The Top 30 Greatest Classic Bollywood Films of All Time

The top 30 greatest classic Bollywood films have been selected. Which films made the list of Bollywood’s best?

Greatest Bollywood Films of All Time Guru Dutt Waheeda Rehman

Introduction

Mr. and Mrs. 55 – Classic Bollywood Revisited! at last present our definitive list of the Bollywood classics you absolutely must see before you die. Hundreds of films were scored and ranked across multiple dimensions of Bollywood cinema including: story, direction, performances, musical composition, as well as cultural impact and legacy. We included Hindi-language films made between the period of 1949-1979 on our list of the best classic Bollywood films ever made. Some on the list are beloved favorites of the industry, while others may surprise you.

Among the winners are directors Guru Dutt, Bimal Roy and Raj Kapoor–names synonymous with masterpiece Indian cinema–each with multiple films among Bollywood’s all-time greatest. Always wondered why a couple of young Harvard students like us love old Indian films so passionately? No matter what you think you know about Bollywood, the movies on this list will change your understanding of Indian films like never before. From village epics that grapple with our national identity to the nostalgic poetry of sudden disillusionment, classic Bollywood films transport us from the enchanting glamour of Bombay nightlife to the majestic gardens of Kashmir. They carry our souls through hardship and loss and revive our spirits with redemption.

This is cinema the way it was meant to be. This is classic Bollywood.

The top 30 Films from 30 years of classic Hindi cinema (1949-1979):

1. Pyaasa

Pyaasa Guru Dutt

Guru Dutt, 1957

Pyaasa, or “thirst,”is the story of one man’s search for compassion in the cold cynicism of post-independence Indian society. Vijay is an unpublished poet, dismissed by his own family and scorned by socialites and his colleagues. After befriending a prostitute who shelters him, Vijay is believed dead and his poetry “posthumously” lionized. He becomes an overnight sensation, mourned by fans across the country, and the true Vijay is labeled an imposter. India entered its golden age of filmmaking in the 1950s when its long-awaited freedom from England and the hopes of a new government created a social tinderbox of great expectations and disillusionment. Pioneering the technique of utilizing song lyrics as direct extensions of the film’s dialogue, Guru Dutt as the writer-producer-director-star paints a stirring portrait of the commodification of humanity.

2. Mughal-e-Azam

Mughal-e Azam K. Asif

Karimuddin Asif, 1961

At the turn of the 17th century, Prince Salim falls in love with the court dancer Anarkali and wages war against his own father, Emperor Akbar, in order to marry her. Director K. Asif’s enormous cast, opulent sets, intricately designed costumes and extravagantly staged battle scenes made the film the most expensive ever produced in India at the time. But despite of all the grandeur, the film has a warm heart, and the dangers of the romance between Salim and Anarkali are infused into each glance they share. Although the love story is the backbone of the film, it is Emperor Akbar, from whom the film derives its name (“the Great Mughal”), who takes center stage as he is torn between love for his only son and the unforgiving demands of the Mughal Empire. Every line of dialogue is written with the ornamentation of poetry, casting an elegance to Mughal-e Azam‘s thunderous power.

3. Pakeezah

Pakeezah Kamal Amrohi

Kamal Amrohi, 1971

In the grandeur of Muslim Lucknow at the turn of the century, Pakeezah is a courtesan and dancer who dreams of leaving her life behind when a stranger falls in love with her in a train compartment, not knowing her true profession. With swirling romanticism and languid, dream-like cinematography, Pakeezah instantly became one of the most extraordinary musicals ever made. Perfectionist director Kamal Amrohi, who also wrote the script and some of the lyrics, effectively transports the viewer into a wistful age of bygone formality and luxury. Each of Pakeezah‘s popular semi-classical songs illustrates the duality of a courtesan’s poetry, at once glamorizing the elaborate rituals of love and destroying the institutions that upheld them.

4. Mother India

Mother India Mehboob Khan

Mehboob Khan, 1957

With tragedy strikes her family, newlywed village belle Radha is determined to weather a crucible of social and personal adversities without compromising her honor. In doing so, she reinvents herself as a heavy-handed symbol of India’s own pride as an ancient culture and a new democracy. A defining film in the history of Bollywood, director Mehboob Khan’s iconic Mother India set the pattern for the more than 60 years of Bollywood film that followed it. A mythologization of traditional values and an homage to the beauty of Indian heritage, Mother India‘s unabashedly epic glorification of self-sacrifice and female empowerment was nominated for the Academy Award for Best Foreign Film in 1958.

5. Guide

Guide Vijay Anand

Vijay Anand, 1965

A corrupt businessman is transformed into a spiritual guide after a misunderstanding that leads to his idolization by a village besieged by drought. Based on the R.K. Narayan novel of the same name and bolstered by a stunning soundtrack, Guide explores a fundamental Vedic transformation from materialism to a release from worldly attachments in an extremely unlikely hero. A scandalous love story settles into the background as director Vijay Anand boldly deconstructs social taboos, from adultery and non-traditional gender roles to religious fraud, in a film that stirringly evolves into a philosophical awakening greater than the circumstances it portrays–a brilliant reflection of the double entendre intended by its title.

6. Kaaghaz Ke Phool

Kaagaz Ke Phool Guru Dutt

Guru Dutt, 1959

In the 1950s at the height of India’s golden age of film-making, a celebrated movie director feels uninspired by the tinsel-lined glitz of studio era Bollywood. When he discovers a new actress, innocent to the corruption of the industry, he believes he has found a muse to ease his restlessness. A elegiac behind-the-scenes film about film-making, Kaaghaz Ke Phool became a cult classic following the eerie semi-autobiographical death of its director Guru Dutt. Trapped in a world of pretense, Guru Dutt illustrates a kind of yearning that softly and slowly erodes the soul–a desperate hunt for a human connection. The real triumph is in the film’s stunning camerawork, gracefully gliding through the empty studio sets like a beautiful spectre of Dutt’s own shattered desires.

7. Awaara

Awaara Raj Kapoor

Raj Kapoor, 1951

A female lawyer is determined to prove her lover’s innocence in a murder attempt on the life of a respected judge. Structured in medias res, the film’s flashback reveals the injustice of her lover’s past when the very judge who condemns him proves to be his own father: a man who threw his wife onto the streets when he believed a criminal had raped her. Echoing the dark lessons of the ancient Ramayana, Awaara shatters the nature versus nurture debate with a showman’s flair and surrealist fantasy, including the film’s legendary dream sequence evoking a descent into Hell. Awaara launched Raj Kapoor’s famous Chaplin-esque hero for the first time, who resonated immensely across the Soviet Union and Communist China as the voice of a new generation.

8. Sahib, Bibi, Aur Ghulam

Sahib Biwi Aur Ghulam Guru Dutt

Guru Dutt/Abrar Alvi, 1962

Desperate to save her marriage, the younger daughter-in-law of a wealthy family sacrifices her moral boundaries to win over her alcoholic husband. A nostalgic glimpse into the decaying Bengali feudal system, Sahib, Bibi, Aur Ghulam unravels a dazzling murder mystery at the heart of its progressive view of societal redemption. Seen from the perspective of a young factory worker lured into a stately mansion as an ally of its young mistress, Sahib, Bibi, Aur Ghulam hauntingly opens the doors to the hollowness of exterior splendor. Spiraling against her will with the collapse of Calcutta’s landed aristocracy, Meena Kumari’s portrayal of the tormented wife is forever considered among the most magnificent on-screen performances of Bollywood history.

9. Aradhana

Aradhana Shakti Samanta

Shakti Samanta, 1971

When her lover dies at war, an unwed mother gives up her son up for adoption, vowing to watch over him in secrecy as he grows up in the house of another. Her poignant worship, or aradhana, of her dead fiancé and their son became immortalized in the Indian cinematic psyche as an audacious struggle of traditional society confronted by changing modern values. Boasting one of the all-time greatest soundtracks of Indian cinema, Aradhana epitomizes the versatility and creativity of the era’s leading music directors. From the youthful romance of “Kora Kaagaz Tha” to the grim Bardic undertones of “Safal Hogi Teri Aradhana” to the notoriously seductive “Roop Tera Mastana,” the film is as much remembered for its luminous performances as for exemplifying the golden age of Bollywood music.

10. Do Bigha Zameen

Do Bigha Zameen Bimal Roy

Bimal Roy, 1953

A farming family fights to save their ancestral land from a cunning mill owner. Do Bigha Zameen follows the father and son’s trip to Calcutta from their idyllic village to earn enough money to pay their debts–only to discover the miseries of urban poverty instead. Inspired by the work of Italian neorealism, Do Bigha Zameen pioneered early parallel cinema with a deliberate attention to the “everyday,” and the feeling of an invisible, unhurried camera whose shots and mis-en-scene are both carefully constructed and effortlessly fluid. Directed by Bengali auteur Bimal Roy, the film’s nationalistic electricity hit a broader audience, becoming the first Indian film to win the Prix Internationale at the 1954 Cannes Film Festival.

11. Bandini

bandini bimal roy

During the British Raj of the 1930s, a prison doctor falls in love with a convict who reveals the story of her tumultuous connection to a freedom fighter.

12. Madhumati

Madhumati Bimal roy

Bimal Roy, 1958

On a rainy night, a man enters an abandoned mansion where he is confronted by unfulfilled visions of his past life.

13. Shree 420

Shree 420 Raj Kapoor

Raj Kapoor, 1955

A country boy travels to Bombay to make his fortune where he is lured from the path of virtue into a thrilling life of deceit.

14. Sholay

sholay ramesh sippy

Ramesh Sippy, 1975

After his family is murdered by a notorious bandit, a former police officer enlists the help of two outlaws to capture him.

15. Ankur

shyam benegal Ankur

Shyam Benegal, 1974

The social hierarchies of rural India are disrupted when a landowner begins an affair with a poor farmer’s wife.

16. Hum Dono

Hum Dono vijay anand

Amarjeet, Vijay Anand (1961)

After returning from war, a soldier begins to lead a double-life when his doppelgänger’s family welcomes him home.

17. Barsaat (1949)

Barsaat raj kapoor

Raj Kapoor, 1949

Two men with different ideals of love search for answers with the coming of the monsoons.

18. Amar Akbar Anthony

Amar Akbar Anthony manmohan desai

Manmohan Desai, 1977

Three brothers are separated in childhood and eventually unite after one is brought up a Christian, one a Hindu, and one a Muslim.

19. Anand

Anand hrishikesh mukherjee

Hrishikesh Mukherjee, 1971

A doctor recounts the story of a terminally ill man who wishes to his live life to the fullest and spread happiness to those around him.

20. Haqeeqat

Haqeeqat chetan anand

Chetan Anand, 1964

A platoon of Indian soldiers leave their homes and loved ones to encounter the harsh realities of battle in the Indo-China War of 1962.

21. Don

Don 1978 chandra barot

Chandra Barot, 1978

A simpleton is trained to infiltrate the underworld by impersonating a criminal leader who has been killed in a police chase.

22. Mahal

Mahal kamal amrohi

Kamal Amrohi, 1949

A young lawyer is haunted by a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

23. Sangam

Sangam raj kapoor

Raj Kapoor, 1964

An Indian Air Force Officer leaves for the Kashmiri front, entrusting his wife to the care of his best friend who has secretly always loved her.

24. Dosti

Dosti satyen bose

Satyen Bose, 1964

A penniless orphan makes the unexpected friendship of a blind boy who teaches him survival on the streets of Bombay.

25. Waqt

Waqt yash chopra

Yash Chopra, 1965

Natural disaster separates the members of a close-knit family who re-connect in a series of dramatic entanglements years later.

26. Deewar

Deewar yash chopra

Yash Chopra, 1975

A mother attempts to reunite her two estranged sons: one, a leading criminal of the underworld, and the other, an uprighteous policeman.

27. Kati Patang

Kati Patang shakti samanta

Shakti Samanta, 1970

As a promise to raise the child of her dying friend, a young woman risks starting a new life under a false identity.

28. Aandhi

Aandhi gulzar

Gulzar, 1975

A powerful politician struggles to reconcile her position with secrets from her past.

29. Purab Aur Paschim

Purab Aur Paschim major kumar

Manoj Kumar, 1970

East clashes with West when a traditional Indian student encounters swinging London society for the first time.

30. Bombai Ka Babu

Bombai Ka Babu Raj Khosla

Raj Khosla, 1960

A small-time thief is forced into a deadly web of deception when he gains the trust of his victim’s family.

Read more about these and other classic Bollywood films on our film pages! Which films do you consider among classic Bollywood’s all-time best and why? Leave us a comment and let us know!

– Mrs. 55

Aye Meri Zohra Jabeen Lyrics and Translation: Let’s Learn Urdu-Hindi

balraj sahni aye meri zohra jabeen waqt
Balraj Sahni plays a wealthy, family-loving merchant whose good fortune takes a disastrous turn in Waqt (1965).

We now present the lyrics and English translation to “Aye Mere Zohra Jabeen” from Waqt (1965). Young at heart Balraj Sahni plays a loving father of three young children who celebrates his business success with pomp and splendor. So overjoyed by where he believes Fate is taking his family, he dedicates a love song to his wife at a party. The film’s hit opening number “Aye Mere Zohra Jabeen” brims with a sense of carpe diem in the lives of a couple whose youth is coming to an end. Achala Sachdev plays the gentle wife fittingly embarrassed by the attention, but clearly loving the compliments. Their picture-perfect world is too wonderful to last–and before the night is over, tragedy strikes that separates the family. And from there unfolds one of the best Hindi masala films of the 60s!

The well-known opening line carries the Urdu vocabulary lover’s favorite, “zohra jabeen.” The meaning of this term has confused many a Hindi film goer over the ages. Actually a combination of two separate words, zohra and jabeen, the term is used loosely to mean “beautiful one,” but the true definition is far more fascinating. Zohra is the Arabic term for the Roman goddess of beauty, Venus, and also the planet easily identifiable as a shining star in the sky. Jabeen translate literally as forehead, a delicate part of the woman’s face to which praise has been given for centuries of Urdu ghazalry. So when addressing your sweetheart as zohra-jabeen, you are implying that her face shines with the beauty of Venus! Pretty flattering, right?

shy achala sachdev aye meri zohra jabeen
With the coyness of a young bride, Achala Sachdev blushes at her husband’s public display of affection in Waqt (1965).

In an interview on Bangalore’s Radio City in 2005, Manna Dey recalls being requested for the number by music director Ravi with surprise:

“When Ravi called me to sing “Aye meri zohra-jabeen” for Waqt, I asked him, ‘Why me? You use only Rafi or Mahendra Kapoor.’ Ravi said it was Balraj Sahni’s personal request that I sing.”

Although Mahendra Kapoor and Rafi do indeed sing the other fabulous songs of the film, none ever became as famous than this Manna Dey chart-buster. Sung at almost any sangeet or wedding, “Aye Meri Zohra Jabeen” endears listeners across generations with excitement and sentimentality. Although often categorized as a qawwali, the song does not quite fit into the genre–despite its best attempts at synchronized group clapping. Check out the video to see class act Balraj Sahni get into character and witness one of the only Bollywood love songs uniquely targeted at couple of any age! Cutie-pie Achala Sachdev would later play Kajol’s grandmother’s in Dilwale Dulhaniya Le Jayenge where the song was memorably revived!

We hope you enjoy the evergreen Sahir Ludhianvi lyrics and our full English translation to “Aye Meri Zohra Jabeen” below:

Aye Meri Zohra Jabeen Lyrics and English Translation:

Aye merii zohra-jabeen
Oh, my beautiful one
Tujhe ma’aluum nahii.N
You are not aware
Tuu abhii tak hai hasii.N
that you are still lovely
Aur mai.N jawaa.n!
and I am still young!
Tujhpe qurbaan merii jaan merii jaan!
I would sacrifice my life for you!

Yeh shokhiyaa.N yeh baa.Nkpan jo tujh mei.N hai kahii.N nahii.N
This coyness, this attractiveness of yours is nowhere else
Dilo.N ko jiitne kaa fan jo tujh me hai kahii.N nahii.N
The art of winning hearts that you possess is nowhere else
Mai.N terii! maii.N terii aankho.N mei.N paa gayaa do jahaa.N!
In your eyes, I have found my heaven and earth!
Aye merii zohra jabeen…

Tuu miiThe bol, jaan-e-man, jo muskuraake bol de
If you speak sweet words to me, my love, and smile
To dhaDakano.N mei.N aaj bhii sharaabii ra.Ng ghol de
Then even today, you infuse my heartbeats with an intoxicating colour
O sanam! O sanam mai.N teraa aashiq-e-jaavedaan!
Oh darling, I am your lover for eternity!
Aye merii zohra jabeen…

Glossary:

zohra-jabeen: beautiful (literally zohra: Venus and jabeen: forehead = beautiful one with the face that glows like Venus); ma’aluum: aware, information; hasii.N: beauty; jawaa.N: youth; qurbaan: sacrifice; jaan: life; shokhiyaa.N: coyness; baa.Nkpan: attractiveness; fan: art; do jahaa.N: two worlds, heaven and earth, realm; miiThaa: sweet; bol: words; jaan-eman: beloved; muskuraanaa: to smile; dhaDkan: heartbeat; sharaabii: intoxicating, drunken; ra.Ng: colour; ghol: mixture, infusion; sanam: beloved; aashiq: lover; jaavedaan: eternal, never-ending

handkerchiefs waqt
When the flirty handkerchiefs come out, there’s really no going back. I think we all have uncles who have pulled this flamboyant dance move at parties, much to their wives’ chagrin.

Aye Meri Zohra Jabeen” is actually based on a musical composition by Afghanistan’s Abdul Ghafoor Breshna (1907-1974), a famous painter, poet, director, and musician who also composed the national anthem for the Republic of Afghanistan just before his death. “Aye Meri Zohra Jabeen” was requested by two fans, Kuldip Babbar and Hema Fonseka! Thanks for the fantastic suggestion, and keep those requests coming!

– Mrs. 55

Yash Chopra: King of Bollywood Romance

Yash Chopra (1932-2012)

Today marks a very sad occasion in the tinsel-lined world of Mumbai filmdom. Legendary filmmaker Yash Chopra has passed away at the famous Lilavati Hospital in Bombay at the age of 80. A timeless pillar of Bollywood romance, Yash Chopra defined generation after generation of Indian love. From his earliest directorial super-hit Waqt (1965) to his later epic romances Veer-Zara (2004), Yash Chopra made the careers of dozens of stars that we know and cherish today. One of his most famous muses, struggling Amitabh Bachchan who starred in Yash Chopra blockbusters like Deewar (1975) and Kabhi Kabhi (1976), was given a new chance at a comeback with Mohabbatein (2001)–a film that led to the evergreen actor’s eventual rebirth as a grand figure in Bollywood once more. For that opportunity, Big B like many great actors remains ever grateful to the man and legend who supported him.

With Yash Chopra’s passing, the neo-golden age of Bollywood film comes as well to a sad close. Films like Dilwale Dulhania Le Jaayenge (1995), Dil To Pagal Hai (1997), and Kuch Kuch Hota (1998) that defined my childhood and that of a generation of hopeless romantics were produced by the Yash Raj banner and carry the hallmark of an era of innocent beauty and carefree romance that brought joy to millions world round. Thank you, Yash Chopra, for the memories and the love. You taught us how to give unconditionally and the precious, crazy things a person can do in the name of love. In the words of your own film Kuch Kuch Hota Hai: tumne na jaane kya sapne dikhaaye

Here is a glimpse at some of Yash Chopra’s most famous films over the years as both director and producer:

Daag (1973)

Daag (1973) starring Rajesh Khanna and Sharmila Tagore.

Waqt (1965)

Waqt (1965) starring Sadhana, Sharmila Tagore, Sunil Dutt, Shashi Kapoor, Balraj Sahni and Rajkumar.

Deewar (1975)

Deewar (1975) starring Shashi Kapoor and Amitabh Bachchan.

Kabhi Kabhi (1977)

Kabhi Kabhi (1977) starring Amitabh Bachchan, Rakhi, Rishi Kapoor, and Nitu Singh.

Silsila (1981)

Silsila (1981) starring Rekha, Jaya Bachchan and Amitabh Bachchan.

Chandni (1989)

Chandni (1989) starring Sridevi and Rishi Kapoor.

Dilwale Dulhania Le Jaayenge (1995)

Dilwale Dulhania Le Jayenge (1995) starring Kajol and Shah Rukh Khan.

Dil To Pagal Hai (1997)

Dil To Pagal Hai (1997) starring Madhuri Dixit, Shah Rukh Khan and Karishma Kapoor.

Kuch Kuch Hota Hai (1998)

Kuch Kuch Hota Hai (1998) starring Shah Rukh Khan, Kajol and Salman Khan.

Mohabbatein (2001)

Mohabbatein (2001) starring Shah Rukh Khan, Amitabh Bachchan and Aishwarya Rai.

Veer-Zara (2004)

Veer-Zara (2004) starring Shah Rukh Khan and Preity Zinta.

What was YOUR favorite Yash Chopra film moment and how have his films affected you? Let us know in the comments!

– Mrs. 55

Aage Bhi Jaane Na Tu Lyrics and Translation: Let’s Learn Urdu-Hindi

What a classy soiree!

I just spent three hours of my life watching Waqt (1965) instead of studying for the MCAT.  Therefore today we present the lyrics and English translation of “Aage Bhi Jane Na Tu.” Was it worth it? Totally.

This 1965 film directed by Yash Chopra features an all-star cast (Balraj Sahni, Achla Sachdev, Sadhana, Raaj Kumar, Sunil Dutt, Sharmila Tagore, Shashi Kapoor, Motilal, Rehman, Madan Puri, Leela Chitnis, and Shashikala, among others) along with a compelling storyline that defined the masala genre of Hindi cinema for years to come. The plot tells the story of a family of five who are tragically separated by a natural disaster. Years later, their lives become bizarrely connected through a series of complex entanglements involving romance, misunderstandings, illness, and of course–a murder. I don’t want to ruin the movie by giving away too many details, but its theme can be summarized by the powerful concluding statement made by Balraj Sahni’s character: “waqt hi banata hai aur waqt hi bigaDta hai” (Time creates all, and time destroys all).

Sadhana and Sunil Dutt have a moment in Waqt (1965)

The icing on the cake for this movie is its soundtrack composed by Ravi and penned by Sahir Ludhianvi. One popular song you may know from this film is Manna De’s “ai merii zohraa jabii.n,” but today, I have chosen to translate the soundtrack’s crown jewel: “aage bhii jaane na tu.” Unlike many songs in Bollywood movies that serve as fillers, this song is actually instrumental in advancing the plot. The song is played in the background at a soiree that is attended by many of the film’s major characters. During the course of the song, a lot of important things happen: Sadhana and Sunil Dutt get all romantic together, Rehman orders Raaj Kumar to steal Shashikala’s diamond necklace, Sharmila Tagore seeks Shashi Kapoor’s attention, and Shashi Kapoor is forced to leave the party early to take care of his sick mother. Most importantly, however, Raaj Kumar gets into a fight with a drunk Madan Puri because he makes a pass at Sadhana, and this fight is related to the murder that I eluded to above. I’ll leave it at that for now to keep things suspenseful…

Dashing Raaj Kumar attempts to steal Shashikala’s diamond necklace. Sneaky!

Sahir Ludhianvi is brilliant as always in his poetry, as he transforms a potentially mediocre party song into a beautifully expressed philosophical statement about life. Through his words, he urges listeners to adopt a carpe diem intellectual framework in which decisions should be based on the present instead of relying on the uncertainties of the future and the past. He illustrates that seizing the day is important by saying, “jo bhii hai, bas yahii ek pal hai” (What is here now is only this one moment), and these words are particularly apt for a movie whose title and theme revolve around time. Ravi’s exquisite tune and Asha Bhonsle’s passionate rendition do justice to the depth of Ludhianvi’s words, which all  have contributed to making this gem one of Bollywood’s most treasured songs from the Golden Era.

Shashi Kapoor leaves the party to take care of his ailing mother 😦

Do you recognize the woman on whom this song is picturized in the film? Her name is Erica Lal, but I couldn’t find much biographical information about her except that she was an American woman who married an Indian living in Mumbai at this time. In any case, she looks stunning on screen during this song and captures the spirit and style of the sophisticated ’60s crooner.

–Mr. 55

Erica Lal is the epitome of the stylish ’60s crooner in Waqt (1965)

Aage Bhi Jaane Na Tu Lyrics and Translation

aage bhii jaane na tu, piichhe bhii jaane na tu
You may not know what lies ahead of you, nor do you know what lies behind you.

jo bhii hai, bas yahii ek pal hai
What is here now is only this one moment.

anjaane saayo.n kaa raaho.n mein Deraa hai
Unknown shadows camp along the paths ahead,

andekhii baaho.n ne ham sab ko ghera hai
While unseen arms have embraced us all.

yeh pal ujaalaa hai, baaqii andhheraa hai
This moment is shining with light; everything else is darkness.

yeh pal gavaana na, yeh pal hii teraa hai
Do not waste this moment, as only this moment is yours.

jiinevaale, soch le yahii vaqt hai kar le purii aarzuu
Think fast, oh living soul: this is the time to fulfill all your desires.

is pal ke jalvo.n ne mahfil sa.nvaarii hai
The passion of this moment has graced this gathering,

is pal kii garmii ne dhaDkan ubhaarii hai
And the warmth of this moment has accelerated our heartbeats.

is pal ke hone se duniyaa hamaarii hai
The world is ours because of this moment’s existence.

yeh pal jo dekho to sadiyo.n pe bhaarii hai
Take a look at this moment, for its grandeur is to be remembered for centuries.

jiinevaale, soch le yahii vaqt hai kar le purii aarzuu
Think fast, oh living soul: this is the time to fulfill all your desires.

is pal ke saaye me.n apnaa Thikaanaa hai
One’s destination can be found in the shadows of this moment.

is pal ke aage hii har shay fasaanaa hai
Ahead of this moment, all objects become stories of fantasy.

kal kis ne dekhaa hai? kal kis ne jaanaa hai?
Who has seen tomorrow? Who has known tomorrow?
is pal se paayegaa jo tujh ko paanaa hai
From this moment, you shall receive all that you are due.

jiinevaale, soch le yahii vaqt hai kar le purii aarzuu
Think fast, oh living soul: this is the time to fulfill all your desires.

aage bhii jaane na tu, piichhe bhii jaane na tu
You may not know what lies ahead of you, nor do you know what lies behind you.

jo bhii hai, bas yahii ek pal hai
What is here now is only this one moment.

Glossary

pal: moment; anjaane: unknown; Deraa: stop, camp; andekhii: unseen; baahe.n: arms; ghernaa: to encircle, embrace; ujaalaa: light; andhheraa: darkness; jiinevaale: living soul;  aarzuu: desire; jalvaa: passion; mahfil: gathering; sa.nvaaranaa: to grace, adorn; ubhaarnaa: to intensify, accelerate; sadii: century; Thikaanaa: destination, address; shay: object;  fasaanaa: tale, story

Raaj Kumar beats up a salacious drunkard to protect Sadhana’s honor. With the right combination of handsome looks, sophisticated personality, and masculine brawn, he is a model example of the classic Bollywood stud.