Dil Cheez Kya Hai Lyrics and Translation: Let’s Learn Urdu-Hindi

Posted on February 1, 2013 by mrandmrs55

Rekha stars as a courtesan and poetess in Umrao Jaan (1981), based on an Urdu novel by Mirza Muhammad Hadi Ruswa

Today, we continue our series on Umrao Jaan (1981) by providing the lyrics and English translation to what is arguably the film’s most popular song: dil chiiz kyaa hai? Based on Mirza Muhammad Hadi Ruswa’s novel Umrao Jaan Ada, this film narrates the tragic tale of a young girl who is kidnapped and forced to become a tawaif (courtesan).

Through the course of this film, we witness the transformation of an innocent young girl Amiran as she becomes Umrao Jaan Ada, one of Lucknow’s most sought after courtesans. At the brothel, young Amiran receives training in classical voice, Kathak dance, and Urdu poetry–a forbidden world of art and education that the average Indian girl of this time period would never get the chance to explore. When the brothel’s madam Khanum feels that she has been sufficiently groomed, Umrao Jaan begins performing and attracting the attention of wealthy patrons all over Lucknow. Umrao’s first public performance as a courtesan is marked by the song dil chiiz kyaa hai?

This gem is considered to be one of Asha Bhonsle’s career-defining songs, and she was awarded a National Film Award for her performance of this ghazal along with the rest of her contributions to this soundtrack. Khayyam bagged a well-deserved National Film Award for his compositions in this film, and Rekha took home the National Film Award for Best Actress. From her performance in this mujra in particular, it is clear that Rekha is worthy of all the critical acclaim she received for her work in Umrao Jaan. Although she may lack the technical precision of a trained Kathak dancer, she compensates with her compelling on-screen presence and natural elegance. With eyes like hers, would any man in Lucknow be able to resist the charms of Umrao Jaan Ada?

What is your favorite song from the Umrao Jaan soundtrack? Share with us in the comments! Until next time…

-Mr. 55

Rekha’s mujras in this film, especially dil chiiz kyaa hai?, are fan-favorites to this day.

Dil Cheez Kya Hai: Lyrics and Translation

dil chiiz kyaa hai? aap merii jaan liijiye
What is the heart worth? Take my life instead!
bas ek baar meraa kahaa maan lijiye
But just once, please accept what I say.

is a.njuman me.n aap ko aanaa hai baar baar
You must return to this gathering time and time again.
diivaar-o-dar ko ghaur se pahchaan liijiye
So, learn to recognize these surroundings carefully.

maanaa ki dosto.n ko nahii.n dostii kaa paas
I admit that friends may not always hold friendship in high regard.
lekin yah kyaa ki ghair kaa ahsaan liijiye?
Yet, does this mean you should accept kindness from strangers?

kahiye to aasmaa.n ko zamii.n par utaar laaye.n
If you ask for it, I shall bring down the sky to the ground.
mushkil nahii.n hai kuchh bhii agar Thaan liijiye
No task is difficult if you pursue it firmly.

dil chiiz kyaa hai? aap merii jaan liijiye
What is the heart worth? Take my life instead!
bas ek baar meraa kahaa maan liijiye
But just once, please accept what I say.

Glossary

maan lenaa: to accept; anjuuman: gathering; diivaar-o-dar: walls and doors, surroundings; ghaur se: carefully; pahchaan lenaa: to recognize; dostii: friendship; paas: regard, consideration; ghair: stranger; ahsaan: favor, kindness; utaar laanaa: to bring down; Thaan lenaa: to pursue firmly.

A quick note regarding the word paas. Those of you familiar with its common use in the phrase kisii ke paas (next to someone/something) may be confused by the line “maana ki dosto.n ko nahii.n dostii kaa paas.” Here, a less common use of the word paas is used to mean regard or consideration. So, there is no relation to proximity here; the whole line would be translated as: “I admit that that friends may not always hold friendship in high regard.” Tricky, tricky.

As Umrao Jaan, Rekha seduces wealthy men in Lucknow with her most tempting asset: her eyes!

Phool Ahista Phenko Lyrics and Translation: Let’s Learn Urdu-Hindi

Posted on September 1, 2012 by mrandmrs55

Mumtaz is at her sassy finest on screen during this blazing duet from Prem Kahani (1975)

Our next translation comes from Prem Kahani (1975), a hit film set during the peak of India’s struggle for freedom from British rule that stars Mumtaz, Rajesh Khanna, and Shashi Kapoor in another take on the archetypal Bollywood love triangle. Rajesh Khanna plays the role of an apolitical poet with aspirations of teaching literature who becomes involved in a revolutionary freedom fighter movement to avenge his brother’s murder during a peace protest. He engages in a passionate romance with Mumtaz; however, when she boldly asks to marry him, he turns her down. The reason? Knowing the risks that he will face as a revolutionary, he does not want Mumtaz to be subjected to the cruelties of becoming widowed. Deeply hurt by this rejection, Mumtaz agrees to marry the man of her father’s choosing. In the mean time, Rajesh kills his brother’s murderer and becomes a fugitive highly sought after by the police. One day, while visiting his sister-in-law’s house, he is shot by police who arrive to search the premises. In order to recover from his wound, Rajesh flees to seek refuge at his best friend Shashi Kapoor’s place. When Rajesh arrives, he finds that it is the day of Shashi’s wedding! Rajesh meets the new bride, and — you guessed it — it is none other than Mumtaz.

In this context, the meaning of the lyrics in “phuul aahistaa phe.nko” come truly alive. The tension at home between Mumtaz and Rajesh Khanna is painfully palpable, and in the midst of this mess, the clueless Shashi calls for the start of an informal mushaira (poetry recital). If you’re interested in the poetry preceding this song, you can listen to the back-and-forth of the witty retorts between Rajesh and Mumtaz at this link here. The poetry leads seamlessly into the introduction of this memorable Lata-Mukesh duet, which was composed by Laxmikant-Pyarelal and penned by Anand Bakshi. This gem is a perfect example of how songs in Bollywood films can be used to express emotions that cannot be described as gracefully with dialogue alone.

Through these lyrics, Rajesh takes the opportunity to express his sorrow for letting Mumtaz go and playing with her heart. Mumtaz, with some sassy lines of her own, chides Rajesh for the way that he treated her. In order to fully understand these lyrics, it is important note that the thematic message of this song revolves around a key metaphor: the roses discussed here represent womankind. Like flowers, Indian women must grapple with a delicate and fragile fate as they endure the pain inflicted by the thorns of society’s constraining norms. Thus, when Rajesh claims in the mukhDaa that roses must be plucked gently (phuul aahistaa phe.nko, phuul baDe naazuk hote hai.n), Mumtaz sarcastically questions the sincerity of his politesse during her antara (baDii khuubsuurat shikaayat hai yah, magar sochiye kyaa sharafat hai yah?). In her heart, she wishes Rajesh had not been overly concerned with her well-being so that their marriage could have occurred (in spite of her prospects of becoming widowed). By channeling her emotions into anger, Mumtaz now hopes that the same kind of pain will ultimately afflict Rajesh so that he can understand the heartbreak she was forced to endure because of his decisions (jo rulaate hai.n logo.n ko ek din khud bhii rote hai.n).

As you can tell, this song is power-packed with emotional intensity and some beautifully crafted poetry–I highly recommend a listen if you have not received the opportunity to hear it yet. Follow along with our translation and glossary below, and as always, remember to send in your requests to themrandmrs55@gmail.com!

–Mr.55

Rajesh Khanna recites poetry that expresses deep regret for letting his beloved Mumtaz slip away in Prem Kahani (1975)

Phool Ahista Phenko: Lyrics and Translation

kahaa aap kaa yah bajaa hii sahii
What you have said is entirely correct:
ki ham beqadar, bevafaa hii sahii
I am insensitive and unfaithful.
bade shauq se jaaiye chhoD kar
With pleasure, you may leave me and go away.
magar sahan-e-gulshan se yuu.n toD kar
But, from the rose garden,

phuul aahistaa phe.nko, phuul baDe naazuk hote hai.n
Gently pluck the roses, for they are very delicate.
vaise bhii to ye badqismat, nok pe kaa.nto.n kii sote hai.n
Indeed, these ill-fated flowers must reside on the tips of thorns.

baDii khuubsuurat shikaayat hai yah
You have expressed quite a lovely grievance,
magar sochiye, kyaa sharaafat hai yah?
but please consider whether it is mere politesse.
jo auro.n kaa dil toDte rahte hai.n
Those who continue to break others’ hearts
lage choT unko to yah kahte hai.n ki
say this when they become hurt themselves:
phuul aahistaa phe.nko, phuul baDe naazuk hote hai.n
Gently pluck the roses, for they are very delicate.
jo rulaate hai.n logo.n ko ek din khud bhii rote hai.n
Those who make others cry shed their own tears one day.

kisii shauk ko baagh kii sair me.n
During a stroll in the garden,
jo lag jaaye kaa.nTaa koii pair me.n
when a thorn pierces your foot,
khafaa husn phuulo.n se ho kis liye?
why do you become angry with the roses, oh beautiful one?
ye maasuum hai.n, bekhataa is liye
They are innocent and faultless.
phuul aahistaa phe.nko, phuul baDe naazuk hote hai.n
Gently pluck the roses, for they are delicate.
ye kare.nge kaise ghaayal? ye to khud ghaayal hote hai.n
How can they hurt others? They are wounded themselves.

gulo.n ke baDe aap hamdard hai.n
You are quite sympathetic to the beauty of these roses.
bhalaa kyo.n na ho? aap bhii mard hai.n
And why not? You are also a man!
hazaaro.n savaalo.n kaa hai ek javaab
A thousand questions have this one answer.
fareb-e-nazar yah na ho, ai janaab
My dear, don’t let your eyes deceive you.
phuul aahistaa phe.nko, phuul baDe naazuk hote hai.n
Gently pluck the roses, for they are delicate.
sab jise kahte hai.n shabnam, phuul ke aa.nsuu hote hai.n
What people call dew drops are, in fact, the tears shed by roses

*Female lines sung by Lata Mangeshkar are denoted in red. Male lines sung by Mukesh are denoted in black.

Glossary

bajaa: correct; beqadar: insensitive; bevafaa: unfaithful; shauq se: with pleasure; sahan: courtyard; gulshan: rose garden; phe.nknaa: to pluck, throw; aahistaa: slowly, gently; naazuk: delicate; badqismat: ill-fated; nok: tip; shikaayat; grievance; sharaafat: politesse, decency; choT: injury, wound; shauk: thorn; baagh: garden; sair: promenade, stroll; khafaa: angry; maasuum: innocent; bekhataa: faultless; gul: rose; hamdard: sympathetic; fareb-e-nazar: delusion of sight; shabnam: dew drops.

The handsome yet clueless Shashi Kapoor is unaware of the tumultuous history between his wife Mumtaz and best friend Rajesh Khanna in Prem Kahani (1975).

In Aankhon Ki Masti Ke Lyrics and Translation: Let’s Learn Urdu-Hindi

Posted on June 6, 2012 by mrandmrs55

Rekha gives a career-defining performance as a courtesan and poetess in Umrao Jaan (1981)

I recently rewatched Muzaffar Ali’s masterpiece Umrao Jaan (1981), a film that is so brilliantly crafted that it deserves multiple posts on this blog like Pakeezah and Mughal-e-Azam. The film is based on an Urdu novel written by Mirza Muhammad Hadi Ruswa that recounts the life of one of South Asia’s most influential literary figures: Umrao Jaan. Born in Faizabad, a young girl named Amiran is kidnapped and sold to a brothel in Lucknow. As she grows older, Amiran is grooomed by the brothel’s madam until she becomes Umrao Jaan (played by Rekha), one of Lucknow’s most desirable courtesans. Misfortune after misfortune falls upon Umrao Jaan, but the film ultimately portrays her as a resilient woman whose beautiful mujras and poetry serve as a lasting legacy to her indomitable spirit.

In addition to Rekha’s stunning performance as the tawaif Umrao Jaan, this film is especially memorable for its portrayal of the richness of Lucknow’s cultural heritage. The indulgent life of nawaabs around the turn of 20th century is visually apparent in the film’s costumes, artwork, and set design, but the luxurious atmosphere in the film is taken to a new level by the soundtrack composed by Khayyam and penned by Shahryar. Here, I’ve chosen to translate one of the unforgettable mujra numbers from this film: in aa.nkho.n kii mastii.

She’s not lying when she says her eyes are intoxicating…

In this song, Umrao Jaan engages in some self-indulgent vanity. She mildly chides her lover Nawab Sultan (played by Farooq Shaikh) by saying there are thousands of other madmen in Lucknow that admire her charm and beauty. In the third verse, she continues to brag by saying that all the taverns in the world cannot serve wine as intoxicating as the wine that she serves from her glances. Finally, in the last verse, Umrao makes a warning against those that attempt to suppress her grandeur using a common symbol found in Urdu-Hindi poetry: the moth. Like moths to a flame, she claims that there are thousands of admirers in the city who would sacrifice their lives to protect her. The poetry in this song is not overly complex, but there is a subtle beauty to it that is enhanced by Asha Bhonsle’s beautiful rendition and Rekha’s graceful expressions on screen. I managed to find a very high-quality print of this song on YouTube, so please do watch the link provided above and follow along with the translation/glossary–enjoy!

–Mr. 55

P.S. Whatever you do, please do not waste three hours of your life (like I did) watching J.P. Dutta’s 2006 remake of this movie starring Aishwarya Rai and Abhishek Bacchan. It is a travesty of a film that completely disrespects the beauty of the original. I think one of the worst parts is the atrocious Urdu pronunciations. I mean, even I can get the guttural khe sound right when I say “khudaa haafiz,” and they don’t pay me the big bucks. Why can’t Aishwarya or Abhishek? And let’s not even get started on Anu Malik’s tired and stale soundtrack…

The camera adds to the meaning of the lyrics here by bringing candles into the shot when Rekha sings “is shamm-e-farozaa.n…“

In Aankhon Ki Masti Ke Lyrics and Translation

in aa.nkho.n kii mastii ke mastaane hazaaro.n hai.n
The intoxicating beauty of these eyes attracts thousands of admirers.
in aa.nkho.n se vaabastaa afsaane hazaaro.n hai.n
Indeed, there are thousands of stories associated with these eyes.

ek tum hii nahii.n tanhaa ulfat me.n merii rusvaa
You are not the only one disgraced by your love for me,
is shahar me.n tum jaise diivaane hazaaro.n hai.n
There are thousands of madmen like you in this city.

ek sirf ham hii mai ko aa.nkho.n se pilaate hai.n
It is only I who can serve you wine with my eyes,
kahne ko to duniyaa me.n maikhaane hazaaro.n hai.n
Though it is said that there are thousands of taverns in this world.

is shamm-e-farozaa.n ko aa.ndhii se Daraate ho
Although you attempt to scare this bright candle with a storm,
is shamm-e-farozaa.n ke parvaane hazaaro.n hai.n
The light from this candle attracts thousands of moths.

in aa.nkho.n kii mastii ke mastaane hazaaro.n hai.n
The intoxicating beauty of these eyes attracts thousands of admirers.

Glossary

mastii: intoxication; mastaane: admirers; vaabasta: associated with; ulfat: love; rusvaa: disgraced; mai: wine; maikhaane: taverns; shamm-e-farozaa.n: bright candle; aa.ndhii: storm; parvaane: moths.