We’ve compiled a montage of the best film shots from classic Bollywood movies that we feel exemplify the splendor, allure, and excitement of Hindi movies from the Golden Age. Consider these 50 beautiful film shots a glimpse through a keyhole into a much grander world of cinematographic sublimity: behold the magic of classic Bollywood.
This project was kindled in part by my reaction to everyone who’s ever told me, “I love Bollywood!” I get that a lot. Being a film production major who’s worked in the Hindi movie industry, I hear the phrase, “I love Bollywood!” several times a month—from classmates, friends, and random people at parties. Bollywood has become a trend all over the globe—every hipster worth their organic sea salt is familiar with the term, and many have even seen a Hindi film or two themselves. Except I don’t really ever know what to say in reply. It’s not because loving Bollywood isn’t exactly what I look for in new friends (because believe me, it is), but because I don’t understand what that phrase even means.
Let me put this in perspective. To me, this can be the equivalent of someone in rural Punjab who’s seen the Bourne trilogy saying, “I love Hollywood!”
Think about that. What does it mean to love “Hollywood”? Are you saying you love American filmmaking and its history? Celebrity gossip? Or do you really mean to say, “I love action flicks and Matt Damon?” Because Hollywood is not just big-budget androcentric action flicks (although they are a cool part of a big genre). Ryan Gosling kissing Rachel McAdams in the rain is Hollywood. Orsen Welles fighting a smear campaign for governor is Hollywood. Judy Garland singing over a rainbow is Hollywood. And Jack Nicholas running amok in an insane asylum is Hollywood. It’s rare to find someone who knows and loves it all.
So when you say, “I love Bollywood!” to me, as a true lover of all things Bollywood, I don’t know what you’re really referring to. Often people who haven’t had much exposure tend to generalize that elusive term Bollywood to mean “pretty costumes!” or “crazy dancing!” This perception applies just as much to Indians from India as to non-Indians anywhere else. Because Bollywood is not just the melodramatic musical with half-naked women and a loose masala plot that is often stereotyped. Bollywood is Guru Dutt searching the streets of urban decay for a glimmer of humanity. Bollywood is Meena Kumari dancing kathak upon shattered glass in sorrow. Bollywood is Amitabh Bachhan’s fist meeting the jaws of his twenty adversaries with a satisfying smack. And yes, Bollywood is Aishwarya Rai and Shah Rukh Khan in glittery costumes declaring love in the moonlight. I often yearn to somehow share all the magic of classic Hindi cinema that comes to my mind when I think of Bollywood, because it is a well-hidden treasure for so many of my generation.
Now before someone throws a fit, I get it. Not everyone has the time or interest to become heavily familiarized with Bombay’s film output since the 1930s. Nor should they. All I’m saying is, I wish more people were aware of what Bollywood truly encompasses. When you exclaim, “I love Bollywood!” there is a reason why I can’t bring myself to reply, “OMG, totes!” but instead want to fill your ear with my reverence of the cinematography in Kaagaz Ke Phool (1959). Simply tell me you loved the movie Kuch Kuch Hota Hai (1998) (because, seriously, who didn’t?), or that you thought Deepika Padukone’s outfits were beautiful in that one rom-com. Otherwise, we’ll both end up feeling awkward after I start on my spiel. Yes, I probably overthink this. Yes, most people probably don’t care one way or another. But I can’t imagine living a world without the enchantment of classic Bollywood films, and maybe there are people out there who would want in, if they only knew what they’re missing.
So this montage is the reply I wish I could give everyone, but I cannot articulate–a reply that must be seen to be believed. Because when I respond, “Really? I love Bollywood too!” this is what comes to my mind. This montage is why I love Bollywood. I hope that by watching these shots, you can get a peek into that hypnotizing world yourself, and that you’ll crave more. I hope that this might be a chance to understand that Bollywood is far richer, far more complex, and far more evocative than can be summed up by mere words or by viewing a single film.
Therefore, don’t just take my word for it. Watch the 50 Film Shots That Will Make You Believe in the Magic of Classic Bollywood, and I’ll bet that somewhere deep inside your heart, something faintly stirs in a way you never knew possible. And afterwards, I recommend starting with any of the movies that made our list of the Top 30 Greatest Classic Bollywood Films of All Time. I’ll get off my soap box now. Back to translating obscure old songs where I belong. But send us a comment if this montage resonates with you, and share it with anyone who may have never experienced the wonder of the films to which it pays homage.
Just don’t even get me started on Slumdog Millionaire.
– Mrs. 55
An aged Nargis remembers the trials of her youth in the final shot of the Academy Award-nominated film Mother India (1957).
As a reference, the corresponding films to our 50 selected shots are below. The music playing during the montage is the “Title Music” from Pakeezah (1972).
50 Shots’ Film Names (in order of appearance):
- Bandini (1963)
- Kaagaz Ke Phool (1959)
- Pakeezah (1972)
- Aradhana (1969)
- Bombai Ka Babu (1960)
- Kohra (1964)
- Mother India (1957)
- Guide (1965)
- Shree 420 (1955)
- Sangam (1964)
- Mughal-e-Azam (1960)
- Chinatown (1962)
- Caravan (1971)
- Shree 420 (1955)
- Shree 420 (1955)
- Sholay (1975)
- Kaagaz Ke Phool (1959)
- Pakeezah (1972)
- Pakeezah (1972)
- Pyaasa (1957)
- Bombai Ka Babu (1960)
- Umrao Jaan (1981)
- Woh Kaun Thi? (1964)
- Mehboob Ki Mehndi (1971)
- Jab Jab Phool Khile (1965)
- Aradhana (1969)
- Khamoshi (1970)
- Mughal-e-Azam (1960)
- Mughal-e-Azam (1960)
- Woh Kaun Thi? (1964)
- Mother India (1957)
- Kaagaz Ke Phool (1959)
- Guide (1965)
- Andaz (1949)
- Mughal-e-Azam (1960)
- Aradhana (1969)
- Pakeezah (1972)
- Jewel Thief (1967)
- Aan Milo Sajna (1970)
- Anand (1971)
- Kaagaz Ke Phool (1959)
- Awaara (1951)
- Amar, Akbar, Anthony (1977)
- Do Raaste (1969)
- Kaagaz Ke Phool (1959)
- Awaara (1951)
- Sholay (1975)
- Baazi (1951)
- Woh Kaun Thi? (1964)
- Mother India (1957)
Mr. & Mrs. 55 - Classic Bollywood Revisited! 