Tere Mere Milan Ki Lyrics and Translation: Let’s Learn Urdu-Hindi

Posted on April 2, 2014 by mrandmrs55

In the famous climax of Abhimaan (1973), Jaya Bhaduri and Amitabh Bachhan reunite on-stage for an emotional rendition of “Tere Mere Milan Ki.”

Today we showcase the lyrics and full English translation of “Tere Mere Milan Ki” from the 1973 hit film Abhimaan. Based loosely on the life of famous playback singer Kishore Kumar and his first wife, Ruma Ghosh, the film centers around a talented newlywed couple whose marriage is threatened by professional jealousy. When high-rolling pop singer Amitabh Bacchan marries innocent country girl Jaya Bhaduri, her newly-discovered musical prowess steals his limelight with alarming disharmony.

The show-stopping number “Tere Mere Milan Ki” is a song of reconciliation in the film’s finale. Flowing with tenderness and hope, the enchanting duet gives Amitabh Bacchan and Jaya Bhaduri another chance to love each other. Is their marriage worth saving? Read more about the film’s story and behind-the-scenes gossip in our earlier review of Abhimaan!

Amitabh Bachhan humbly begins his performance alone and ashamed in Abhimaan (1973).

Rightfully earning S.D. Burman the 1973 Filmfare Award for Best Music Director, “Tere Mere Milan Ki” is a classic example of Rabindra-sangeet in Bollywood. The song dazzles with Majrooh Sultanpuri’s poetic nuances, a metaphorical glimpse into the creation of a family. He describes the lover’s eyes as “chanchal,” which can mean playful, but also implies something that does not remain in one spot, a certain liveliness in spirit. With every “dekho na,” he directs that gaze back toward the night of their union, while she looks toward what lies ahead and the family they will begin together.

Jaya Bhaduri mourns her miscarried child backstage of her husband’s performance in Abhimaan (1973).

For me, this song has always glowed. Lata Mangeshkar’s voice resonates after the opening stanza like an angel descending from heaven. But it was only after seeing the film that I realized the heroine of the story had recently suffered a miscarriage. Thus the lines “nanhaa sa gul khilegaa a.Nganaa” are more than a hope for the future, but a true reflection of their family’s dream deferred. The entire song changed its meaning for me, and became if possible, even more poignant.

We hope you enjoy our English translation and lyrics to “Tere Mere Milan Ki” from Abhimaan (1973) below! Follow along with the video here.

Tere Mere Milan Ki Yeh Raina Lyrics and Translation:

Male:
Tere mere milan kii yeh rainaa
On the night of your and my union
Nayaa koi gul khilaayegi
A new rose will bloom
Tabhi to chanchal hai tere naina
That is why your eyes are playful
Dekho na! Dekho na, tere mere milan kii yeh rainaa
Look! Look at the night of your and my union

Female:
Nanha sa gul khilegaa a.Nganaa
A small rose will bloom upon our balcony
Suunii baiyaa sajegii, sajnaa
She will decorate my lonely arms, beloved
Male:
Jaise khele chandaa baadal mei.N
Just as the moon plays with the clouds
Khelegaa woh tere aa.Nchal mei.N
She will play in the folds of your saari
Female:
Chandaniyaa gungunaayegi
The rays of the moon will sing
Tabhi to chanchal hai tere naina
That is why your eyes are playful
Dekho na! Dekho na, tere mere milan kii yeh rainaa
Look! Look at the night of your and my union

Male:
Tujhe thaame kaii hatho.N se
I will hold your hand many times
Miluu.Nga madbharii raato.N mei.N
I will meet you many intoxicating nights
Female:
Jagaake aansuunii si dhaDkan
By awakening this unfamiliar heartbeat
Balamwaa, bhar duu.Ngii teraa man
My beloved, I will fill your soul
Male:
Nayii adaa se sataayegii
With a new style you will torment me
Tabhi to chanchal hai tere naina
That is why your eyes are playful
Dekho na! Dekho na, tere mere milan kii yeh rainaa
Look! Look at the night of your and my union

Both:
Nayaa koi gul khilaayegi
A new rose will bloom
Tabhi to chanchal hai tere naina
That is why your eyes are playful
Dekho na! Dekho na, tere mere milan kii yeh rainaa
Look! Look at the night of your and my union

Glossary:

milan: meeting, union; rainaa: night; gul: rose; tabhi: this is why, hence; chanchal: restless, playful; nainaa: eyes; nanhaa: little, tiny; a.Nganaa: balcony; suunii: lonely; baiyaa: arms; sajnaa [verb]: to decorate; sajnaa [noun]: darling, beloved; chandaa: moon; baadal: clouds; aa.Nchal: the end of a saari (pallu) or dupatta; chandan: silver, rays of the moon; gungunaanaa: to hum, to sing; haath thaamnaa: to hold hands; madbharii: filled with intoxication; jagaanaa: to wake up; aansuunii: unfamiliar, unheard; dhaDkan: heartbeat; balamwaa: lover; man: soul, heart; adaa: style; sataanaa: to torment

Amitabh comforts Jaya tere mere milan abhiman

Art mimics life as Amitabh Bachhan comforts Jaya Bhaduri in “Tere Mere Milan Ki” from Abhimaan (1973).

This lovely Lata-Kishore duet was requested by fan Dilip! Thank you for the beautiful request! For more songs from Abhimaan, check out our earlier post on the lovely Rafi-Lata duet “Teri Bindiya Re.”

– Mrs. 55

Shokh Nazar Ki Bijliyan Lyrics and Translation: Let’s Learn Urdu-Hindi

Posted on February 9, 2014 by mrandmrs55

Manoj Kumar Shokh Nazar Ki Woh Kaun Thi ice skating

Looking extra-special in a French beret, Manoj Kumar goes for a spin on the ice in “Woh Kaun Thi” (1964).

Today we present the lyrics and English translation to the playful wintertime number “Shokh Nazar Ki Bijliyaan” in honor of the Winter Olympics 2014 figure skating competition! My life goes on temporary hold when the Winter Olympics rolls around. I always root vehemently for Team USA, especially in my favorite of all Olympic competitions: Women’s Figure Skating! Have you ever asked why India never participates in figure skating? Today’s showcased song “Shokh Nazar Ki Bijliyan” will prove that it’s not because India lacks talent!

After suffering a series of severe shocks as the hero of Woh Kaun Thi? (1964), Manoj Kumar takes a trip to Simla with his co-worker Praveen Chaudhary to forget his woes. Praveen Chaudhary, who is not-so-secretly in love with him, takes the opportunity to seduce her man with a pair of skates in a way no woman had dared before. Enter Bollywood On Ice!

Praveen Chaudhary Manoj Kumar Woh Kaun Thi ice skating

Praveen Chaudhary playfully pushes Manoj Kumar around the Simla Ice Skating Club in Woh Kaun Thi (1964).

After watching her B-grade flirtatious efforts in this song and comparing them to heroine Sadhana’s subtle performance in “Lag Ja Gale” from the same film, it’s easy to discern which lucky lady Manoj Kumar ultimately chooses. To drive the point home, did you further notice how Praveen is wearing a garish “Western” outfit while Sadhana consistently dresses in saaris? Manoj Kumar may be no Evgeni Plushenko, but his moves always seemed to get all the girls!

“Shokh Nazar Ki Bijliyan” was actually picturised on a famous ice-skating rink, the Simla Ice Skating Club, that is still popular in downtown Simla today! In fact, my own father fondly recalls his childhood in Simla, skating at this very rink where evidently they used to blast the gramophone record of Woh Kaun Thi through their speakers so the songs could be heard for miles around! My father also claims that the kid who adorably falls down in the middle of the song is none other than my own uncle, but this has been vehemently rebuked at many a family reunion.

random kids shokh nazar ki bijliyan woh kaun thi ice skating

Kid, if you ever stumble across this blog, write to us! Did you grow up to become a famous cardiothoracic surgeon? Are you a spoken word poet? Do you sell aloo-puri along the roads of Himachal Pradesh? I NEED TO KNOW what happened to you.

But enough chat. Join us in the spirit of the Winter Olympics with a little romantic ice-skating brought to you by Asha Bhonsle and music composer extraordinaire Madan Mohan. Watch the gold medal-worthy performance here, and follow along with our full English translation and lyrics to “Shokh Nazar Ki Bijliyaan” below!

Shokh Nazar Ki Bijliyaan Lyrics and English Translation:

Shokh nazar ki bijliyaa.N dil pe mere giraaye jaa
Let the lightening bolts of your mischievous glances fall upon my heart
Meraa na kuch khayaal kar, tu yuu.N hii muskuraaye jaa
Do not worry about me, you keep on smiling

Jaag uThii hai aarzuu jaise chiraagh jal paDe
My desire has arisen as if a lamp has been lit
Ab to wafaa ki raah pe hum tere saath chal paDe
Now I have stumbled upon the path of loyalty with you
Chaahe ha.Nsaaye jaa hame.N, chaahe hume.N rulaaye jaa
If you want, you can keep making me laugh or you can keep making me cry

Chain kahii.N kisii ghaDii aaye na tere bin mujhe
Without you, I find no peace anywhere at any moment
Kaash mai.N is jahaa.N se chhiin luu.N ek din tujhe
If only I could steal you away from this world one day
Main tere saath saath hoon, chahe nazar bachaaye jaa
I am by your side, even if you keep avoiding eye contact

Manzil-e ishq duur hai, duur hi bahut duur hai
The destination of our love is far away, very far away
Aa meraa haath thaam le, ruuh thakan se chuur hai
Come, take my hand, my spirit is broken by fatigue
Apne jahaa.N ko chhoD kar, mere jahaa.N pe chaaye jaa
Leave your world, and keep staying in mine

Glossary:

shokh: mischievous, playful; nazar: glance, eyes; bijli: lightening; dil: heart; giraanaa: to let fall; khayaal: thought: yuu.N hii: in this manner, like this; muskuraanaa: to smile; jaag uThnaa: to wake up, to arise; aarzuu: desire; chiraagh: lamp, flame; wafaa: loyalty, faith; raah: path; [kisii ke] saath: by [someone’s] side, together; ha.Nsaanaa: to make laught; rulaanaa: to make cry; chain: peace of mind; ghaDii: moment; kaash: if only; jahaa.N: world; ek din: one day; manzil: destination; ishq: love; duur: far away; haath thaamnaa: to take [someone’s] hand; ruuh: spirit, soul; thakan: exhaustion; chuur: broken

mrs 55 ice skating rockefeller center nyc

Practicing my triple Lutz at the Rockefeller Center ice skating rink in New York City!

Me and some of my roommates (soon to be bridesmaids!), holding up ice skating rink traffic.

You may notice that there’s a discrepancy between the lyrics of the version you see in the video and the ones you may hear on your audio version. Each one has a different second stanza! This comes back to an old sore point I’ve made before about how record companies short-changed Hindi film songs when making the final LP!

-Mrs. 55

Na Tum Humen Jano Lyrics and Translation: Let’s Learn Urdu-Hindi

Posted on January 28, 2014 by mrandmrs55

With glistening suavity dripping from his pomade, Dev Anand croons the love ballad “Na Tum Humen Jano” to a sleeping Waheeda Rehman in Baat Ek Raat Ki (1962).

Today we showcase the lyrics and English translation of the haunting melody “Na Tum Humen Jano” from Baat Ek Raat Ki (1962). Dapper Dev Anand plays a young lawyer whose enigmatic client, Waheeda Rehman, has been convicted of murdering her ex-lover in a fit of rage. Deemed clinically depressed and mentally unhinged, Waheeda’s only chance at redemption, in classic Bollywood tradition, is the stable love of a good man. Dev Anand rises quickly to the occasion, “pretending” to woo her for..ahem…medical reasons–and more importantly to extract the true events leading up to the murder for which she is convicted. I think it comes as no surprise that she ultimately proves innocent and Dev Anand actually falls in love with her while faking it. But that’s not what makes this film’s twist ending so fantastic–and trust me, it’s not what you’d expect!

Waheeda Rehman is awakened by the sound of a haunting melody in Baat Ek Raat Ki (1962). Did anyone mention that black is totally your color, Waheeda?

So how does this gem of a Hemant Kumar solo fit into the bizarre whoddunit? I’ve always found Hemant Kumar an intriguing rogue in the strict actor-singer pairings of classic films–the mysterious dark chocolate mousse of Bollywood playback. His tender yet overwhelmingly manly voice stood out among the Rafi wannabes of the age–the celestial way his voice resonates in the opening lines is a rich treat for the soul. Famed music director Salil Chowdhury said of the singer’s voice,

“If God could sing, he would have a voice like Hemanta.”

Have truer words ever been spoken? No better testament exists than the love song “Na Tum Humen Jano.” In Baat Ek Raat Ki, “Na Tum Humen Jano” plays on a gramophone record in the moments leading up to the murder. Waheeda Rehman is so traumatized afterwards, she cannot recall details of the event or her exact involvement. Naturally, Dev Anand believes that singing the song while she sleeps will subconsciously trigger her memory, thereby providing him the missing evidence of what transpired that fatal night. He croons to her hidden in the background, observing her reaction as the melody wafts through the air. What follows is one of the most nostalgic songs of yesteryear.

We hope you love the lyrics and English translation to “Na Tum Humen Jano” as much as us! Follow along with the video and try to keep your beating heart in check as you get swept away in the romance!

Na Tum Humen Jano Lyrics and Translation:

Na tum hame.N jaano, na hum tumhe.N jaane
You do not know me, I do not know you
Magar lagtaa hai kuch aisaa meraa humdum mil gayaaa
Yet somehow I feel as if I have found my soul mate

Yeh mausam yeh raat chhup hai
These surroundings and this night are quiet
Woh honTo.N kii baat chhup hai
Those words on our lips are quiet
Khamoshii sunaanii lagii hai dastaa.N
The silence has begun to tell a story
Nazar ban gayii hai dil kii zubaa.N
Our glances have become the language of our hearts

Mohabbat ke moD pe hum
At the crossing of love
Mile sab ko chhoDke hum
We met and left everything behind
DhaDakhte dilo.N ka leke yeh caravaa.N
We took our beating hearts with us on this caravan
Chale aaj dono.N jaane kahaa.N
Let us go together today, I know not where

Na tum hame.N jaano, na hum tumhe.N jaane.N
You do not know me, I do not know you
Magar lagtaa hai kuch aisaa meraa humdum mil gayaaa
Yet somehow I feel as if I have found my soul mate

Glossary:

humdum: soulmate; mausam: atmosphere, surroundings; raat: night: chhup: quiet; honT: lips; baat: words; khamoshii: silence; sunaanaa: to tell; daastaa.N: tale, story; nazar: glance; zubaa.N: language; mohabbat: love; moD: crossing, turn; sab: everything; dhaDakhnaa: to beat [heart]; aaj: today

Waheeda Rehman Baat ek raat ki na tum humen jano

Prior to murder charges, the lovely Waheeda Rehman sings merrily along to a record of “Na Tum Humen Jano” in Baat Ek Raat Ki (1962).

Now before anyone comments on how angelic Lata’s solo moment is halfway through the song, don’t be fooled! That voice of a goddess is none other than rival soprano Suman Kalyanpur! Her highest high note in the cameo moment is an E5, which doesn’t even come close to Asha and Lata’s famous trills. Composed by S.D. Burman, the song is fully picturized as a happy female solo earlier in the film here! Was Suman Kalyanpur’s solo able to compete with the magic of the famous Hemant counterpart? I think it was certainly a valiant effort, but…let’s not lie to ourselves.

Our English translation of “Na Tum Humen Jano” was requested by diehard fangirl Reena! Stay classy, Reena.

– Mrs. 55

Teer-e Nazar Dekhenge Lyrics and Translation: Let’s Learn Urdu-Hindi

Posted on January 12, 2014 by mrandmrs55

Bedecked in a white gown symbolic of her own death, Pakeezah dances at the celebration of her lover’s marriage to another woman in Pakeezah (1971).

We now showcase the lyrics and English translation to Lata Mangeshkar’s “Teer-e Nazar” from the cinematic jewel Pakeezah (1971). One of classic Bollywood’s most iconic and daring song sequences, “Teer-e Nazar” dazzles the audience by the audacity of its stunning visual fabric–the magnum opus of the industry’s greatest artists with a story worthy of their union. In an ironic twist, the film’s heroine Pakeezah is asked to perform a mujraa at the wedding of her lover to another woman. Throughout the striking song that follows, director Kamal Amrohi deliberately transforms our understanding of beauty and love into omens of murder and death.

Lyricist Kaif Bhopali’s title phrase “teer-e nazar,” while otherwise a romantic reference to a lover’s piercing gaze, assumes a sinister implication, a literal means of wounding its target. Pakeezah once more dances a graceful kathak dance, but this time she is dressed for a funeral in all-white. The death she celebrates is her own. Her beautiful dance suddenly re-invents itself when she purposefully smashes a glass chandelier across the pristine white floor. The moment is one of the most shocking in Bollywood history, with a dramatic shift in the room’s dynamics to accompany the jarring musical screech. Before this moment, Pakeezah was a mere witness to the injustice of her society’s prejudices. Now, Pakeezah wields a commanding power, entrancing a captive audience to which she willingly presents herself as a ritual sacrifice in the name of her own unfulfilled love.

Like a veiled Lady of Shallot, the effervescent Meena Kumari as Pakeezah realizes the show is coming to an end tonight.

Unleashing a passion she had been trained for so long to suppress, Pakeezah dances upon the jagged broken glass with a frenzied energy. Her blood, the bright red of wedding bliss she has been denied, stains the floor with every footstep. As evidenced by the film’s famous dialogue, feet play an important sensual role in Pakeezah. The blood-smeared feet ironically mirror the once dainty red foot paint of a dancer–the vehicle by which Rajkumar first fell in love with Pakeezah in a train compartment, begging her romantically to never allow them to touch the ground. With each step, Pakeezah regains her identity by destroying the constraints of her past.

Director Kamal Amrohi brilliantly shapes the scene through a chaotic editing pattern as fragmented and disturbing as the glass upon which she dances. Below is a short gallery of some of the many gorgeous shots that compose this scene, each more violent than the next.

Pakeezah’s blood begins to stain the white sheets on which she dances.

Flinging herself onto the floor, Pakeezah’s hair swirls like a madwoman.

A close-up of Pakeezah’s swirling white kathak dress. The audience begins to become dizzy as well.

Just before her collapse, Pakeezah dances among the flames, burning in her own despair.

Leaving a trail of blood behind her, Pakeezah stumbles across the floor to the horror of onlookers.

Stunningly beautiful and grotesque, Amrohi captures the twirling of her skirt against the shattered glass.

Stunningly beautiful and grotesque, Amrohi captures the soft twirling of her skirt against the shattered glass.

Nawabjaan, played by Veena, watches in horror as Pakeezah’s father enters the circus. Awkies…

This iconic song is among Bollywood’s greatest cinematic moments–made even more fascinating by the behind-the-scenes gossip between Meena Kumari and stunt double Padma Khanna who actually dances in this sequence! Follow along with the video, and we hope you enjoy our lyrics and English translation to the awe-inducing “Teer-e Nazar” from Pakeezah (1971) below!

Teer-e Nazar Dekhenge Lyrics and Translation:

Aaj hum apnii du’aao.n kaa asar dekhe.Nge
Today I shall behold the image of my prayers
Teer-e nazar dekhe.Nge, zakhm-e jigar dekhe.Nge
I shall see arrows from your glances, I shall see the wounds of my heart

Aap to aa.Nkh milaate hue sharmaate hai.N
Upon meeting my eyes, you feel embarrassed
Aap to dil ke dhaDakne se bhi Dar jaate hai.N
You are even afraid of your own heartbeat
Phir bhi yeh zidd hai ki ham zakhm-e jigar dekhe.Nge
Nonetheless I remain stubborn to witness the wounds of my heart
Teer-e nazar dekhe.Nge, zakhm-e jigar dekhe.Nge
I shall see arrows from your glances, I shall see the wounds of my heart

Pyaar karna dil-e betaab buraa hotaa hai
It is unfortunate for a weak heart to fall in love
Sunte aaye hai ki yeh khwaab buraa hota hai
I have heard that this dream of mine is also cursed
Aaj is khwaab ke taabiir magar dekhe.Nge
But today I will interpret the meaning of that dream
Teer-e nazar dekhe.Nge, zakhm-e jigar dekhe.Nge
I shall see arrows from your glances, I shall see the wounds of my heart

Jaan levaa hai mohabbat ka samaa aaj ki raat
Tonight this atmosphere of love feels fatal
Shamaa ho jaayegii jal jal ke dhuaa.N aaj ki raat
Tonight the lamps shall burn into smoke
Aaj ki raat bache.Nge to sahar dekhe.Nge
If I escape tonight, then I shall see the dawn
Teer-e nazar dekhe.Nge, zakhm-e jigar dekhe.Nge
I shall see arrows from your glances, I shall see the wounds of my heart

Aaj hum apnii du’aao.n kaa asar dekhe.Nge
Today I shall behold the image of my prayers
Teer-e nazar dekhe.Nge, zakhm-e jigar dekhe.Nge
I shall see arrows from your glances, I shall see the wounds of my heart

Glossary:

du’aa: prayer; asar: sign, image; teer: arrow; nazar: glance; zakhm: wound; jigar: heart; aankh milaanaa: to make eye contact; sharmaanaa: to become embarrassed, to be shy; dhaDaknaa: to beat [heart]; Dar jaanaa: to become afraid; zidd: stubborness, firm; betaab: weak; buraa: bad, unfortunate; khwaab ke taabir: interpretation of a dream; jaan levaa: fatal; mohabbat: love; samaa: atmosphere; shamaa: lamp; dhuaa.N: smoke; sahar: dawn

Oh, Meena Kumari, will there ever live a woman so breathtakingly classy again?

This fantastic Pakeezah hit was requested by fans VintageBollywood and Moosa Desai! Thank you for the epic request!

Arguably, Pakeezah’s wild dance following the chandelier shattering contains the most thrilling music (composed by the great Ghulam Mohammed) in the entire film. But there’s a big unsolved mystery here. Does the ambiguity of the diegetic soundscape in this sequence bother anyone else but me? Think about it: If Pakeezah had just smashed a chandelier to the ground, ruffling the entire audience, and then starts bleeding all over the party floor, is it likely that the band would carry on as usual? But on the other hand, if the music is, in fact, non-diegetic, what are the odds her dance movements are still so perfectly coordinated to the beat? Is she in theory really dancing like a maniac to a silent room while the furious strings Kamal Amrohi added are for the film viewers’ ears alone? This is going to keep me awake at night.

For lighter moments from the iconic film, check out our translations of Pakeezah‘s immortal Chalte Chalte, Mausam Hai Aashiqaana, and Inhi Logo.N Ne!

-Mrs. 55

Zindagi Ke Safar Mein Guzar Lyrics and Translation: Let’s Learn Urdu-Hindi

Posted on December 31, 2013 by mrandmrs55

Rajesh Khanna reflects on the choices he made and the love he lost in Aap Ki Kasam (1974).

Happy New Year’s to all our fans and lovers of classic Bollywood! In the spirit of the holiday, we present the lyrics and full English translation to the thought-provoking “Zindagi Ke Safar Mein Guzar” from Aap Ki Kasam (1974). In this song, lyricist Anand Bakshi explores the regret of one man who loses his chance to spend time with the people he loves. Rajesh Khanna plays a successful businessman who neglects and mistrusts his loving wife Mumtaz, ultimately costing him his marriage and family. Wanting desperately to make amends, Khanna soon realizes he is unable to change the past. For anyone still thinking of a New Year’s Resolution, this Kishore Kumar hit is sure to inspire!

happier times with mumtaz in aap ki kasam

Ignoring the eyesore of Delhi that is Mumtaz’s horrendous puffy orange sari blouse, happier times once reigned for the estranged couple in Aap Ki Kasam (1974).

Like time itself, linear movement is the emphasis of director J. Om Prakash’s gorgeous mis-en-scène. From symbolic train tracks or plodding footsteps to fantasy-pixie Mumtaz’s unidirectional trajectory through the woods, Kishore Kumar’s rich vocals are underlined by a feeling of racing forward with no way of turning back. “Zindagi Ke Safar Mein” shines in stark contrast to the romantic “Karvaten Badalte Rahe” duet sung during a high-key moment of the film. Of equal importance, the song is also a textbook example of the Bollywood cliche demonstrating a strong correlation between despondency of the hero’s love life with the length of the hero’s beard.

By the time “Zindagi Ke Safar Mein” finishes, Rajesh Khanna has spiraled into total despondency as evidenced by his increasing length of beard.

We hope that listening to this song may inspire you to appreciate the moments you have with your loved ones over the holidays. So take a break from the daily grind and let those people know how much you care–don’t be a Rajesh Khanna! You’ll find the lyrics and our English translation of the sentimental hit “Zindagi Ke Safar Mein Guzar Jaate Hai” from Aap Ki Kasam (1974) below. Follow along with the video on youtube and let us know YOUR New Year’s resolution in the comments!

Zindagi Ke Safar Mein Guzar Jaate Hai Lyrics and Translation:

Zindagii ke safar mei.N guzar jaate hai.N jo maqaam
Those places you pass in the journey of life
Woh phir nahii.N aate
They never return
Woh phir nahii.N aate
They never return

Phuul khilte hai.N, log milte hai.N
Flowers bloom, people meet
Magar patjhaD mei.N jo phuul muDjhaa jaate hai.N
But that flower which dies in Autumn
Woh bahaaro.N ke aane se khilte nahii.N
It does not bloom with the coming of Spring
Kuch log ek roz jo bichhaD jaate hai.N
Those people from whom you are separated one day
Woh hazaaro.N ke aane se milte nahii.N
A thousand others may come, but you will not meet them again
Umr bhar chahe koi pukaaraa kare unkaa naam
Even though you may call their names the rest of your life
Woh phir nahii.N aate
They never return
Woh phir nahii.N aate
They never return

rajesh khanna wanders aimlessly in aap ki qasam

Overcome with regret, Rajesh Khanna wanders aimlessly in Aap Ki Kasam (1974).

Aa.Nkh dhokaa hai, kya bharosaa hai?
Your eye deceives you, what is the truth?
Suno, dosto.N, shak dostii kaa dushman hai
Listen, friends, doubt is the enemy of friendship
Apne dil mei.N ise ghar banaane na do
Do not let doubt reside in your heart
Kal tadapnaa paDe yaad mei.N jinkii
Those people whose memories will torment you tomorrow
Rok lo rooThkar, unko jaane na do
Stop them when they are upset, do not let them leave
Baad mei.N pyaar ke chahe bhejo hazaaro.N salaam
For later, even though you may wish to greet them with love a thousand times
Woh phir nahii.N aate
They never return
Woh phir nahii.N aate
They never return

In epic slow-motion, Mumtaz prances through the forest of Rajesh Khanna’s fantasy, chunni billowing in the wind.

Subaah aatii hai, raat jaatii hai
Morning comes, the night departs
Yuu.n hii waqt chaltaa hii rehtaa hai, ruktaa nahii.N
In this manner, time marches on, it does not stop
Ek pal mei.N yeh aage nikal jaata hai
In a single moment, time moves forward
Aadmi Theek se dekh paataa nahii.N
Man is unable to see this well
Aur parde pe manzar badal jaata hai
And the view continues to change
Ek baar chale jaate hai jo din raat subaah shaam
But once those days and nights, and those mornings and evenings pass
Woh phir nahii.N aate
They never return
Woh phir nahii.N aate
They never return

Zindagii ke safar mei.N guzar jaate hai.N jo maqaam
Those places you pass in the journey of life
Woh phir nahin aate
They never return
Woh phir nahin aate
They never return

Glossary:

zindagii: life; safar: journey; guzar jaanaa: to pass, maqaam: place, landmark, milestone; phuul: flower; log: people; patjhaD: Autumn; muDjhaanaa: to become destroyed; bahaar: Spring; khilnaa: to bloom; ek roz: one day; bichhaD jaanaa: to become separated; hazaar: a thousand; umr bhar: whole life; pukaarnaa: to call; naam: name; aa.Nkh: eye; dhokaa: deception, trick; bharosaa: trust; shak: doubt; dostii: friendship; dushman: enemy; ghar: home; taDapnaa: to torment, to flutter; yaad: memory; roknaa: to stop; rooThna: to be upset; jaanaa dena: to let someone leave; baad mei.N: later on, bhejnaa: to send; salaam: greeting; subaah: morning; raat: night; yuu.N hii: in this manner, like this; waqt: time; pal: moment; aadmi: man; thiik se: properly, well; pardaa: veil, [in this case, a movie screen]; manzar: view; badal jaanaa: to change; ek baar: once, one time; din: day; shaam: evening

In my favorite shot of the film, Rajesh Khanna walks away from the camera, leaving the viewer alone in the cold Winter morning in Aap Ki Kasam (1974).

For the Urdu snobs, you may note that the plural of the multi-layered term maqaam is technically maqaamaat. The suffix –aat is necessary to denote plurality of certain vocabulary with an Arabic origin, however modern Hindustani often omits this mark of purist pretension–particularly when it would throw off a song’s rhyming scheme! But if you’re quick, you’ll still hear it used in classic film dialogues. Other examples include:

kaaghazaat (pieces of paper)
zevaraat (jewels)
makaanaat (stores)
jawaharaat (rubies)
ma’luumaat (information)

“Zindagi Ke Safar Mei.N” was requested by fan Agar Raheem. Our resolution for the New Year is to keep up quicker with requests from fans! If you haven’t seen your request in one of our blog posts yet, don’t worry–it’s coming! Thank you for the fantastic year we’ve had together, and our best wishes for a joyful and prosperous 2014!

2014 is going to be a particularly memorable year for us because Mrs. 55 is getting married! Get ready because, you guessed correctly, it’s going to be a classic Bollywood-themed wedding!

-Mrs. 55