Sarfaroshi Ki Tamanna Lyrics & Translation: Let’s Learn Urdu-Hindi

Manoj Kumar as Bhagat Singh in Shaheed 1965

Manoj Kumar shines as the revolutionist Bhagat Singh who was executed by the British in Shaheed (1965).

In honor of India’s 70th Independence Day celebrations, today we present the lyrics and English translation of “Sarfaroshi Ki Tamanna.” An Urdu ghazal written in 1921 by Bismal Azimabadi, “Sarfaroshi Ki Tamanna” became a battle cry of freedom fighters through the 1940s. The poem was adapted for the film Shaheed (1965) starring Manoj Kumar about the life of freedom fighter Bhagat Singh. Known popularly as Mr. Bharat, Manoj Kumar would go on to make a name for himself glorifying the traditional Indian way of life in other patriotic films like Upkar (1967) and Purab Aur Paschim (1970). In Shaheed, Manoj Kumar settles comfortably into his niche, earning the Best Feature Film award.

Revolutionist Ram Prasad Bismil is sometimes incorrectly attributed with having written the ghazal himself, made more confusing by being a writer himself and sharing part of his name with the real poet. Nonetheless, Bismil, along with many other freedom fighters, helped spread the poem’s popularity.

Prem Chopra as Sukhdev in Shaheed 1965

Prem Chopra breaks from his typecast as the urbane villain to portray freedom fighter Sukhdev Thapur in Shaheed (1965).

In Shaheed, “Sarfaroshi Ki Tamannaa” is sung by Mohammed Rafi, Manna Dey, Rajendra Mehta who lend their voices to the characters of freedom fighters Bhagat Singh, Sukhdev Thapur, and Shivaram Rajguru, who were hung for their roles in the Lahore Conspiracy case in 1929. Rich in Urdu ornamentation, “Sarfaroshi Ki Tamannaa” highlights the fighters willingness to die for their country while awaiting execution. The poem describes the gentle, courageous nature of the revolutionists who are proud to rise to the occasion demanded of them by history.

We hope you enjoy the lyrics and English translation of the elegiac ghazal “Sarfaroshi Ki Tamanna” below. Follow along here with the music video from the film, and for the Urdu-inclined, the complete original poem can be found here!

Sarfaroshi Ki Tamanna Lyrics and Translation:

Ek se kartaa nahii.N kyuu.N duusraa kuchh baat-chiit?
Why does no one make conversation with others?
Dekhtaa huu.N mai.N jise woh chhup terii mehfil mei.N hai
Whomever I see is silent in your company
Woh chhup terii mehfil mei.N hai…
They are silent in your company

Sarfaroshii kii tamannaa ab hamaare dil mei.N hai
The desire to sacrifice is now in my heart
Dekhnaa hai zor kitnaa baazu-e-qaatl mei.N hai
I shall see how much strength is in the arms of my assassin

Waqt aane par bataa de.Nge tujhe, O aasmaan
I will tell you when the time comes, O sky
Hum abhii se kyaa bataaye.N kyaa hamaare dil mei.N hai?
What can I tell you now of what is in my heart?
Kyaa humaare dil mei.N hai…
What is in my heart…
Sarfaroshii kii tamannaa ab hamaare dil mei.N hai
The desire to sacrifice is now in my heart

Khai.Nch kar laayii hai sab ko qatl hone kii ummiid
Everyone has been pulled here by the hope of becoming killed
Aashiqo.N kaa aaj jamghaT kuuchaa-e qaatl mei.N hai
A congregation of lovers is in the street of their murderers today
Kuuchaa-e qaatl mei.N hai
They are in the street of their murderers
Sarfaroshii kii tamannaa ab hamaare dil mei.N hai
The desire to sacrifice is now in my heart

Glossary:

baat-chiit karnaa: to make conversation, chit-chat; chhup: silent; mehfil: company, gathering; sarfaroshii: sacrifice [literally: cutting of the head]; tamannaa: desire; dil: heart; zor: strength; baazuu: arms; qaatl: murderer, assassin; waqt: time; aasmaan: sky; khai.Nchnaa: to pull; ummiid: hope; aashiq: lover; aaj: today; jamghat: congregation; kuuchaa: street

It would be remiss to discuss this beautiful Urdu poem and its meaning for Indian independence without an inclusion of its equally profound legacy in Pakistan. Let us never forget that the movements that would eventually separate Pakistan and India during the partition were once far weaker than the hopes that united Hindu and Muslim freedom fighters in brotherhood against the British Raj. The dark shadow of partition that marred the celebration of Independence for thousands in the summer of 1947 is a subject close to my heart that I discuss more here along with the tragic decline of Urdu in Bollywood films.

The real Bhagat Singh who lived from 1907 to 1931 (left), Manoj Kumar in the film Shaheed from 1965 (middle), and Shammi Kapoor (right) in the film Shaheed Bhagat Singh from 1963.

The real Bhagat Singh who lived from 1907 until his execution in 1931 (left), Manoj Kumar in the film Shaheed from 1965 (middle), and Shammi Kapoor (right) in the film Shaheed Bhagat Singh from 1963.

“Sarfaroshi Ki Tamanna” was also adapted for the more recent film The Legend of Bhagat Singh starring Ajay Devgan (2002). A charismatic young man whose terroristic methods clashed with the non-violence advocated by Mahatma Gandhi, Bhagat Singh has been the subject of numerous Bollywood films, including a portrayal by Shammi Kapoor in Shaheed Bhagat Singh (1963) and Sunny Deol in 23 March 1931: Shaheed (2002).

In Gandhi’s own words upon Bhagat Singh and his associates’ executions: “These heroes had conquered the fear of death. Let us bow to them a thousand times for their heroism. But we should not imitate their act. In our land of millions of destitute and crippled people, if we take to the practice of seeking justice through murder, there will be a terrifying situation. Our poor people will become victims of our atrocities. By making a dharma of violence, we shall be reaping the fruit of our own actions. Hence, though we praise the courage of these brave men, we should never countenance their activities. Our dharma is to swallow our anger, abide by the discipline of non-violence and carry out our duty.”

As we celebrate our freedoms today, we reflect on these moral dilemmas faced by the oppressed whose sacrifices spared us from knowing them.

-Mrs. 55

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Na Tu Zameen Ke Liye Lyrics and Translation: Let’s Learn Urdu-Hindi

Dilip Kumar Na Tu Zameen Ke Liye 5

Dilip Kumar is horrified to learn of his wife Bindu’s betrayal in Dastan (1972).

We now present the lyrics and English translation to the emotional Sahir Ludhianvi ghazalNa Tu Zameen Ke Liye” from Dastan (1972). Sung by Mohammed Rafi as the hero Dilip Kumar reels from the shock of discovering an affair between his wife Bindu and best friend Prem Chopra, “Na Tu Zameen Ke Liye” is a sympathetic voice in a world of disloyalty.

The true magic of the song comes from the lyrics from the pen of Sahir Ludhianvi–but you may be surprised to learn that this song is not entirely original! With the ghazal “Na Tu Zameen Ke Liye” Ludhianvi draws from the beautiful Sir Muhammed Iqbal (1877-1938) poem of the same name and contains the portending line:

Maqaam-e parvarish-e aah wa naalaa hai yeh chaman. Na sair-e gul ke liye hai, na aashiyaan ke liye.” [This garden is a place for you to sigh and see visions. It is neither for taking a leisurely stroll nor building a home.”]

Similarly, Ludhianvi’s lyrics warns the hero of the dangers lurking beneath the surface of circumstances too good to be true. “Na Tu Zameen Ke Liye” is a gleaming lotus of poetry that is well-worth the wait of an otherwise rather lackluster film. Thematically, the song is reminiscent of Ludhianvi’s earlier tragic poem, “Chalo Ek Baar Phir Se,” which carries the heavy burden of deception. Thrown from that garden of love into a world of disorder, “Na Tu Zameen Ke Liye” seeks clarity in an hazy, unforgiving world.

Dilip Kumar Na Tu Zameen Ke Liye 3

With tears and heartbreak, Dilip Kumar realizes his marriage is a sham in Dastan (1972). But I mean, your wife was played by Bindu…anyone could’ve seen that coming a mile away…

Check out the video of Dilip Kumar’s despair and follow along with our English translation of Sahir Ludhianvi’s gem “Na Tu Zameen Ke Liye” below!

Na Tu Zameen Ke Liye Lyrics and Translation:

Na tuu zameen ke liye hai na aasmaan ke liye
You belong to neither the earth nor the sky
Teraa wajuud hai ab sirf dastaan ke liye
Your existence belongs to legend alone

PalaTke suu-e chaman dekhne se kya hogaa?
What can be gained by looking back toward the garden of love?
Woh shaakh hii na rahii jo thii aashiyaa.N ke liye
For that branch no longer exists, which once belonged to your nest
Na tuu zameen ke liye hai na aasmaan ke liye
You belong to neither the earth nor the sky

Garaz-parast jahaa.N mei.N, wafaa talaash na kar
In this self-centered world, do not search for faithfulness
Yeh shaii banii thii kisii duusre jahaa.N ke liye
For such a thing was designed for a world other than our own
Teraa wajuud hai ab sirf dastaan ke liye
Your existence belongs to legend alone

Na tuu zameen ke liye hai na aasmaan ke liye
You belong to neither the earth nor the sky

Glossary:

zameen: earth; aasmaan: sky; waajuud: existence; sirf: only dastaan: story, legend; palaTnaa: to turn around; soo-e chaman: direction of the garden–a reference to Amir Khusrau ghazal 248 describing an idyllic garden of young lovers; shaakh: branch; aashiaa.N: dream house, nest; garaz-parast: self-centered, selfish; jahaa.N: world; wafaa: faithfulness, loyalty; talaash: search; shaaii: thing, object

Getting teary-eyed? Calm down, there’s a happy ending to this dastaan. Sharmila Tagore adroitly steps in as the patient lover who soothes a haggard Dilip Kumar’s broken heart. Frankly, could any man ask for more?!

Sharmila Tagore Dastaan

Sharmila Tagore selflessly hides her undying love for hero Dilip Kumar in Dastaan (1972).

This Sahir Ludhianvi ghazal was requested by loyal fan muskaan! Hope you enjoyed and keep those requests coming!

Mrs. 55