Bina Roy, as Mumtaz Mahal, shys away from Pradeep Kumar in Taj Mahal (1963)
Today we discuss the lyrics and English translation of “paaon choo lene do” from the film Taj Mahal (1963). Lyricist Sahir Ludhianvi and music director Roshan both won Filmfare Awards for their work in Taj Mahal (1963), so it’s not surprising that we’ve decided to discuss a third song from this soundtrack here today (see our previous translations of “jurm-e-ulfat pe” and “khudaa-e-bartar“). “paa.nv chuu lene do” is a duet rendered by Lata Mangeshkar and Mohammed Rafi that was picturized on Bina Roy as Mumtaz Mahal and Pradeep Kumar as Shah Jahan in the film. While “jurm-e-ulfat pe” had some political undertones and “khudaa-e-bartar” was a pacifist statement against war, Sahir’s lyrics in this song from Taj Mahal are purely romantic. The male and female leads flirt back and forth using a savaal-javaab (question-response) structure that focuses on idealizing the heroine’s feet. The female foot has been fetishized in Indian culture and Bollywood cinema over the years, and perhaps the most notable example of this phenomenon occurs in Kamal Amrohi’s magnum opus, Pakeezah: Raaj Kumar is completely smitten after one glance at Meena Kumari’s delicate feet during a train ride.
Krishna decorates Radha’s feet with alta.
What are the origins of the Indian obsession with the foot? Part of this obsession can perhaps be attributed to the importance placed on foot worship in Hindu traditions. For instance, religious imagery in temples and paintings has depicted numerous examples of Krishna painting Radha’s feet or Lakshmi massaging Vishnu’s feet. Moreover, it is a tradition for women in North India to adorn their feet with a bright red dye called alta during marriages, dances, and religious festivals, like Durga Puja. In fact, during some weddings, brides step into a plate of alta before entering their in-law’s house and leave colored footsteps behind them as they walk. Finally, any child growing up in a Hindu household can attest to the fact that greeting one’s elders by touching their feet is an expected gesture of respect.
Regardless of how you feel about feet, you should definitely take a listen to this duet from Taj Mahal and follow along with our translation/glossary provided below. Indeed, Ludhianvi’s use of language here to highlight the contrast between the hero’s unabashed romantic desires and the heroine’s hesistant modesty is exquisite. As a final note, I just wanted to say that this song was requested by one of our readers Vasuki! We love receiving requests, so please let us know if there is a song you’d like translated, a movie you’d like reviewed, or any other topic you’d like discussed by leaving us a comment here or sending an e-mail to themrandmrs55@gmail.com. Enjoy!
–Mr. 55
The camera fetishizes Bina Roy’s feet in Taj Majal (1963)
Paaon Choo Lene Do Lyrics and Translation
Rafi: paa.nv chhuu lene do, phuulo.n ko inaayat hogii
Please let the flowers touch your feet, it will be favor of kindess to them.
varnaa ham ko nahii.n, inko bhii shikaayat hogii
Or else, not only I, but they too will protest.
Lata: aap jo phuul bichhaaye.n unhe.n ham Thukaraaye.n
As I reject the flowers that you have picked for me,
ham ko Dar hai ki yah tauhiin-e-muhabbat hogii
I fear that this will be an insult to love.
Rafi: dil kii bechain umango.n pe karam faramaao
Please have mercy on the restless yearnings of my heart.
itnaa ruk ruk ke chalogii to qayaamat hogii
If you walk toward me so hesitatingly, it will be a disaster.
Lata: sharm roke hai idhar, shauq udhar khii.nche hai
Modesty has held me back here, while desire has drawn me over there.
kyaa khabar thii kabhii is dil kii yah haalat hogii?
Who knew that my heart would ever be in such a state?
Rafi: sharm ghairo.n se huaa kartii hai apano.n se nahii.n
One should be modest in the presence of strangers, not with loved ones.
sharm ham se bhii karogii to musiibat hogii
If you shy away from me, there will be trouble.
paa.nv chhuu lene do, phuulo.n ko inaayat hogii
Please let the flowers touch your feet, it will be favor of kindess to them.
Glossary
inaayat: favor; varnaa: or else; shikaayat: complaint; Thukaranaa: to reject; tauhiin-e-muhabbat: insult to love; bechain: restless; umang: hope, yearning; karam faramanaa: to have mercy; ruk ruk ke: hesitatingly; qayaamat: disaster; sharm: modesty; shauq: eagerness, desire; haalat: state, condition; ghair: stranger; musiibat: trouble
Pradeep Kumar as Emperor Shah Jahan in Taj Mahal (1963)
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