Thandi Hawa Kali Ghata Lyrics and Translation: Let’s Learn Urdu-Hindi

Madhubala in Mr. and Mrs. 55 (1955)
The epitome of modernity, feisty Madhubala croons poolside in Mr. and Mrs. ’55 (1955).

Today we present the lyrics and English translation of “Thandi Hawa Kali Gata” from our very own namesake Mr. and Mrs. ’55 (1955). The film follows an unlikely young couple, Madhubala and Guru Dutt, who are forced together by circumstance and end up challenging their own social mores, maturing, and finding love to essentially become an ideal match—a figurative “couple of the year.”

People tend to have strong feelings one way or another for this film. The music is hands-down fantastic, but the plot tends to be divisive, depending on how you view Guru Dutt’s stance on female emancipation in the 1950s. I tend to argue that the film is empowering—his narrative is social criticism of the flaws in patriarchal society, as well as an exploration of non-traditional female roles. While Madhubala’s character does indeed discover many virtues of a conventional Indian housewife, her realization that she would prefer marriage to divorce comes with a refreshing sense of maturity and self-discovery that in no way shackles her independence. Unlike many great heroines of the era, in Mr. and Mrs. ’55, Madhubala is feisty and does exactly what she wants, when she wants! I like that about a woman.

Madhubala in Mr. and Mrs. 55 Thandi Hawa
In the coming-of-age classic “Thandi Hawa Kali Ghata,” Madhubala blushes in Mr. and Mrs. 55.

Now let’s take this moment to talk about the ridiculous ribbons and pigtails flying around the set in this song. Don’t be shy, you know precisely what I’m talking about. Mr. and Mrs. 55‘ was not the first film (and certainly not the last) to idealize fully-grown women who did their hair like 5-year old girls. Every actress of Bollywood’s yesteryear from class-act Meena Kumari to joke-a-minute Asha Parekh has played the romantic lead with a hairdo that awkwardly imitates the elementary school kids. Yes, chew on that for a moment. There’s an entire slightly uncomfortable social theory behind the craze. Contrast this lunchbox look to Madhubala’s long flowing locks in the sweet duet “Udhar Tum Haseen Ho” toward the end of the film as she begins to accept her marriage to Guru Dutt. Symbolic, no?

But enough about my beef with pigtails. Sung by Guru Dutt’s own wife Geeta Dutt, there’s plenty to love in this uplifting jingle! Follow along with the video here and enjoy our English translation and lyrics to “Thandi Hawa Kali Ghata” below!

Thandi Hawa Kali Ghata Lyrics and Translation:

ThanDii hawaa, kaalii ghaTaa, aa hii gayii jhoom ke
A cold wind and black clouds have come with ebullience
Pyaar liiye, Dole, ha.Nsii, naache jiiyaa ghoom ke
Carrying love, laughter swayed, and my heart danced in swirls

baiThii thii chhup-chhaap yuu.N hii, dil kii kalii chhum ke mai.N
I was sitting quietly, caressing the flower of my heart
dil ne yeh kyaa baat kahii, rah na sakii sun ke mai.N
What my heart said, I could not stay there to listen
mai.N jo chalii dil ne kahaa aur zaraa jhoom ke
As I left, my heart spoke with even more exuberance
Pyaar liiye, Dole, ha.Nsii, naache jiiyaa ghoom ke
Carrying love, laughter swayed, and my heart danced in swirls

Aaj to mai.N apnii chhabii dekh ke sharam aa gayii
Today I became shy upon seeing my own reflection
Jaane yeh kyaa soch rahii thii ki ha.Nsii aa gayii
I do not know what I was thinking, but I suddenly laughed
LauT gayii zulf mere honTh meraa chhuum ke
My hair flew back and touched my lips
Pyaar liiye, Dole ha.Nsii, naache jiiyaa ghoom ke
Carrying love, laughter swayed, and my heart danced in swirls

dil kaa haar iktaar hilaa, chhiDne lagii raginii
The necklace of my heart struck a chord on the iktaar, and it began teasing out a melody
kajraa bhare nain liye, ban ke chaluu.N kaaminii
With kajra-lined eyes, I became a beautiful woman and set out
Keh do koii aaj ghaTaa barse zaraa dhoom se
Someone tell the clouds to rain thunderously today
Pyaar liiye, Dole, ha.Nsii, naache jiiyaa ghoom ke
Carrying love, laughter swayed, and my heart danced in swirls

ThanDii hawaa, kaalii ghaTaa, aa hii gayii jhoom ke
A cold wind and black clouds have come with ebullience
Pyaar liiye, Dole, ha.Nsii, naache jiiyaa ghoom ke
Carrying love, laughter swayed, and my heart danced in swirls

Glossary:

ThanDii: cold, hawaa: wind; kaalii: dark; ghaTaa: cloud; jhoom: ebullience, exuberance; Dolna: to sway; ha.Nsii: laughter; naachnaa: to dance; jiiyaa: soul, heart; laughter; ghoomnaa: to swirl; chhup-chhaap: absolutely quietly; chhabii: reflection, image; sharam aanaa: to become embarrassed, to become shy; zulf: hair; honTh: lips; haar: necklace; iktaar: a traditional Hindustani one-stringed instrument, raginii: a small song, kajraa: traditional Indian  eyeliner; nain; eyes; kaaminii: a beautiful, desirable woman; koii: someone; barasnaa: to rain; dhoom se: with noise

Madhubala and friends in Mr. and Mrs. 55 (1955).
Madhubala and her girlfriends join hands in a chorus of pigtails and parasols in Mr. and Mrs. ’55 (1955).

Don’t you love how this film is just bursting with the tension of modernization? Like many typical “coming-of-age” songs, lyricist Majrooh Sultanpuri employs nature-based allegories to describe a girl’s maturation to womanhood and the development of romantic inclinations. However, the song is unexpectedly filmed at the uber urban hangout of Mahatma Gandhi swimming pool in Bombay’s Shivaji Park! Gotta love those modern girls. Producer-director Nasreen Munni Kabir describes Guru Dutt’s cinematographic decision-making process while filming this song in her must-see documentary “In Search of Guru Dutt“!

This brilliant Geeta Dutt hit was requested by loyal fan Sonia! We know we’ve been taking longer than usual to get around to requests, but with Mr. 55 getting swamped in medical school and me getting down to the wire for wedding planning, we’re doing our best! Stay tuned–we love hearing from our fans!

– Mrs. 55

 

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Chain Se Humko Kabhi Lyrics and Translation: Let’s Learn Urdu-Hindi

Asha Bhonsle and O.P. Nayyar share a joyful moment together. Photo Credit: indianexpress.com

Today, we present the lyrics and English translation to a soul-stirring melody composed by O.P. Nayyar and sung by Asha Bhonsle that has stood the test of time: chain se ham ko kabhiiAlthough this song was supposed to be included in Pran Jaye Par Vachan Na Jaye (1974) directed by S. Ali Raza, it never made the final cut! In spite of its prominent absence from a movie, this memorable composition has been treasured by Hindi film music lovers for years ever since it was released. While the profound beauty of this rare song never fails to earn universal appreciation, many fans may be surprised to learn about the behind-the-scenes drama surrounding the the making and release of chain se ham ko kabhii.

When Asha Bhonsle was 16 years old, she eloped with her elder sister Lata Mangeshkar’s 31-year-old personal secretary Ganpatrao Bhonsle against the wishes of her family. Over the course of an unhappy marriage, the allegedly abusive Ganpatrao grew suspicious of Asha’s faithfulness to their marriage and eventually cast her out of their home in 1960 . Pregnant with her third child, Asha left the Bhonsle household permanently in order to secure a better future for her children. A few years later, Asha and music director O.P. Nayyar began a nine-year romantic relationship in 1963 that quickly became the talk of the tabloids.  Although both Asha and O.P. were married legally to their spouses, they lived together for many years in O.P.’s penthouse flat at the Miramar building in Mumbai. During this period, the duo churned out a series of memorable musical hits that fans of Hindi film music still hold dear to their hearts: diivaanaa huaa baadal from Kashmir Ki Kali (1964), yeh hai reshmii zulfo.n kaa andheraa from Mere Sanam (1965), zaraa haule haule chalo more saajnaa from Sawan Ki Ghata (1966), yehii woh jagah hai from Yeh Raat Phir Na Aayegi (1966), and aao huzuur tum ko from Kismat (1968), among many other gems.

Sadly, this musical power couple encountered a rough patch in their relationship around 1972. One account of this story claims that Asha decided to leave O.P. when she saw him raising a hand and slapping her grown daughter Varsha. Whatever the reason may have been for their break-up, the couple had one last piece of unfinished business to deal with as they separated: the songs they had made together for the film Pran Jaye Par Vachan Na Jaye. Recorded before the couple had decided to part ways, records of these songs had been released several months in advance of the film’s premiere in 1974. Following the tragic break-up, Asha used her clout in the industry to have chain se ham ko kabhii deleted from the movie before it was released in theaters. However, the song had gained such widespread acclaim on its own that it won Asha her sixth Filmfare Award for Best Female Playback Singer in 1975. Since Asha refused to go to the ceremony to receive this award, O.P. Nayyar accepted the trophy on her behalf. It is said that O.P. then tossed the trophy out the window on his car ride home, ending their relationship on a truly sour note.

To this day, Asha refuses to acknowledge O.P. Nayyar publically and does not credit him for her early successes in the playback singing industry. Interestingly, in his old age, O.P. Nayyar overcame the bitterness of the duo’s break-up and admitted that Asha was “the best person I’ve ever met.

Chain Se Humko Kabhi: Lyrics and Translation

chain se ham ko kabhii aap ne jiine na diyaa
You have never let me live in peace.
zahar bhii chaahaa agar, piinaa to piine na diyaa
Yet, even if I asked to die by poison, you would not let me drink it.

chand ke rath me.n raat kii  dulhan jab jab aayegii
When the Night arrives as a bride on the Moon’s chariot,
yaad hamaarii aap ke dil ko taDpaa jaayegii
memories of me will continue to cause you heartache.
pyaar ke jalte zakhmo.n se jo dil me.n ujaalaa hai
The light in your heart emanating from our love’s burning wounds
ab to bicchaD ke aur bhii zyaadaa baDhnevaalaa hai
will continue to shine more brightly now that we are apart.
aap ne jo hai diyaa, vah to kisii ne na diyaa
What you have given to me, no one else has been able to replicate.
zahar bhii chaahaa agar, piinaa to piine na diyaa
Yet, even if I asked to die by poison, you would not let me drink it.

aap kaa gham jo is dil me.n din-raat agar hogaa
To bear your sorrow in my heart all day and night,
soch ke yah dam ghuTataa hai, phir kaise guzar hogaa?
the very thought of this is suffocating. How can I endure it?
kaash na aatii apnii judaayiimaut hii aa jaatii
If only death had come to me instead of this separation,
koii bahaane chain hamaari ruuh to paa jaati
then, under this pretext, my soul could finally rest at peace.
ek pal ha.nsnaa kabhii dil kii lagii ne na diyaa
My heart’s emotions have never let me smile for a moment.
zahar bhii chaahaa agar, piinaa to piine na diyaa
Yet, even if I asked to die by poison, you would not let me drink it.

chain se ham ko kabhii aap ne jiine na diyaa
You have never let me live in peace.

Glossary

chain: peace; zahar: poison; rath: chariot; dulhan: bride; ujaalaa: light; sulagnaa: to smolder; dam ghuTnaa: to suffocate; guzar honaa: to endure, subsist; kaash: if only; judaayii: separation; maut: death; bahaanaa: pretext; ruuh: soul; lagii: emotion, feeling.

In the context of this tumultuous backstory, the lyrics of chain se ham ko kabhii (penned by S.H. Bihari) are aptly fitting as Asha’s final swan song under O.P. Nayyar’s baton. Thank you to our reader Tanushree for requesting a post on this beautiful song and its interesting history–keep those requests coming! Until next time…

-Mr. 55
Pran
A young Rekha stars in Pran Jaye Par Vachan Na Jaye (1964). Since the song was deleted from the released film, details surrounding the picturization of chain se ham ko kabhii remain a mystery to this day.