in this song. I do, however, love this song for Ravi’s delicately crafted tune that has been rendered to perfection by Lata Mangeshkar in her all-time prime.

Viewed with modern eyes, Rajendra Krishan’s words can certainly be construed as misogynstic and downright cringeworthy. However, appreciating these lyrics in the context of the story depicted in Khandaan adds a bit of tempering nuance. In this film, Sunil Dutt plays a man with special needs who feels that he is not a worthy partner to his wife. To strengthen his spirit, the ever-graceful Nutan comforts him with a serenade of this lilting gem. The lyrics of “Tum Hi Mere Mandir” take on a more egalitarian meaning in this context: instead of espousing blind subservience, marital love is portrayed as a divine commitment that should not be weakened by judging our partners for their flaws and imperfections.

This iconic song took home some of the big prizes at the Filmfare Awards Ceremony of 1966. Ravi won Best Music Director, Rajendra Krishan won Best Lyricist, and Lata Mangeshkar received a well-deserved Best Singer award (her third of four total). I mean, it can’t just be my heart that skips a beat as Lata begins to hum that lullaby in the third stanza?

-Mr. ’55
Nutan_SunilDutt_Khandan
Nutan comforts her husband Sunil Dutt with this iconic love song in Khandaan (1965)

Tum Hi Mere Mandir: Lyrics and English Translation

tum hii mere mandir, tum hii merii puujaa
You are my temple, you are my prayer.
tum hii devtaa ho
You are my God.
koii merii aa.nkho.n se dekhe to samjhe
If someone were to see through my eyes, they would understand
ki tum mere kyaa ho
what you mean to me.

jidhar dekhtii huu.n, udhar tum hii tum ho
Wherever I look, I see you and only you.
na jaane magar kin khayaalo.n me.n gum ho
But I do not know what thoughts you are lost in.
mujhe dekh kar tum zaraa muskuraa do
Show me a smile when you glance at me,
nahii.n to mai.n samjhuungii mujh se khafaa ho
or else I will think that you are angry with me.

tum hii mere maathe kii bindiyaa kii jhilmil
You are the sparkle of the bindi on my forehead.
tum hii mere haatho.n ke gajaro.n kii manzil
You are the destination of the flower garlands in my hands.
mai.n huu.n ik chhotii-sii maaTii kii guDiyaa
I am just a little clay doll.
tum hii praaN mere, tum hii aatmaa ho
You are my life, you are my soul.

bahut raat biitii chalo mai.n sulaaa duu.n
It is late in the night; come, let me put you to sleep.
pavan chheDe sargam, mai.n lorii sunaa duu.n, mmmm….
The wind carries a tune, while I sing you a lullaby.
tumhe.n dekh kar yeh khayaal aa rahaa hai
When I look at you, I feel that I am watching
ki jaise farishtaa koii so rahaa ho
an angel in peaceful slumber.

tum hii mere mandir, tum hii merii puujaa
You are my temple, you are my prayer.
tum hii devtaa ho
You are my God.

Glossary

mandir: temple; puujaa: prayer; devtaa: God; gum: lost; muskuraanaa: to smile; khafaa: angry; bindiyaa: decorative mark worn in middle of forehead by Indian women; jhilmil: sparkle; gajraa: flower garland; manzil: destination; maaTii: clay; guDiyaa: doll; praaN: life; aatmaa: soul; sulaanaa: to put to sleep; pavan: breeze, wind; sargam: melody, tune; lorii: lullaby; farishtaa: angel.

Nutan_SunilDutt_Khandan
Nutan serenades Sunil Dutt on a casual bedroom jhoola in Khandaan (1965).
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Rajesh Khanna Aradhana mountain echo

Kora Kaagaz Tha Lyrics & English Translation: Let’s Learn Urdu-Hindi

Rajesh Khanna Sharmila Tagore Aradhana kora kagaz
Rajesh Khanna and Sharmila Tagore clasp hands against the beautiful Darjeeling countryside in the film Aradhana (1969).

Today we present the lyrics and English translation of one of Bollywood’s favorite love duets “Kora Kaagaz Tha” from Aradhana (1969). The song is a welcome introduction to Autumn, filmed on location on the hilltops of Darjeeling where the only thing cozier than a view of the snow-capped mountains in the distance is Rajesh Khanna in a red turtleneck.

Aradhana has rightfully earned widespread acclaim as a monumental Bollywood masala flick that really epitomizes India’s Golden Age of filmmaking. Songs like “Kora Kaagaz Tha” remind us how romance could once be spun from the magic in the air rather than from the dwindling lengths of the heroine’s skirt or from 6,000,000 back-up dancers bumping to an added techno beat. Very few love duets get everything right like this one does, immersing their audience in the beauty of India’s natural landscapes while allowing the Urdu and music to speak for themselves. Sharmila Tagore with her dimpled smile and Rajesh Khanna winking his legendary wink are pure, no-added-hormones or preservatives-required bliss.

I can think of a few other songs that defrost my lifeless heart similarly: “Deewana Hua Badal” from Kashmir Ki Kali (1964) and “Abhi Na Jao Chhod” from Hum Dono (1961) come to mind.

Sharmila Tagore Aradhana kora kagaz
Sharmila Tagore’s spotlight-hogging wig takes no prisoners in Aradhana (1969).

Film director Shakti Samanta famously recalled that after pitching the brief summary of Aradhana to lyricist Anand Bakshi, Bakshi was inspired to write the lyrics to “Kora Kaagaz Tha” within seconds. Who would’ve guessed almost 50 years later, those same poetic ideas would be resurrected in mainstream American pop music with Taylor Swift’s popular “Blank Space“? (OK, maybe T. Swizzle has never seen Aradhana before…but I bet if she did, her eyeliner would drip onto the floor from happy tears.)

The best advice I can give you is to put on your best plaid flannel, wrap a wool throw around you and the one you love, and take a long sip of apple cider before starting this one. I have your back, trust me. As you listen, soak in the full glory of the Urdu “ghain” that punctuates Kishore Kumar’s “kaaghaz” or the blissful pop of the Urdu “qaaf,” adorning Lata Mangeshkar’s “mulaaqaat.” These are elegant linguistic subtleties that are fast disappearing from Bollywood music today. Lyrics and English translation to “Kora Kaagaz Tha” are below!

Kora Kaagaz Tha Lyrics & English Translation:

KISHORE: Hey hey (hey hey) aahaa hmm hmm (hmm hmm) aahaa haa (haa) haa haa (hmm hmm)

Koraa kaaghaz thaa yeh man meraa (meraa meraa)
My mind was a blank sheet of paper 
Likh liiyaa naam is pe teraa (teraa teraa)
Until I wrote your name upon it

Koraa kaaghaz thaa yeh man meraa
My mind was a blank sheet of paper
Likh liiyaa naam is pe teraa
Until I wrote your name upon it

LATA: Suunaa aa.Ngan thaa jiivan meraa
My life was a lonely courtyard
Bas gayaa pyaar is mei.N teraa
Until your love resided within it

KISHORE: TuuT na jaaye sapne mai.N Dartaa huu.N
I am afraid that my dreams may shatter
Nis din sapno.N mei.N dekhaa kartaa huu.N
I keep seeing you in my dreams all day and night
Nainaa kajraa re, matvaale yeh ishaare
Oh, those kaajal-lined eyes, those intoxicating signals
Khaalii Darpan thaa yeh man meraa
My mind was an empty mirror
Rach gayaa ruup is mei.N teraa
Until your beauty manifested within it

LATA: Koraa kaaghaz thaa yeh man meraa
My soul was a blank sheet of paper
Likh liiyaa naam is pe teraa
Until I wrote your name upon it

LATA: Chain ga.Nvaayaa mai.N ne, ni.Ndiiyaa ga.Nvaayii
I lost all peace of mind, I lost sleep
SaaDii saaDii raat jaaguu.N, duu.N mai.N duhaayii
I remain awake all night long and I pray
Kahuu.N kyaa mai.N aage? Nehaa laage, jee na laage
What should I say next? I have fallen in love, my soul is restless
Koii dushman thaa yeh man meraa
My soul was an enemy
Ban gayaa miit jaa ke teraa
Until it became your beloved

KISHORE: Koraa kaaghaz thaa yeh man meraa
My soul was a blank sheet of paper
Likh liiyaa naam is pe teraa
Until I wrote your name upon it

KISHORE: Baagho.N mei.N phuulo.N ke khilne se pehle
Before the flowers bloomed in the gardens
LATA: Tere mere naino.N ke milane se pehle
Before your and my eyes met
KISHORE: Kahaa.N thii yeh baate.N?
Where were words like these?
LATA: mulaaqaate.N?
Meetings like these?
KISHORE: aisii raate.N?
Night like these?
LATA: TuuTaa taaraa thaa yeh man meraa
My soul was a shooting star
KISHORE: Ban gayaa chaa.Nd hoke tera
It turned into a moon when I became yours

BOTH: Koraa kaaghaz thaa yeh man meraa
My soul was a blank sheet of paper
Likh liiyaa naam is pe teraa
Until I wrote your name upon it

LATA: Aa aa aaa aa
KISHORE: Aaa aa aaa
LATA: O hooo hoo hoo
KISHORE: O hooo hoo hoo
LATA: Hmm hmm mmm mmm
KISHORE: Hmm hmm mmm mmm

Glossary:

koraa: blank; kaaghaz: piece of paper; man: mind; likhnaa: to write; naam: name; suunaa: lonely, empty; aa.Ngan: courtyard; jiivan: life; basnaa: to reside, to settle; pyaar: love; TuuTnaa: to break; sapnaa: dream; Darnaa: to be afraid; nis-din: day and night; nainaa: eyes, kajraa: black eye-liner, re: an expression of emphasis, such as “oh!”; matvaalaa: intoxicated; ishaaraa: signal; khaalii: empty, Darpan: mirror; rachnaa: to create, to manifest; ruup: beauty; chain: peace of mind; ga.Nvaanaa: to waste, to ruin; ni.Ndiiyaa: sleep; saaDii: entire, whole; jaagnaa: to awaken; duhaaii denaa: to pray, to request; aage: next, future; nehaa: love; dushman: enemy; miit: loved one; baagh: garden; phuul: flower; khilnaa: to blossom; milnaa: to meet; baat: words; mulaaqaat: meeting; TuuTaa taaraa: shooting star; chaa.Nd: moon

Rajesh Khanna Aradhana mountain echo
Why, hello, cozy red turtleneck. Rajesh Khanna (of perfect human being fame) induces a sense of lightheadedness that the mountain’s altitude could never achieve alone.

Aradhana takes a turn for the spicy a few scenes later with Kishore Kumar’s solo “Roop Tera Mastana” because, after all, you can’t make a masala film without the masala. But those who would forever rather stick to the old fashioned tree-frolicks of classic Bollywood, stay here in safe territory with me as long as the season lasts.

– Mrs. 55

Ek Radha Ek Meera Lyrics and Translation: Let’s Learn Urdu-Hindi

Mandakini
Mandakini made her controversial debut as the heroine in Ram Teri Ganga Maili Ho Gayi (1985).

Today, we present the lyrics and English translation to ek radhaa ek miiraa from Ram Teri Ganga Maili Ho Gayi (1985), the last film directed by the legendary actor-director Raj Kapoor.

Ram Teri Ganga Maili Ho Gayi served as the debut for actress Mandakini, who was featured in two controversial scenes that raised eyebrows at the time of the film’s release. In true Raj Kapoor fashion, one of these scenes depicts a scantily clad Mandakini under a waterfall in a transparent white sari. Given all of the recent controversy over Sanjay Leela Bhansali’s Padmavat (2018), it makes you wonder what Raj Kapoor had to do to get such a scene approved by the Censor Board?

In this film, the River Ganges serves as a metaphor for the corruption of Indian society, as it flows from the pure heights of the Gangotri Glacier down to the devastatingly polluted banks of Calcutta. When the film’s heroine (naturally named Ganga) makes her journey from Gangotri to Calcutta, her honor is symbolically tainted at every step – by a woman who leads her to a brothel, a priest who attempts to ritually rape her, and a blind man who coerces her into life as a courtesan. In parallel to the pollution of the River Ganges, Ganga’s innocence is sullied by behavior that reflects the darkest facets of human nature.

The film’s soundtrack composed by Ravindra Jain features several hits by Lata Mangeshkar and Suresh Wadkar, but the Raga Kirwani-based ek radhaa ek miiraa is arguably the most memorable song of the group.  This song highlights a common trope employed in the realm of Hindi films: the mythological juxtaposition of Lord Krishna’s consort Radha against 16th-century mystic poet Meera Bai. Although both women are known for their utmost devotion to Lord Krishna, the lyrics of this song beautifully capture the nuances that set their feelings apart.

One more song that depicts the Radha versus Meera juxtaposition is another Ravindra Jain favorite shyam terii bansii pukare radhaa naam sung by Arati Mukherjee in Geet Gata Chal (1975).

At the end of the day, we’re dying to know one thing: are you #TeamMeera or #TeamRadha? Tell us in the comments!

-Mr. ’55
Mandakini
Born Yasmeen Joseph, she was given the stage name Mandakini by Raj Kapoor for her  film debut.

Ek Radha Ek Meera: Lyrics and English Translation

ik raadhaa ik miiraa, dono.n ne shyaam ko chaahaa
Radha and Meera both loved Krishna.
antar kyaa dono.n kii chaaha me.n bolo?
What was the difference in their love?
ik prem divaanii, ik daras diivaanii
One desired his love, the other desired his glance.

raadhaa ne madhuban me.n DhuunDaa
Radha searched for Krishna in the honey gardens,
miiraa ne man me.n paayaa
while Meera found him in her heart.
raadhaa jise kho baiThii voh govind
When Radha lost Krishna, 
miira haath bik aaya
he fell into Meera’s hands. 
ik murlii ik paayal, ik paglii ik ghaayal
One flute and an anklet, one madwoman and a wounded lover.
antar kyaa dono.n kii priit me.n bolo?
What was the difference in their love?
ik suurat lubhaanii, ik muurat lubhaanii
One desired his beautiful face, the other admired his idol.

miira ke prabhuu girdhar naagar, raadhaa ke manmohan
Krishna was Meera’s Lord and Radha’s beloved consort

sa ga ma pa dha, pa dha ma pa re ma ga
ga re sa ni dha re
re ga ma, ga ma pa, ma pa dha, pa dha sa, ni sa re, aa…

miira ke prabhuu girdhar naagar, raadhaa ke manmohan
Krishna was Meera’s Lord and Radha’s beloved consort
raadhaa nit shringaar kare aur miiraa ban gayii jogan
While Radha adorned herself with ornaments, Meera became an ascetic.  
ik raanii ik daasii, dono harii prem kii pyaasii
One queen and one maid, both longed for Krishna’s love.
antar kyaa dono.n kii triptii me.n bolo?
What was the difference in their fulfillment?
ik jiit na maane, ik haar na maane
One could not accept victory, the other could not accept defeat.

ik raadhaa ik miiraa dono.n ne shyaam ko chaahaa
Radha and Meera both loved Krishna.

Glossary:

raadhaa: Lord Krishna’s mythological consort; miiraa: 16th-century Hindu mystic poet and devotee of Lord Krishna; shyaam: dark-skinned one, a name for Lord Krishna; antar: difference; daras: glimpse, glance; madhuban: honey garden; khonaa: to lose; govind: a name for Lord Krishna; murlii: flute; paayal: anklet; paglii: madwoman, ghaayal: wounded; suurat: face; lubhaanaa: to desire, admire; muurat: idol; prabhuu: lord; girdhar: one who lifts the mountain, a name for Krishna; manmohan: one who pleases the mind, a name for Lord Krishna; nit: always; shringaar karnaa: to adorn, often with ornaments; jogan: female ascetic; raanii: queen; daasii: maid, slave; harii: a name of Lord Krishna; triptii: fulfillment, satisfaction; jiit: victory; haar: defeat, loss.

Rajiv Kapoor
Rajiv Kapoor, Raj Kapoor’s youngest son, stars as the hero who falls in love with Mandakini in Ram Teri Ganga Maili Ho Gayi (1985).

Jai Jai Shiv Shankar Lyrics and Translation: Let’s Learn Urdu-Hindi

Rajesh Khanna and Mumtaz nose rub in Aap Ki Kasam
Rajesh Khanna and Mumtaz’s chemistry is palpable in a cutesy nose rub from Aap Ki Kasam (1974).

Today we showcase the lyrics and English translation to “Jai Jai Shiv Shankar” from Aap Ki Kasam (1974). What started as an innocent trip to the temple by newlyweds Rajesh Khanna and Mumtaz to pray for a child together turns quickly into a hippie dance party (complete with bhang). The irony-laced, quasi-devotional “Jai Jai Shiv Shankar” that ensues is one of the 1970s most memorable duets.

When I was younger, my sister and I used to obsessively watch these VHS tapes with collections of old Bollywood songs (thanks, Mom). On one such tape, dubbed “Greatest Hits of Kishore-Lata,” this number appeared, completely out of context. While we loved the beat of the song and Rajesh Khanna’s striking powder blue bell-bottoms, we HATED Mumtaz and everything about her. First of all, orange is not her colour, and her side burns-turned-curly-Qs would scar any pre-teenage girl. But worse than all her sartorial transgressions was her buffoonery in the opening! Can you imagine the heroine of any of other film stumbling down a staircase in front of everyone? At that time, we had no idea Mumtaz had supposedly just gotten high (much less what bhang even was) and fully intended to come across as comically intoxicated. It took years for us to heal and finally come around to her merits as an actress.

Still, while “Jai Jai Shiv Shankar” is a strong competitor in the marijuana trip-themed category of 1970s Bollywood songs, it loses narrowly to “Dum Maro Dum” from Hare Rama Hare Krishna (1971). To my fellow Hindi film fanatics, I’m sorry, but the gold standard in this particular regard remains Asha.

Mumtaz high in Aap Ki Kasam.png
Mumtaz nails that marijuana-induced euphoria in “Jai Jai Shiv Shankar” from Aap Ki Kasam (1974).

Aap Ki Kasam boasts an incredible soundtrack by R.D. Burman that spans the breadth of human experience–from the love ballad “Karvaten Badalte Rahe” to the philosophic “Zindagi Ke Safar Mein Guzar.” I may never be able to explain some things about “Jai Jai Shiv Shankar,” but it’s a huge highlight of the film. Like who on earth is that random old guy who starts singing halfway through? Do his grandkids watch this video too and point out his cameo with pride to all their American friends at school? Because I would.

Rajesh Khanna posing at Natraj in jai jai shiv shankar.png
Rajesh Khanna attempts a Natraj pose in the field during “Jai Jai Shiv Shankar” from Aap Ki Kasam (1974).

We hope you enjoy our English translation of “Jai Jai Shiv Shankar” below! While this playful song is rarely celebrated for the profundity of its lyrics, I hope you take a moment to appreciate Anand Bakshi’s poetic genius. Let’s face it: he was kind of backed up against a wall with the opening line ending in “Shankar.” After all, when was the last time you heard the word “kankar” used in a Bollywood song? I thought as much.

Jai Jai Shiv Shankar Lyrics and English Translation:

Kishore: Hey jai jai Shiv Shankar!
Victory to Lord Shiva!
Kaa.NTaa lage na kankar
Let neither thorn nor rock befall us
Ke pyaalaa tere naam ka piyaa
For I drink this glass is in your name, sweetheart

Lata: Ho gir jaauu.Ngii! mai.N mar jaauu.Ngii!
Oh, I will fall! I will die!
Jo tune mujhe thaam na liyaa
Unless you hold me
Ho sau Rab dii
Oh I swear to God

Lata: Ek ke do, do ke chaar, mujhko to dikhte.N hai.N
I am seeing one as two, and two as four
Kishore: Aisaa hii hotaa hai.N jab do dil milte hai.N
This is what happens when two hearts meet
Lata: Sar pe zameen, paao.N ke niiche hai aasmaa.N, ho!
Th earth is on my head, and beneath my feet is the sky, oh!

Kishore: Sau Rab di
I swear to God
Lata: Sau Rab di
I swear to God
Kishore: Sau Rab di
I swear to God

Rando [in Braj bhashaa]: O Bansii bhaiyaa!
Oh musical brother!
O more raajaa, baDe jaTnaa se
Oh my King, you are very blessed
Ke chuure terii phulwaarii re…
To have found a flower garden like her

He he he he he he! [maniacal laughter]

Lata: Kandhe pe sar rakhe tum mujh ko sone do
Let me lay head on your shoulder and sleep
Kishore: Masti mei.N jo chaahe.N ho jaaye hone do
In this intoxication, do whatever you want to do!
Lata: Aise mei.N, tum ho gaye ho baDe be-iimaan…ho!
In my state, you seem very dishonest…oh!

Kishore: Sau Rab di
I swear to God
Lata: Sau Rab di
I swear to God
Kishore: Sau Rab di
I swear to God

Kishore: Raste.N mei.N hum dono ghar kaise jaaye.Nge?
How can the two of us return home on this path?
Lata: Gharwaale ab humko khud lene aaye.Nge
Our families will have to come bring us back themselves
Kishore: Kuch bhii ho lekin mazaa aa gayaa, merii jaan…ho!
Anything may happen, but my dear, I had a great time…oh!

Kishore: Sau Rab di
I swear to God
Lata: Sau Rab di
I swear to God
Kishore: Sau Rab di
I swear to God

Kishore: Are, bajaao re, bajaao, imaandaarii se bajaao
Hey! Play on, play with honesty
Are bajaao, pachaas hazaar kharchaa kar diyaa
Hey! Play on, we have spent fifty thousand rupees on this
Are imaandaari se bajaao, beta
Hey! Play with honesty, son

Glossary:

Jai: victory; Shiv Shankar: Lord Shiva in supreme and deity form; kaa.Ntaa: thorn; kankar: rock; pyaalaa: glass/goblet; naam: name; piyaa: beloved; gir jaanaa: to fall; mar jaanaa: to die; thaam lena: to hold; Rab dii sau: swear by God (Panjabi); ek: one; do: two; chaar: four; jab: when; dil: heart; milnaa: to meet; sar: head; zamee.N: earth; paao.N: feet; niiche: beneath; aasmaa.N: sky; bansii bhaiyaa: musical brother [bansii is a reference to Lord Krishna’s flute]; raajaa: king; phulwaari: garden; khande: shoulders; sonaa: to sleep; mastii: intoxication; be-iimaan: dishonest; raastaa: path; hum dono: the two of us; ghar: home; gharwaale: (literally) the people at home; khud: self; kuch bhii: anything; lekin: but, yet; mazaa aanaa: to enjoy [oneself], to have fun; jaan: life (used as a term of endearment); bajaanaa: to play [an instrument]; imaandaarii: honesty, integrity; pachhaas: fifty; hazaar: thousand; kharch karnaa: to spend

Stoned Rajesh Khanna and Mumtaz Jai Jai Shiv Shankar.png
Who would you bet is higher right now, Rajesh or Mumtaz?

Thank you Garima Singh for this awesome request! Did you know Aap Ki Kasam is a remake of a 1970 Malayalam film Vaazhve Mayam? In the original, the ending is way darker, fulfilling stereotypes about the role of women in traditional society that I resent. I won’t spoil the outcome of Aap Ki Kasam for those who haven’t seen this legitimately great film, but just know that Rajesh Khanna plays a fool you will want to smack upside the head repeatedly–an urge that dissipates satisfyingly when he spirals tragically into self-destruction. Karma, baby.

– Mrs. 55

Nainon Mein Sapna Lyrics and Translation: Let’s Learn Urdu-Hindi

Sridevi

The untimely demise of Sridevi at the age of 54 on February 24, 2018 has struck fans of Indian cinema across the globe. Today, in honor of Sridevi’s legacy, we present the lyrics and English translation to “Nainon Mein Sapna” from her first superhit Bollywood film Himmatwala (1983).

Sridevi’s acting career began at the age of four and would go on to include 300 films over the span of more than four decades. As an actress in South Indian language films, Sridevi’s early performances highlight her capacity to portray nuanced roles without the glamor and glitz that pervaded the Bollywood industry. Sridevi’s first foray into the world of Hindi cinema as a leading lady occurred in Solva Sawan (1979), but her rise to Bollywood stardom occurred as the heroine in K. Raghavendra Rao’s Himmatwala (1983), a Hindi remake of the Telegu film Ooruki Monagadu.

Regarding her early success with Himmatwala, Sridevi has said in a 1987 interview:

In Tamil films they love to see me act naturally. But in Hindi films all they want is lot of glamour, richness and masala. My bad luck was that my first big hit in Hindi films turned out to be a commercial one (Himmatwala). When I did a character role in Sadma, the picture flopped. So people started casting me only for glamour roles. But one day I’m going to prove to everyone that I can act also.

Following Himmatwala, Sridevi had a string of Bollywood hits in the 1980s and ’90s, soon becoming one of the most sought after actresses in the industry. Some of her most notable works include Mr. India (1987), Chandni (1989), Chaalbaaz (1989), Lamhe (1991) and Khuda Gawah (1992). After a 15-year hiatus following her controversial marriage to Boney Kapoor, Sridevi made an endearing comeback in English Vinglish (2012) as a Hindi-speaking housewife who takes on learning English for the first time in Manhattan. Most recently, Sridevi starred in Mom (2017) as a vigilante mother who avenges the rape of her daughter, which was the actress’s 300th and final appearance on screen before her death.

With her unparalleled charisma and signature big eyes, Sridevi won the hearts of millions of fans across the world. Given her massive popularity and exceptional body of work, she is widely considered to be Bollywood’s first female superstar. As we mourn the untimely loss of an icon, we send our heartfelt condolences to Sridevi’s family during this difficult time.

Do you have a favorite song featuring Sridevi? Let us know in the comments!

-Mr. ’55

Sridevi

Nainon Mein Sapna: Lyrics and English Translation

LATA: naino.n me.n sapnaa
In my eyes, there is a dream.
sapno.n me.n sajnaa
In my dreams, I see my beloved. 
sajnaa pe dil aa gayaa
My heart has fallen for my beloved. 
kyo.n sajnaa pe dil aa gayaa?
Why has my heart fallen for my beloved?

kaii albele dekhe
I have seen many unique sights
javaanii ke rele dekhe
I have seen processions of youth.
hasiino.n ke mele dekhe
I have seen gatherings of beautiful women.
dil pe tu hii chhaa gayaa
But it is only you that reigns over my heart.

KISHORE: naino.n me.n sapna
In my eyes, there is a dream.
sapno.n me.n sajnii
In my dreams, I see my beloved.
sajnii pe dil aa gayaa
My heart has fallen for my beloved.
ki sajnii pe dil aa gayaa
My heart has fallen for my beloved.

LATA: tuu nahii.n, mai.n nahii.n
There is not just you or just me.
ab dil ik hai
Our hearts are now united as one.
do tan ik praan, do dil ik jaan
Two bodies with one soul, two hearts with one life.
manzil ik hai
We now have the same destination.  

KISHORE: arre ang se ang mile
Oh! As our bodies unite,
armaa.n khil gaye
our desires have blossomed.
purab paschim se, paschim purab se
From West to East and East to West,
kaise mil gaye
we have met in strange ways.

pyaar ke zamaane mile
I have been given a new world of love,
husn ke khazaane mile
I have been given a beautiful treasure,
jiine ke bahaane mile
I have been given a reason to live,
man me.n jo tuu aa gayaa
Once you entered my heart.

Sridvi

LATA: saanche me.n tere hii
In your mold,
mai.n to Dhal gayii
I shaped myself.
tuu ne toDaa hai, aisaa moDaa hai
You broke and twisted me
ho gayii mai.n nayii
to give me a new shape.

KISHORE: arre saa.nso.n me.n ho.nTho.n pe
Oh! In my breaths and on my lips,
teraa hii naam hai
only your name resides.
lenaa denaa hai kyaa mujhe duniyaa se?
I have nothing to give or take from this world,
tujh se kaam hai
for I am only attached to you.

rangii.n nazaare mile
I have seen colorful sights,
tuufaa.n me.n kinaare mile
I have found the shore amidst a storm,
dil ke sahaare mile
I have found comfort for my heart,
dil me.n jo tuu aa gaya
Once you entered my heart. 

LATA: naino.n me.n sapnaa
In my eyes, there is a dream.
sapno.n me.n sajnaa
In my dreams, I see my beloved. 
sajnaa pe dil aa gayaa
My heart has fallen for my beloved. 
kyo.n sajnaa pe dil aa gayaa?
Why has my heart fallen for my beloved?

Glossary

sapnaa: dream; sajnaa: beloved; albelaa: unique; javaanii: youth; relaa: procession, surge; hasiinaa: beautiful women; melaa: gathering, fair; chhaa jaanaa: to reign, dominate; praan: soul; manzil: destination; ang: body; armaa.n: desire; khil jaanaa: to blossom; purab: East; paschim: West; zamaanaa: world; husn: beauty; khazaanaa: treasure; bahaanaa: reason, excuse; saanchaa: mold; toDnaa: to break; moDnaa: to twist; saa.ns: breath; ho.nTh: lip; lenaa: to take; denaa: to give; kaam: task, obligation; rangii.n: colorful; nazaaraa: sight, scene; tuufaa.n: storm; kinaaraa: shore; sahaaraa: comfort, support.

Sridevi