Hai Apna Dil To Awaara Lyrics and Translation: Let’s Learn Urdu-Hindi

Dev Anand croons “Hai Apna Dil To Awara” aboard a moving train in Solva Saal (1958).

You gotta love this song. Hemant Kumar, whose forte is usually deep soulful melodies, outshines everyone in this catchy classic. Dev Anand stars with the lovely Waheeda Rehman in 1958 quasi-noir Solva Saal, mostly memorable for this all-time hit “Hai Apna Dil To Awara” picturized on a train. What is it about Dev Anand and trains? “Jab Pyaar Kisi Se Hota Hai” is also sung on a moving train to a sulky heroine, although by that point, Dev had perfected the look and ventured outside the train’s window! But that’s another story.

Directed by the legendary Raj Khosla, the shining moments of Solva Saal are clearly the fruits of a brilliant collaboration. While somewhat obscure, the film delivers a high-paced plot with enough twists to keep you glued, but enough groans to make you want to immediately watch a more redeeming Dev-Waheeda film soon after (I strongly recommend Guide).

Drop-dead beautiful Waheeda Rehman plays a risk-taking jilted lover in Solva Saal (1958). Seriously, Waheeda. Stop being so gorgeous!!

The lyrics of this song, penned by Urdu maestro Majrooh Sultanpuri, are just plain and simple fun. In it, the hero personifies his own heart, speaking as if it were another being with a mind and will separate from his own. It’s so clear that Waheeda is having trouble keeping her mind on the awkward guy next to her she’s supposed to be eloping with!

For anyone more in the mood for melodrama, there’s also a “sad” version of this song just before the hero and heroine sort out their differences and live happily ever after. Until then, follow along with the youtube song of the happier classic, and enjoy our lyrics and translation to “Hai Apna Dil To Awara below!


Hai Apna Dil To Awara Lyrics and Translation

Hai apnaa dil to aawaaraa
My heart is a vagabond
Na jaane kis pe aayegaa
I wonder to whom he will take a liking

Haseeno.N ne bulaayaa, gale se bhii lagaayaa
Many beautiful women called me, they even embraced me
Bahut samjhayaa, yahii.N na samajhaa
They tried hard to explain, but my heart did not understand
Bahut bholaa hai bechaaraa
The poor thing is way too innocent
Na jaane kis pe aayegaa
I wonder to whom he will take a liking

Ajab hai diiwaanaa, na ghar na Thiikaanaa
My heart is a strange madman, he has no house and no abode
Zameen se begaanaa, falak se judaa
He has no roots with the Earth, he is distanced from Heaven
Yeh ek tuutaa huaa taaraa
He is a shooting star
Na jaane kis pe aayegaa
I wonder upon whom he will fall

Zamaanaa dekhaa saaraa, hai sab kaa sahaaraa
I have seen this whole world, I have everyone’s support
Yeh dil hii humaaraa, huaa na kisii kaa
Only this heart of mine never gave himself to anyone
Safar mei.N hai yeh banjaaraa
He is a gypsy on a journey
Na jaane kis pe aayegaa
I wonder to whom he will take a liking

Hua jo kabhii raazii, to milaa nahii.N qaazii
If he ever agreed to someone, no pandit could be found
Jahaa.N pe lagii baazii, wohii.N pe haaraa
Wherever he has taken a gamble, he lost
Zamaane bhar kaa naakaaraa
He is rejected by the whole world
Na jaane kis pe aayegaa
I wonder to whom he will take a liking


awaaraa: vagabond; bhola: innocent, pure; bechaaraa: poor thing; ajab: odd; diiwaanaa: madman (from love), ghar: house, Thikaanaa: abode, shelter; zameen: Earth; begaanaa: distanced, estranged; falak: sky, Heaven; tuutaa hua taaraa: a fallen star; sahaaraa: support; safar: journey; banjaaaraa: gypsy, nomads of North Indian origin; raazi: agreement, qaazi: a judge who in Islamic faith can legalize a marriage as witness; baazi: a gamble, a round of cards, haaraa: lose; naakaaraa: rejected

A brief note on the word “vagabond.” The somewhat arcane term is inevitably used across many sources to translate the Hindi word aawaara dating back to Raj Kapoor’s breakthrough film of the same name-so for posterity’s sake, I have translated it similarly. Still, I have never held that the word does justice to what aawaaraa is. Just to clarify, someone who is an aawaaraa is not necessarily a vagrant with all the connotations that come with the English usage—i.e. homeless, unemployed, etc. Aawaaraa, especially as it is commonly used poetically in Hindi films, is someone carefree, independently wandering and unwilling to be tied down. It’s a subtle, but pretty important distinction. I’m glad we’re all on the same page on this.

Waheeda Rehman pretends to be annoyed by Dev Anand’s playful song. Don’t be a such a party-pooper!

More importantly, does anyone else question the slightly awkward cheering and whoops that occur to punctuate this otherwise straightforward song? Listen carefully right during the interlude music just before the last stanza. I mean, can you imagine being a chamcha in S.D. Burman’s brainstorming session when someone decided this was a great idea? And furthermore, I don’t think that the voice is Hemant’s or Dev Anand’s doing the whooping. That means some random chamcha had to come in to the recording studio, put on the headphones, stand in front of an isolated mic, and make these wild sounds that S.D. Burman mixed lovingly into the track.

CHAMCHA: How was that, Boss?

BURMAN: Almost, almost. Right there, where it sounds like you’re having an esophageal hernia. Give me a little more of that kind of enthusiasm.

CHAMCHA: [whoops brains out]

BURMAN: Brilliant! That is precisely the touch that this composition needed. Aloo tikkis are on me tonight!

The whole thing just strikes me as trippy. Of course, we know R.D. Burman took those spastic noises to new heights in the decades following, so I guess we now know where it came from!

– Mrs. 55