Chal Chal Chal Mere Haathi Lyrics & Translaton: Let’s Learn Urdu-Hindi

Tanuja's car is pushed and pulled by elephants in haathi mere saathi.jpg

Rajesh Khanna gives Tanuja an unusual jumpstart with a herd of elephants in Haathi Mere Saathi (1971).

Today we present the delightful lyrics and English translation of everyone’s childhood favorite song “Chal Chal Chal Mere Haathi” from Haathi Mere Saathi (1971). Rajesh Khanna star as orphaned Raju who makes fast friends with a herd of elephants that protect him and become like family. Among them, Ramu, is the star elephant who helps Raju build a fortune as a street performer, eventually allowing Raju to build a zoo where the community can share in his love of animals. The song “Chal Chal Chal Mere Haathi” during which Rajesh Khanna and Tanuja fall in love is a quintessential “only-in-Bollywood” moment. Where on earth (besides your wildest fantasies) will you ever see a convertible pushed by a group of elephants as a mechanism of securing the romance?

Tanuja plays the cleverly named Tanu whose gorgeous red Chevrolet Impala convertible breaks down in the middle of the road. Raju happens to arrive at the critical moment to help this damsel in distress! Fortunately, the elephant crew knows how to drive that puppy straight to the heart.

Rajesh Khanna elephant haathi mere saathi.jpg

Rajesh Khanna rubs noses with his favorite elephant and they both look happy AF.

Kishore Kumar lends his rich voice to Laxmikant-Pyarelal’s playful composition. Anand Bakshi’s lyrics burst with flirtatious overtures as well as underhanded zingers while the singer teasingly appears to solely address the elephants the entire time. A hearty trumpet is gloriously sprinkled throughout the song’s score as a substitute for the elephants roaring their approval. Be sure to watch extra carefully during the swift stunt in which Rajesh Khanna appears to float to the top of the elephant. Anyone who has taken a good old-fashioned haathi ride during a trip to the motherland knows ascending the elephant is NEVER this graceful. Thank you, awkwardly crouched production assistants who gave our hero the leg-up!

Rajesh Khanna whistles in Tanuja's ear in haathi mere saathi.jpg

Tanuja pretends to drive as Rajesh Khanna whistles flirtatiously in her ear in Haathi Mere Saathi (1971). I mean it, take off those driving gloves, we all know steering is futile.

So pull up a high-chair and reel your kids in for this one. They’re going to love our English translation of the lyrics of “Chal Chal Chal Mere Haathi” and you’ll be glad a world still exists this innocent and colorful, even if only for a few minutes on-screen. Follow along with the video here and enjoy our translation below!

Chal Chal Chal Mere Haathi Lyrics and English Translation:

Chal chal chal mere saathii, O mere haathii
Let’s go, my companion, O my elephant
Chal le chal kaTaaraa khii.Nch ke
Come pull this piece of junk
Chal yaar, dhakka maar
Go on, friend, push!
Band hai moTar kaar
The motor car is broken down
Chal yaar dhakka maar
Go on, friend, push!
Chal chal chal mere saathii…

Phuulo.N se naazuk hai woh, moTar mei.N baiThii hai jo
She who sits in the car is more delicate than a flower
Aahistaa aahistaa chal, usko na taqliif ho
Go carefully, let her not experience any trouble
Haaye, haaye, kha na jaaye
Haaye, haaye, let it not consume me
Uskii naazuk kamariiyaa bal, chal!
The swaying of her delicate hips, let’s go!
Chal chal chal mere saathii…

Khidmat terii kaam de, shaayad woh inaam de
If your service is successful, perhaps she will reward you
Kar us hasii.N ko salaam, aa.Nkhon se paighaam de
If you salute the beautiful lady, she may send you a message through her eyes
Paas aaja, O sun raajaa
Come close, listen O King
Aisa mauqaa na jaaye nikal, chal!
Let this chance not escape, let’s go!
Chal chal chal mere saathii…

Tuu yaaro.N ka yaar hai, kitnaa vafaadaar hai!
You are a friend of friends, how faithful you are!
JhuuTha hai saaDaa jahaa.N, sachcha teraa pyaar hai
The rest of the world may be a lie, but your love is honest
Tuu paglaa, na badalaa!
You crazy creature, do not change!
SaDii duniyaa gayii hai badal, chal!
Even if the whole world has changed, let’s go!
Chal chal chal mere saathii…

Glossary:

saathi: companion; haathi: elephant; kaTaaraa: junk, jalopy; khee.Nchnaa: to pull; dhakka maarna: to push; band hona: to be broken, to be closed; yaar: friend; phuul: flower; naazuk: delicate; baiThnaa: to sit; aahistaa: carefully; taqliif: trouble, problem; khaanaa: to eat, to consume; kamariiyaa: small waist; bal: sway; khidmat: service; kaam dena: to be successful; shaayad: perhaps; inaam: reward; hasii.N: beautiful lady; aa.Nkh: eye, paighaam: message; paas: near, close; aa jaanaa: to come here; sunnaa: to listen; raajaa: king; mauqaa: chance, opportunity; nikalnaa: to escape, to go out; vafaadaar: faithful; jhuuTaa: lie; sachchaa: truth; pyaar: love; paglaa: crazy person; badalnaa: to change; duniyaa: world

elephants in Namibia

Shots of a herd of African elephants I encountered while on a safari in Namibia with my husband recently. Can you guess which song was stuck in my head the whole time?

Ramu and Raju’s friendship are everyone’s bestie goals. They have each other’s backs like nobody’s business. Haathi Mere Saathi (1971) is truly the Bambi (1942) of Bollywood–and every child will remember exactly how they felt the first time they experienced the trauma of the film’s ending. Wow, there is just so much dust flying around my house lately, my eyes really need to stop watering. Stop, get a grip on yourself, Mrs. 55. SERIOUSLY, TOO MUCH DUST, WHY ARE MY EYES SO SENSITIVE.

Rajesh Khanna riding an elephant in haathi mere saathi.jpg

Even though your outfit is the color of pepto bismol, you da man, Rajesh Khanna.

This one-of-a-kind song was requested by fan Janaki. Awesome choice! We know we’ve been slower to post lately with the busy year, but requests like these are always inspiring. We love hearing from fans!

-Mrs. 55

Khiza Ke Phool Pe Lyrics and Translation: Let’s Learn Urdu-Hindi

khiza-ke-phool-rajesh-khanna-do-raaste

Rajesh Khanna plays a hard-working college student from a poor family in Do Raaste (1969).

Today we highlight the poignant lyrics and our English translation of “Khiza Ke Phool Pe” from Do Raaste (1969). Do Raaste is a classic family drama that hits hard on the tension between Eastern and Western values through an exploration of the dissolution of a joint family household. When one of the sons marries a rich “modernized” Indian girl who refuses to allow him to help pay off his family debt, the remaining relatives fall into poverty. The youngest son, played to perfection by Rajesh Khanna, must compromise his education by dropping out of college in order to support the family. He arrives at the birthday party of his wealthy girlfriend, played by Mumtaz (whose cutesy performance will at times make you want to hang yourself on the chandelier), and realizes that he no longer belongs in her world. The ensuing flood of feelings results in the beautiful ballad “Khiza Ke Phool Pe” written by Anand Bakshki with music by Laxmikant-Pyarelaal. Kishore Kumar’s voice takes on an initially softer, velvety shade that transitions fluidly to a powerful angst at the end of each antra. I dare you not to sigh when he croons, “mai.N roz lab pe naii ek aah taktaa huu.N.”

Though she says nothing that would disrupt the song, Mumtaz appears quite understandably mortified at his public display and rejection. For more uncomfortable dinner parties in Bollywood films, refer to our how-to guide on how to play the awkward miffed lover.

do-raaste-mumtaz-khiza-ke-phool

Mumtaz is heartbroken as Rajesh Khanna announces at her birthday party that they cannot be married in Do Raaste (1969).

Reminiscent of the hallowed “Waqt Ne Kiya” cinematography, in “Khiza Ke Phool Pe,” the camera simply soars with the gloriously endless dolly-ins and dolly-outs to accentuate each poetic moment, as if everyone weren’t already emotionally fragile after seeing Rajesh Khanna fight back tears. I applaud the film director Raj Khosla, despite the kitsch film set. The decor screams of the 1970s–emphasizing all those quasi-luxurious domestic ornaments that would in no way possibly make your life any better. The tinted glass cutout room divider is a textbook case in point. Still, the film crew made lemonade out of life’s interior design lemons.

chintzy-60s-decor-colored-glass-rajesh-khanna-mumtaz

Rajesh Khanna and Mumtaz are separated by a bizarre art deco glass structure in her living room in the shot-reverse-shot sequence above. Note how in order to achieve this sequence with the actors seemingly continuing to face each other, Rajesh Khanna must move from the yellow panel to the blue panel on Mumtaz’s right for the reverse shot (below), breaking true visual continuity.

Check out the music video here and keep a box of tissues handy. We invite you join us below in our English translation and lyrics of “Khiza Ke Phool Pe” below:

Khiza Ke Phool Pe Lyrics and Translation:

Khizaa ke phuul pe aati kabhii bahaar nahii.N
The flower of Autumn never sees the Spring
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Na jaane pyaar mei.N kab mai.N zubaa.N se phir jaauu.N
I do not know when in love I may go back on my words
Mai.N ban ke aa.Nsuu khud apnii nazar se gir jaauu.N
By becoming tears, I may fall in my own eyes
Terii qasam hai meraa koii aitbaar nahii.N
I swear by you, I have no confidence
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Main roz lab pe nayii ek aah taktaa huu.N
Every day, a new sigh reaches my lips
Main roz ek naye gham kii raah taktaa huu.N
Every day, I await the arrival of a new sorrow
Kisii khushii kaa mere dil ko intezaar nahii.N
My heart is not waiting for any joy
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Ghariib kaise mohabbat kare amiiro.N se?
How can someone poor love someone rich?
BichhaD gaye hai.N kaii Raanjhe apnii Heero.N se
Many legendary heroes have been separated from their heroines
Kisi ko apne muqaddar pe ikhtiyaar nahii.N
No one has a choice over their fate
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Khizaa ke phuul pe aati kabhi bahaar nahii.N
The flower of Autumn never sees the Spring
Mere naseeb mei.N, aye dost, teraa pyaar nahii.N
Your love is not in my destiny, oh friend

Glossary:

khizaa: Autumn; phuul: flower; bahaar: Spring; kabhii nahii.N: never; naseeb: destiny, fortune; dost: friend; pyaar: love; na jaane: [I] do not know, [who] knows; kab: when; zubaan.N: word, language; phir jaanaa: go back; aa.Nsuu: tears; khud: self; nazar: eyes, gaze; girnaa: to fall; qasam: swear; aitbaar: confidence, trust; roz: every day; lab: lip; nayii: new; aah: sigh; gham: sorrow; raah taknaa: to await; khushii: happiness; [kisi ka] intezaar hona: to wait [for something]; ghariib: poor; mohabbat: love; amiir: rich; bichhaD jaanaa: to become separated; Raanjhaa: hero of a classic Hindustani tale of star-crossed lovers (Heer-Ranjha); Heer: heroine of a classic Hindustani tale of star-crossed lovers (Heer Ranjha); muqaddar: fate; ikhtiyaar: choice

Now go cheer yourself up with a pumpkin spice latte and wipe those tears off your face by indulging in a symphony of Rajesh Khanna winks.

– Mrs. 55

 

Do Lafzon Ki Hai Dil Ki Kahani Lyrics and Translation: Let’s Learn Urdu-Hindi

 

asdf

Amitabh Bacchan and Zeenat Aman share a romantic moment during a glamorous gondola ride shot in Venice, Italy for The Great Gambler (1979).

Today, we present the lyrics and English translation to an all-time hit song from The Great Gambler (1979): do lafzo.n kii hai dil kii kahaanii. Directed by Shakti Samanta, this action film starring Amitabh Bacchan in a dual role takes the audience on a cosmopolitan journey through a variety of exotic locales including Cairo, Rome, Lisbon, Amsterdam, and Egypt. While the film itself has not much to offer over other masala films released during this period of Hindi cinema, the soundtrack’s crowning gem do lafzo.n kii hai dil kii kahaanii is cherished by audiences to this day. In fact, watch Asha Bhonsle (at the age of 80!) dazzle the audience with this song here accompanied by the Metropole Orchestra at The Hague in 2013.

do lafzon kii hai dil kii kahaanii can be considered a natural successor to previous boat songs directed by Shakti Samanta, such araat ke humsafar  (An Evening in Paris, 1967) and chingaarii koii bhaDke (Amar Prem, 1972). The exotic picturization as well as the exquisite lilting melody make this song a stand-out among the other lackluster items found on the film’s soundtrack, which was composed by R.D. Burman and penned by Anand Bakshi. To infuse a dose of authentic Italian charm, the lyricist has included a few words of Italian in the song’s introduction–I’m certainly not an Italian expert, but my attempt at translating these lines is also presented below.

While the choice of veteran songstress Asha Bhonsle as the playback singer for heroine Zeenat Aman is no surprise, the choice of Sharad Kumar as the voice of the gondolier is rather interesting. Sharad Kumar Bader is an actor/singer who achieved fame in the late 1960s and early 1970s for his imitative renditions of songs originally performed by the one and only Elvis Presley. In addition to touring the globe for concerts where he sang Elvis numbers decked out in The King’s trademark jumpsuits, Sharad also received a break in Bollywood as an actor in films such as Paisa Ya Pyar (1969) and Zameen Aasman (1972) with the support of Shobhana Samarth (mother of actresses Tanuja and Nutan).  After his brief stint in the film industry, Sharad moved to Canada where he worked as an insurance agent and opened a vegetarian Indian food company called Zara’s Gourmet Kitchen with his wife Gita Bader. A colorful career path indeed!

What is your favorite foreign destination featured in a vintage Bollywood song? Let us know in the comments! Until next time…

-Mr. 55
Venice

Venice’s Grand Canal and its rich tradition of gondoliering are featured prominently in this all-time fan favorite song.

Do Lafzon Ki Hai Dil Ki Kahani: Lyrics and Translation

Sharad Kumar: laa, laa, laa… amore mio, dove sei tu?
My love, where are you?
ti sto cercando, tesoro mio!
I am searching for you, my treasure!

Amitabh Bacchan: “amore mio, dove sei tu..”
ai kyaa gaa rahaa hai?
What is he singing?

Asha Bhonsle: apne pyaar ko yaad kar rahaa hai aur kah rahaa hai ki…
He is remembering his love and saying…

Amitabh Bacchan: na, na, na aise nahii.n! gaa ke sunaao na?
No, not like this! Sing it for me, won’t you?

Asha Bhonsle: gaa ke? acchhaa!
Sing it? Okay!

do lafzo.n kii hai dil kii kahaanii
The tale of my heart is only two words long.
yaa hai muhabbat, yaa hai javaanii
Is it love or is it youth?

Sharad Kumar: amore mio, il tempo vola
My love, time flies.
prendilo, prendilo, amore mio!
Catch it, catch it, my love!

Sdf

The on-screen chemistry shared by the leading pair serves as the backbone for this lighthearted, action-packed, and often nonsensical film.

Asha Bhonsle: dil kii baato.n kaa matlab na puuchho
Please don’t ask me the meaning of my heart’s words.
kuchh aur ham se bas ab na puuchho
Please don’t ask me anything now.
jis ke liye hai duniyaa diivaanii
What the world has gone mad for,
yaa hai muhabbat, yaa hai javaanii?
Is it love or is it youth?

yah kashTiivaalaa kyaa gaa rahaa thaa?
What was that gondolier singing about?
koii ise bhii yaad aa rahaa thaa
He was reminded of someone special
qisse puraane, yaade.n puraanii
along with old tales and old memories.
yaa hai muhabbat, yaa hai javaanii?
Is it love or is it youth?

is zindagii ke din kitne kam hai.n
The days of this life are limited in number.
kitnii hai.n khushiyaa.n aur kitne gham hai.n
they are filled with so much joy and so much sorrow.
lag jaa gale se, rut hai suhaanii
So embrace me, in this beautiful season.
yaa hai muhabbat, yaa hai javaanii
Is it love or is it youth?

do lafzo.n kii hai dil kii kahaanii
The tale of my heart is only two words long.
yaa hai muhabbat, yaa hai javaanii
Is it love or is it youth?

Glossary

lafz: word; kahaanii: tale; muhabbat: love; javaanii: youth; matlab: meaning; duniyaa: world; kashTiivaalaa: gondolier; qisse: tales; yaade.n: memories; khushiyaa.n: joy; gham: sorrow; gale se lag jaanaa: to embrace; rut: season; suhaanii: lovely, beautiful. 

venetian

A glimpse of Italy at The Venetian hotel from my recent vacation to Las Vegas.

gondola

Vegas’s replica of the Grand Canal–complete with gondolier and Italian serenades!

 

 

Zindagi Ke Safar Mein Guzar Lyrics and Translation: Let’s Learn Urdu-Hindi

Rajesh Khanna regret aap ki qasam

Rajesh Khanna reflects on the choices he made and the love he lost in Aap Ki Kasam (1974).

Happy New Year’s to all our fans and lovers of classic Bollywood! In the spirit of the holiday, we present the lyrics and full English translation to the thought-provoking “Zindagi Ke Safar Mein Guzar” from Aap Ki Kasam (1974). In this song, lyricist Anand Bakshi explores the regret of one man who loses his chance to spend time with the people he loves. Rajesh Khanna plays a successful businessman who neglects and mistrusts his loving wife Mumtaz, ultimately costing him his marriage and family. Wanting desperately to make amends, Khanna soon realizes he is unable to change the past. For anyone still thinking of a New Year’s Resolution, this Kishore Kumar hit is sure to inspire!

happier times with mumtaz in aap ki kasam

Ignoring the eyesore of Delhi that is Mumtaz’s horrendous puffy orange sari blouse, happier times once reigned for the estranged couple in Aap Ki Kasam (1974).

Like time itself, linear movement is the emphasis of director J. Om Prakash’s gorgeous mis-en-scène. From symbolic train tracks or plodding footsteps to fantasy-pixie Mumtaz’s unidirectional trajectory through the woods, Kishore Kumar’s rich vocals are underlined by a feeling of racing forward with no way of turning back. “Zindagi Ke Safar Mein” shines in stark contrast to the romantic “Karvaten Badalte Rahe” duet sung during a high-key moment of the film. Of equal importance, the song is also a textbook example of the Bollywood cliche demonstrating a strong correlation between despondency of the hero’s love life with the length of the hero’s beard.

rajesh khanna beard aap ki qasam

By the time “Zindagi Ke Safar Mein” finishes, Rajesh Khanna has spiraled into total despondency as evidenced by his increasing length of beard.

We hope that listening to this song may inspire you to appreciate the moments you have with your loved ones over the holidays. So take a break from the daily grind and let those people know how much you care–don’t be a Rajesh Khanna! You’ll find the lyrics and our English translation of the sentimental hit “Zindagi Ke Safar Mein Guzar Jaate Hai” from Aap Ki Kasam (1974) below. Follow along with the video on youtube and let us know YOUR New Year’s resolution in the comments!

Zindagi Ke Safar Mein Guzar Jaate Hai Lyrics and Translation:

Zindagii ke safar mei.N guzar jaate hai.N jo maqaam
Those places you pass in the journey of life
Woh phir nahii.N aate
They never return
Woh phir nahii.N aate
They never return

Phuul khilte hai.N, log milte hai.N
Flowers bloom, people meet
Magar patjhaD mei.N jo phuul muDjhaa jaate hai.N
But that flower which dies in Autumn
Woh bahaaro.N ke aane se khilte nahii.N
It does not bloom with the coming of Spring
Kuch log ek roz jo bichhaD jaate hai.N
Those people from whom you are separated one day
Woh hazaaro.N ke aane se milte nahii.N
A thousand others may come, but you will not meet them again
Umr bhar chahe koi pukaaraa kare unkaa naam
Even though you may call their names the rest of your life
Woh phir nahii.N aate
They never return
Woh phir nahii.N aate
They never return

rajesh khanna wanders aimlessly in aap ki qasam

Overcome with regret, Rajesh Khanna wanders aimlessly in Aap Ki Kasam (1974).

Aa.Nkh dhokaa hai, kya bharosaa hai?
Your eye deceives you, what is the truth?
Suno, dosto.N, shak dostii kaa dushman hai
Listen, friends, doubt is the enemy of friendship
Apne dil mei.N ise ghar banaane na do
Do not let doubt reside in your heart
Kal tadapnaa paDe yaad mei.N jinkii
Those people whose memories will torment you tomorrow
Rok lo rooThkar, unko jaane na do
Stop them when they are upset, do not let them leave
Baad mei.N pyaar ke chahe bhejo hazaaro.N salaam
For later, even though you may wish to greet them with love a thousand times
Woh phir nahii.N aate
They never return
Woh phir nahii.N aate
They never return

mumtaz fantasy

In epic slow-motion, Mumtaz prances through the forest of Rajesh Khanna’s fantasy, chunni billowing in the wind.

Subaah aatii hai, raat jaatii hai
Morning comes, the night departs
Yuu.n hii waqt chaltaa hii rehtaa hai, ruktaa nahii.N
In this manner, time marches on, it does not stop
Ek pal mei.N yeh aage nikal jaata hai
In a single moment, time moves forward
Aadmi Theek se dekh paataa nahii.N
Man is unable to see this well
Aur parde pe manzar badal jaata hai
And the view continues to change
Ek baar chale jaate hai jo din raat subaah shaam
But once those days and nights, and those mornings and evenings pass
Woh phir nahii.N aate
They never return
Woh phir nahii.N aate
They never return

Zindagii ke safar mei.N guzar jaate hai.N jo maqaam
Those places you pass in the journey of life
Woh phir nahin aate
They never return
Woh phir nahin aate
They never return

Glossary:

zindagii: life; safar: journey; guzar jaanaa: to pass, maqaam: place, landmark, milestone; phuul: flower; log: people; patjhaD: Autumn; muDjhaanaa: to become destroyed; bahaar: Spring; khilnaa: to bloom; ek roz: one day; bichhaD jaanaa: to become separated; hazaar: a thousand; umr bhar: whole life; pukaarnaa: to call; naam: name; aa.Nkh: eye; dhokaa: deception, trick; bharosaa: trust; shak: doubt; dostii: friendship; dushman: enemy; ghar: home; taDapnaa: to torment, to flutter; yaad: memory; roknaa: to stop; rooThna: to be upset; jaanaa dena: to let someone leave; baad mei.N: later on, bhejnaa: to send; salaam: greeting; subaah: morning; raat: night; yuu.N hii: in this manner, like this; waqt: time; pal: moment; aadmi: man; thiik se: properly, well; pardaa: veil, [in this case, a movie screen]; manzar: view; badal jaanaa: to change; ek baar: once, one time; din: day; shaam: evening

Rajesh Khanna walks away from the camera

In my favorite shot of the film, Rajesh Khanna walks away from the camera, leaving the viewer alone in the cold Winter morning in Aap Ki Kasam (1974).

For the Urdu snobs, you may note that the plural of the multi-layered term maqaam is technically maqaamaat. The suffix –aat is necessary to denote plurality of certain vocabulary with an Arabic origin, however modern Hindustani often omits this mark of purist pretension–particularly when it would throw off a song’s rhyming scheme! But if you’re quick, you’ll still hear it used in classic film dialogues. Other examples include:

kaaghazaat (pieces of paper)
zevaraat (jewels)
makaanaat (stores)
jawaharaat (rubies)
ma’luumaat (information)

Zindagi Ke Safar Mei.N” was requested by fan Agar Raheem. Our resolution for the New Year is to keep up quicker with requests from fans! If you haven’t seen your request in one of our blog posts yet, don’t worry–it’s coming! Thank you for the fantastic year we’ve had together, and our best wishes for a joyful and prosperous 2014!

Old Classic Bollywood Save the Date!

2014 is going to be a particularly memorable year for us because Mrs. 55 is getting married! Get ready because, you guessed correctly, it’s going to be a classic Bollywood-themed wedding!

-Mrs. 55

Papa Jaldi Aaja Na Lyrics and Translation: Let’s Learn Urdu-Hindi

kids

These adorable children await their father Bharat Bhushan’s return from an overseas journey in Taqdeer (1967).

Here at Mr. and Mrs. 55, we wish you a very merry Christmas and send you our warmest season’s greetings! Although songs that depict Christmas are few and far between within the realm of Bollywood cinema (see last year’s post on Jingle Bells/Aao Tumhein Chand Pe Le Jaaye), there is no dearth of songs that celebrate the values comprising the essence of the holiday spirit.  While you shouldn’t hold out for a guest appearance by Santa Claus or good old Rudolph, many Hindi films from the Golden Era revolve around the aspects of Christmas that many people cherish the most: sharing happiness with others, celebrating love, and strengthening family bonds. Today, in honor of Christmas , we present a children’s classic from Taqdeer (1967) that evokes the holiday spirit through its heart-warming depiction of familial love: pappaa jaldii aajaa na.

Directed by A. Salaam Taqdeer (1967) is a Hindi remake of the Konkani film Nirmon (1966) that narrates a powerful story about a destitute widow (played by Shalini Mardolkar) whose husband (played by Bharat Bhushan) is thought to have died in a tragic shipwrecking. Struggling to make ends meet, she accepts a marriage proposal from her husband’s wealthy friend (played by Kamal Kapoor) for the sake of her family. Although money is no longer an issue for them, Shalini and her children struggle to find happiness in the absence of their warm and loving husband/father. Although his family thinks that he is deceased, it turns out that Bharat miraculously survived the shipwrecking but lost all of his memory prior to the accident as a result of amnesia. Several years later, Bharat’s amnesia resolves when he hears a performance of a song (“jab jab bahaar aayii“) that he had taught to one of his former music students. After his memory returns, Bharat returns home to Goa and encounters the harsh reality of the sacrifices his family has been forced to make in his absence. How will Bharat be reunited with Shalini and his children? Watch the full movie here to find out!

Composed by Laxmikant-Pyarelaal and penned by Anand Bakshi, this song is presented at the beginning of Taqdeer after Bharat has embarked on his overseas journey. Equipped with the gentle maternal beauty of Lata Mangeshkar’s voice, Shalini leads her children (voiced by Sulakshana Pandit, Ila Desai, and Meena Petki) in a song to ask for their father’s safe and prompt return home. Naturally, part of the reason that the children await their father’s return is because they are excited to receive the new toys and gifts that he will bring home for them from abroad. Yet, the line “guDiyaa chaahe na laanaa, pappaa jaldii aajaa na!” illustrates how the children dearly miss their father’s love and support regardless of whether they receive his gifts or not.

Indeed, this heart-warming song can serve as a reminder of what is truly important to us at this time of the year. The most important part of the holiday season is not exchanging gifts and reveling in new excitement of our new toys, clothes, or gadgets. Rather, the greatest gift that we can receive for the holidays is the opportunity to live, laugh and cherish the company of our family and loved ones. Still looking for ideas on how to spend your quality time this holiday season? Mrs. 55 and I recommend putting on your favorite old Bollywood flick and letting the bonding begin with those that matter to you the most. Until next time…

-Mr. 55
Shalini

Shalini Mardolkar writes a letter to her husband to tell him how much the family misses him in Taqdeer (1967)

 

Papa Jaldi Aaja Na: Lyrics and Translation

saat samundar paar se, guDiyo.n ke bazaar se
From a doll store across the seven seas,
achhii sii guDiyaa laanaa
please bring us back a doll. 
guDiyaa chaahe na laanaa, pappaa jaldii aajaa na!
Whether you bring a doll or not, please come home soon, Papa!

tum pardes gaye jab se, bas yah haal huaa tab se
Ever since you went abroad, our lives have not been the same.
dil diivaanaa lagtaa hai, ghar viraanaa lagtaa hai
My heart has gone mad, as this house feels desolate without you.
jhilmil chaa.nd sitaaro.n ne, darvaazo.n diivaaro.n ne
The shining Moon and stars, these doors and walls,
sab ne puuchha hai ham se: kab jii chhuuTegaa gham se?
they all have asked me, “When will your heart be liberated of sorrow?
kab hogaa unkaa aanaa? pappaa jaldii aajaa na!
When is the date of his return?” Please come home soon, Papa!

maa.n bhii loDii nahii.n gaatii, ham ko nii.nd nahii.n aatii
Since Mom does not sing lullabies anymore, we have trouble falling asleep.
khelkhilaune TuuT gaye, sangiisaathii chhuuT gaye
Our toys are broken, and our companions have left our side.
jeb hamaarii khaalii hai aur aatii diivaalii hai
Our pockets are empty, yet Diwali is still to come.
ham sab ko na taDpaao, apne ghar vaapas aao
Please do not torment us any longer. Once you return home,
aur kabhii phir na jaanaa. pappaa jaldii aajaa na!
never leave us again. Please come home soon, Papa!

khat na samjho taar hai yah, kaaghaz nahii.n hai pyaar hai yah
Consider this a telegram, not a letter. It is made of love, not paper.
durii aur itnii durii, aisii bhii kyaa majbuurii?
There is such distance between us. What compels you to be so far?
tum koii naadaan nahii.n, tum isse anjaan nahii.n
You are not naive, nor are you unaware that
is jiivan ke sapne ho, ek tum hii to apne ho
you are my dream in this life. I consider only you to be mine. 
saaraa jag hai begaanaa, pappaa jaldii aajaa na!
I am estranged from the rest of the world. Please come home soon, Papa!

saat samundar paar se, guDiyo.n ke bazaar se
From a doll store across the seven seas,
achhii sii guDiyaa laanaa
please bring us back a doll.  
guDiyaa chaahe na laanaa, pappaa jaldii aajaa na!
Whether you bring a doll or not, please come home soon, Papa!

Shalini

Shalini Mardolkar and her children are not the same without their beloved head of household Bharat Bhushan in Taqdeer (1967).

 

Glossary

samundar: sea; guDiyaa: doll; bazaar: store, market; jaldi: soon, quickly; pardes: abroad; viraanaa: empty, desolate; jhilmil: shining; darvaazaa: door; diivaar: wall; chhuTnaa: to escape/depart, to be free of; loDii: lullaby; khel-khilaune: toys; sangii-saathii: companions; jeb: pocket; khaalii: empty; taDpaanaa: to torment; duurii: distance; majbuurii: compulsion, helplessness: anjaan: unaware; jag: world; begaanaa: estranged, alien.

Nutcracker

In my holiday best for my first viewing of The Nutcracker by Tchaikovsky!

Karvaten Badalte Rahe Lyrics and Translation: Let’s Learn Urdu-Hindi

 

RK

Rajesh Khanna and Mumtaz frolic in pre-marital bliss in the title track from Aap Ki Qasam (1974)

Today, we present the lyrics and English translation to the title track from Aap Ki Qasam (1974): karvate.n badalte rahe.n.  Directed by J. Om Prakash, this film stars Rajesh Khanna, Mumtaz, and Sanjeev Kumar in a story that illustrates how suspicion can be the ultimate enemy to marital bliss. 

As Mumtaz’s jealous husband, Rajesh Khanna begins to doubt his wife’s fidelity when his best friend Sanjeev Kumar comes into the picture. Although Mumtaz and Sanjeev Kumar share a platonic brother-sister friendship, Rajesh Khanna’s suspicion blinds him from reality until he destroys his own marriage.  Refusing to dignify the false accusations of infidelity placed on her with a response, Mumtaz leaves him and returns to her father’s home.  When she realizes that she is pregnant with Rajesh Khanna’s daughter, she enters a second marriage (with her father’s blessings!) so that her child can be raised in a loving home.  In the mean time, Rajesh Khanna comes to his senses and realizes that his suspicion towards his wife was misguided. Unable to apologize properly to Mumtaz for his unacceptable behavior, guilt drives Rajesh Khanna to become a homeless wanderer. Several years later, Mumtaz invites him to his daughter’s wedding where all parties receive closure of sorts. However, a tragedy strikes to create an ending that seeps with melodrama in true Bollywood fashion. 

Aap Ki Qasam is remarkable in its portrayal of marital suspicion for avoiding the chauvinistic bias present in similar films of this era. Typically, female characters accused of infidelity were vilified and forced to appease their husbands regardless of whether the accusations placed upon them were were valid or not. This film breaks the patii-parameshvar (husband is God) mold by supporting a woman’s right to leave an unhappy marriage in which she is treated disrespectfully by her husband. In particular, the support that Mumtaz receives from her father (played by Rehman) in divorcing her husband and entering a second marriage is unusually refreshing for this period of cinematic history. Although it can be argued that Mumtaz’s father makes much of the decisions for her, the fact that she is not compelled to beg for forgiveness at her husband’s feet is sufficiently progressive to merit attention. Indeed, valuing a woman’s dignity and self-worth over her duty to preserve a dysfunctional marriage is the ground-breaking message that makes Aap Ki Qasam stand out among other movies from this time.

In addition to being a cherished Rajesh Khanna-Mumtaz hit, this film is remembered today for its fantastic soundtrack composed by R.D. Burman. Aside from the  Pahadi-based duet sung by Lata Mangeshkar and Kishore Kumar presented here, this album contains the popular duets “suno, haa.n kaho,” “jai jai shiv sha.nkar,” “paas nahii.n aanaa,” the beautiful Lata solo “chorii chorii chup ke chup ke,” and the philosophical Kishore solo “zindagii ke safar me.n.”  Anand Bakshi’s lyrics in “karvate.n badalte rahe.n” are marked by simplicity in their expression of the romance and trust shared between two lovers as they yearn in separation. Moreover, the beautiful snow-filled Himalayan landscape and the on-screen chemistry exhibited by Rajesh Khanna and Mumtaz add to the appeal of this duet. 

Finally, as an aside, the 1973 BBC documentary Bombay Superstar profiling Rajesh Khanna and his influence on Hindi cinema actually features a behind-the-scenes look at the making of Aap Ki Qasam through interviews with the superstar himself,  director J. Om Prakash, and co-star Mumtaz. My favorite part of this documentary is the scene that depicts the amount of work that went into picturizing a playback song for a Bollywood film (the filming of “suno, haa.n kaho” is shown in the documentary).  Check out the full documentary here on YouTube if you haven’t seen it yet! Until next time…

-Mr. 55
RK

The on-screen chemistry between Rajesh Khanna and Mumtaz allowed this pair to dominate the box office during the early 1970s.

Karvaten Badalte Rahe: Lyrics and Translation

karvate.n badalte rahe.n saarii raat ham
Tossing and turning in bed, I have been restless the entire night.
aap kii qasam, aap kii qasam
I swear by you.
gham na karo, din judaayii ke bahut hai.n kam
Do not be sad; the days of our separation are very limited.
aap kii qasam, aap kii qasam
I swear by you.

yaad tum aate rahe ek huuk sii uThtii rahii
As I remembered you, a sharp pain kept arising in my heart.
nii.nd mujhse, nii.nd se mai.n, bhaagtii chhuptii rahii
Sleep and I kept fleeing and hiding from each other.
raat bhar bairan nigoDii chaa.ndnii chubhtii rahii
The hostile, wretched moonlight continued to pierce through the entire night.
aag sii jaltii rahii, girtii rahii shabnam
A fire kept burning, as the dew continued to fall.
aap kii qasam, aap kii qasam
I swear by you.

jhiil sii aa.nkho.n me.n aashiq Duub ke kho jaayegaa
Your beloved will get lost by drowning in the loch of your eyes.
zulf ke saaye me.n dil armaan bharaa so jayegaa
Under the shadows of your tresses, his hope-filled heart will fall into slumber.
tum chale jaao, nahii.n to kuchh na kuchh ho jaayegaa
Please go away, or else something will happen between us.
Dagmagaa jaaye.nge aise haal me.n qadam
Our steps will falter out of control under these circumstances.
aap kii qasam, aap kii qasam
I swear by you.

ruuTh jaaye.n ham to tum ham ko manaa lenaa sanam
Should I sulk, please console me, oh beloved.
duur ho.n to paas ham ko tum bulaa lenaa sanam
Should you be far away, please call me to your side, oh beloved.
kuchh gilaa ho to gale ham ko lagaa lenaa sanam
Should I make a mistake, please embrace me in forgiveness, oh beloved.
TuuT na jaaye kabhii yah pyaar kii qasam
May this vow of love never be broken by us.
aap kii qasam, aap kii qasam
I swear by you.

Female lines in red are sung by Lata Mangeshkar. Male lines in green are sung by Kishore Kumar. Lines in black are sung together by Lata Mangeshkar and Kishore Kumar. 

Glossary

karvate.n badalnaa: to toss and turn in bed  (i.e. to be restless at night); qasam: a sworn oath or vow; gham karnaa: to be sad; judaayii: separation; huuk: a sharp pain; nii.nd: sleep; bhaagna: to flee; chhupnaa: to hide; bairan: hositle, cruel; nigoDii: wretched; chubhnaa: to pierce; aag: fire; shabnam: dew; jhiil: loch, lake; aashiq: beloved; zulf: tresses; saaye: shadows; armaan: hope; Dagmagaaanaa: to falter, stagger; haal: circumstances, state; qadam: steps, feet; ruuTh jaanaa: to sulk; manaa lenaa: to console; sanam: beloved; paas bulaa lenaa: to call to one’s side; gilaa: mistake; gale lagaa lenaa: to embrace; TuuT jaanaa: to be broken.

r

The snowy Himalayan foothills provide the ideal backdrop for this romantic duet from Aap Ki Qasam (1974).