Zindagi Kaisi Hai Paheli Lyrics and Translation: Let’s Learn Urdu-Hindi

14 Apr
Rajesh Khanna Anand Zindagi Kaisi Hai Paheli

Dangerously attractive Rajesh Khanna proves that real men wear lavender in Anand (1971).

Next we showcase the lyrics and English translation of “Zindagi Kaisi Hai Paheli” from the sentimental mega-hit Anand (1971). Diagnosed with terminal lymphosarcoma of the intestine, Rajesh Khanna is determined to raise the spirits of those around him. With a smile, he explains his philosophy to his bewildered physician, Amitabh Bachhan:

“Babumushai, zindagii badii honii chahiye, lambii nahii.N.” ["Babumushai, life should be big, not long."]

Brimming with rich symbolism from floating balloons to boatmen in the ocean, “Zindagi Kaisi Hai Paheli” explores the outlook of a man whose journey is approaching its destination. Rajesh Khanna give a tour de force performance as a character at peace with the mysteries of the world.

Rajesh Khanna gives out balloons at Juhu Beach

Rajesh Khanna buys out a lucky balloon-wala in “Zindagi Kaisi Hai Paheli” from Anand (1971).

The song begins with a distinctive, uplifting trumpet solo, establishing the tone. While other gorgeous songs of Anand such as “Kahin Door Jab Din” are sung by the gentle Mukesh, Manna Dey was chosen for “Zindagi Kaisi Hai Paheli.” Known better for his masterful Hindustani classical numbers of the 1960s, Manna Dey’s film career began to falter with the rise of Kishore Kumar’s heroic romantic vocals. But his popularity revived in the 70s with Anand when Rajesh Khanna himself asked music director Salil Chaudhary for a chance to lip-sync a Manna Dey song. As Manna Dey recalled in a 2012 interview,

“I loved the way he [Rajesh Khanna] picturised music. The success of a song depends upon how an actor picturises it. He was the number one in picturising songs. I will ever be indebted to him.”

We hope you enjoy the lyrics and English translation of “Zindagi Kaisi Hai Paheli” from Anand (1971). Follow along with the video here while reflecting on film lyricist Yogesh’s philosophical poetry!

Zindagi Kaisi Paheli Lyrics and Translation:

Zindagii kaisii hai pahelii, haaye!
Oh, what a riddle life is!
Kabhii to ha.Nsaaye kabhi yeh rulaaye
Sometimes it makes us laugh, sometimes it makes us cry

Kabhii dekho man nahii.N jaage, peechhe peechhe sapno.N ke bhaage
Sometimes the mind does not awaken, it chases dreams
Ek din sapno.N ka raahii chalaa jaaye sapno.N ke aage, kahaa.N?
One day that traveler of dreams will go beyond the dreams, but where?

Jin hone sajaaye yahaa.N mele sukh dukh sang-sang jhele
Those who bring people together, they experience joy and sorrow together
Wohii chunkar khaamoshii yuu.N chalii jaaye akele, kahaa.N?
Those same people choose silence and depart alone, but where?

Glossary:

zindagii: life; pahelii: riddle, puzzle; haaye: oh, sigh; ha.Nsaanaa: to make [someone] laugh; rulaanaa: to make [someone] cry; man: mind; jaagnaa: to awaken; peechhe: behind; bhaagnaa: to run; ek din: one day; sapnaa: dream; raahii: traveler; aage: ahead, future; melaa sajaanaa: to arrange a fair (literal), to bring people together; sukh: happiness; dukh: sadness; sang-sang: together; jhelnaa: to experience; chunnaa: to choose; khamoshii: silence; akelaa: alone

Juhu Beach Rajesh Khanna Zindagi Kaisi Hai Paheli Anand

“Zindagi Kaisi Hai Paheli” was famously filmed at suburban Bombay’s Juhu Beach, made even more gorgeous by the delicate silhouette of Rajesh Khanna against the shoreline.

It’s hard to believe we lost a legend like Manna Dey 6 months ago, a little more than a year after losing Rajesh Khanna. The singer was 95 years old. This beautiful tribute to those dream chasers we wish were with us, “Zindagi Kaisi Hai Paheli,” was requested by fan Ajay.

-Mrs. 55

Tere Mere Milan Ki Lyrics and Translation: Let’s Learn Urdu-Hindi

2 Apr
tere mere milan jaya amitabh abhiman

In the famous climax of Abhimaan (1973), Jaya Bhaduri and Amitabh Bachhan reunite on-stage for an emotional rendition of “Tere Mere Milan Ki.”

Today we showcase the lyrics and full English translation of “Tere Mere Milan Ki” from the 1973 hit film Abhimaan. Based loosely on the life of famous playback singer Kishore Kumar and his first wife, Ruma Ghosh, the film centers around a talented newlywed couple whose marriage is threatened by professional jealousy. When high-rolling pop singer Amitabh Bacchan marries innocent country girl Jaya Bhaduri, her newly-discovered musical prowess steals his limelight with alarming disharmony.

The show-stopping number “Tere Mere Milan Ki” is a song of reconciliation in the film’s finale. Flowing with tenderness and hope, the enchanting duet gives Amitabh Bacchan and Jaya Bhaduri another chance to love each other. Is their marriage worth saving? Read more about the film’s story and behind-the-scenes gossip in our earlier review of Abhimaan!

Amitabh Bachan abhiman tere mere milan

Amitabh Bachhan humbly begins his performance alone and ashamed in Abhimaan (1973).

Rightfully earning S.D. Burman the 1973 Filmfare Award for Best Music Director, “Tere Mere Milan Ki” is a classic example of Rabindra-sangeet in Bollywood. The song dazzles with Majrooh Sultanpuri’s poetic nuances, a metaphorical glimpse into the creation of a family. He describes the lover’s eyes as “chanchal,” which can mean playful, but also implies something that does not remain in one spot, a certain liveliness in spirit. With every “dekho na,” he directs that gaze back toward the night of their union, while she looks toward what lies ahead and the family they will begin together.

Jaya Bahaduri tere mere milan abhiman

Jaya Bhaduri mourns her miscarried child backstage of her husband’s performance in Abhimaan (1973).

For me, this song has always glowed. Lata Mangeshkar’s voice resonates after the opening stanza like an angel descending from heaven. But it was only after seeing the film that I realized the heroine of the story had recently suffered a miscarriage. Thus the lines “nanhaa sa gul khilegaa a.Nganaa” are more than a hope for the future, but a true reflection of their family’s dream deferred. The entire song changed its meaning for me, and became if possible, even more poignant.

We hope you enjoy our English translation and lyrics to “Tere Mere Milan Ki” from Abhimaan (1973) below! Follow along with the video here.

Tere Mere Milan Ki Yeh Raina Lyrics and Translation:

Male:
Tere mere milan kii yeh rainaa
On the night of your and my union
Nayaa koi gul khilaayegi
A new rose will bloom
Tabhi to chanchal hai tere naina
That is why your eyes are playful
Dekho na! Dekho na, tere mere milan kii yeh rainaa
Look! Look at the night of your and my union

Female:
Nanha sa gul khilegaa a.Nganaa
A small rose will bloom upon our balcony
Suunii baiyaa sajegii, sajnaa
She will decorate my lonely arms, beloved
Male:
Jaise khele chandaa baadal mei.N
Just as the moon plays with the clouds
Khelegaa woh tere aa.Nchal mei.N
She will play in the folds of your saari
Female:
Chandaniyaa gungunaayegi
The rays of the moon will sing
Tabhi to chanchal hai tere naina
That is why your eyes are playful
Dekho na! Dekho na, tere mere milan kii yeh rainaa
Look! Look at the night of your and my union

Male:
Tujhe thaame kaii hatho.N se
I will hold your hand many times
Miluu.Nga madbharii raato.N mei.N
I will meet you many intoxicating nights
Female:
Jagaake aansuunii si dhaDkan
By awakening this unfamiliar heartbeat
Balamwaa, bhar duu.Ngii teraa man
My beloved, I will fill your soul
Male:
Nayii adaa se sataayegii
With a new style you will torment me
Tabhi to chanchal hai tere naina
That is why your eyes are playful
Dekho na! Dekho na, tere mere milan kii yeh rainaa
Look! Look at the night of your and my union

Both:
Nayaa koi gul khilaayegi
A new rose will bloom
Tabhi to chanchal hai tere naina
That is why your eyes are playful
Dekho na! Dekho na, tere mere milan kii yeh rainaa
Look! Look at the night of your and my union

Glossary:

milan: meeting, union; rainaa: night; gul: rose; tabhi: this is why, hence; chanchal: restless, playful; nainaa: eyes; nanhaa: little, tiny; a.Nganaa: balcony; suunii: lonely; baiyaa: arms; sajnaa [verb]: to decorate; sajnaa [noun]: darling, beloved; chandaa: moon; baadal: clouds; aa.Nchal: the end of a saari (pallu) or dupatta; chandan: silver, rays of the moon; gungunaanaa: to hum, to sing; haath thaamnaa: to hold hands; madbharii: filled with intoxication; jagaanaa: to wake up; aansuunii: unfamiliar, unheard; dhaDkan: heartbeat; balamwaa: lover; man: soul, heart; adaa: style; sataanaa: to torment

Amitabh comforts Jaya tere mere milan abhiman

Art mimics life as Amitabh Bachhan comforts Jaya Bhaduri in “Tere Mere Milan Ki” from Abhimaan (1973).

This lovely Lata-Kishore duet was requested by fan Dilip! Thank you for the beautiful request! For more songs from Abhimaan, check out our earlier post on the lovely Rafi-Lata duet “Teri Bindiya Re.”

- Mrs. 55

The Top 30 Greatest Classic Bollywood Films of All Time

4 Mar

The top 30 greatest classic Bollywood films have been selected. Which films made the list of Bollywood’s best?

Greatest Bollywood Films of All Time Guru Dutt Waheeda Rehman

Introduction

Mr. and Mrs. 55 – Classic Bollywood Revisited! at last present our definitive list of the Bollywood classics you absolutely must see before you die. Hundreds of films were scored and ranked across multiple dimensions of Bollywood cinema including: story, direction, performances, musical composition, as well as cultural impact and legacy. We included Hindi-language films made between the period of 1949-1979 on our list of the best classic Bollywood films ever made. Some on the list are beloved favorites of the industry, while others may surprise you.

Among the winners are directors Guru Dutt, Bimal Roy and Raj Kapoor–names synonymous with masterpiece Indian cinema–each with multiple films among Bollywood’s all-time greatest. Always wondered why a couple of young Harvard students like us love old Indian films so passionately? No matter what you think you know about Bollywood, the movies on this list will change your understanding of Indian films like never before. From village epics that grapple with our national identity to the nostalgic poetry of sudden disillusionment, classic Bollywood films transport us from the enchanting glamour of Bombay nightlife to the majestic gardens of Kashmir. They carry our souls through hardship and loss and revive our spirits with redemption.

This is cinema the way it was meant to be. This is classic Bollywood.

The top 30 Films from 30 years of classic Hindi cinema (1949-1979):

1. Pyaasa

Pyaasa Guru Dutt

Guru Dutt, 1957

Pyaasa, or “thirst,”is the story of one man’s search for compassion in the cold cynicism of post-independence Indian society. Vijay is an unpublished poet, dismissed by his own family and scorned by socialites and his colleagues. After befriending a prostitute who shelters him, Vijay is believed dead and his poetry “posthumously” lionized. He becomes an overnight sensation, mourned by fans across the country, and the true Vijay is labeled an imposter. India entered its golden age of filmmaking in the 1950s when its long-awaited freedom from England and the hopes of a new government created a social tinderbox of great expectations and disillusionment. Pioneering the technique of utilizing song lyrics as direct extensions of the film’s dialogue, Guru Dutt as the writer-producer-director-star paints a stirring portrait of the commodification of humanity.

2. Mughal-e-Azam

Mughal-e Azam K. Asif

Karimuddin Asif, 1961

At the turn of the 17th century, Prince Salim falls in love with the court dancer Anarkali and wages war against his own father, Emperor Akbar, in order to marry her. Director K. Asif’s enormous cast, opulent sets, intricately designed costumes and extravagantly staged battle scenes made the film the most expensive ever produced in India at the time. But despite of all the grandeur, the film has a warm heart, and the dangers of the romance between Salim and Anarkali are infused into each glance they share. Although the love story is the backbone of the film, it is Emperor Akbar, from whom the film derives its name (“the Great Mughal”), who takes center stage as he is torn between love for his only son and the unforgiving demands of the Mughal Empire. Every line of dialogue is written with the ornamentation of poetry, casting an elegance to Mughal-e Azam‘s thunderous power.

3. Pakeezah

Pakeezah Kamal Amrohi

Kamal Amrohi, 1971

In the grandeur of Muslim Lucknow at the turn of the century, Pakeezah is a courtesan and dancer who dreams of leaving her life behind when a stranger falls in love with her in a train compartment, not knowing her true profession. With swirling romanticism and languid, dream-like cinematography, Pakeezah instantly became one of the most extraordinary musicals ever made. Perfectionist director Kamal Amrohi, who also wrote the script and some of the lyrics, effectively transports the viewer into a wistful age of bygone formality and luxury. Each of Pakeezah‘s popular semi-classical songs illustrates the duality of a courtesan’s poetry, at once glamorizing the elaborate rituals of love and destroying the institutions that upheld them.

4. Mother India

Mother India Mehboob Khan

Mehboob Khan, 1957

With tragedy strikes her family, newlywed village belle Radha is determined to weather a crucible of social and personal adversities without compromising her honor, reinventing herself as a heavy-handed symbol of India’s own pride as an ancient culture and a new democracy. A defining film in the history of Bollywood, director Mehboob Khan’s iconic Mother India set the pattern for the more than 60 years of Bollywood film that followed it. A mythologization of traditional values and an homage to the beauty of Indian heritage, Mother India‘s unabashedly epic glorification of self-sacrifice and female empowerment was nominated for the Academy Award for Best Foreign Film in 1958.

5. Guide

Guide Vijay Anand

Vijay Anand, 1965

A corrupt businessman is transformed into a spiritual guide after a misunderstanding that leads to his idolization by a village besieged by drought. Based on the R.K. Narayan novel of the same name and bolstered by a stunning soundtrack, Guide explores a fundamental Vedic transformation from materialism to a release from worldly attachments in an extremely unlikely hero. A scandalous love story settles into the background as director Vijay Anand boldly deconstructs social taboos, from adultery and non-traditional gender roles to religious corruption, in a film that stirringly evolves into a philosophical awakening greater than the circumstances it portrays–a brilliant reflection of the double entendre intended by its title.

6. Kaaghaz Ke Phool

Kaagaz Ke Phool Guru Dutt

Guru Dutt, 1959

In the 1950s at the height of India’s golden age of film-making, a celebrated movie director feels uninspired by the tinsel-lined glitz of studio era Bollywood. When he discovers a new actress, innocent to the corruption of the industry, he believes he has found a muse to ease his restlessness. A elegiac behind-the-scenes film about film-making, Kaaghaz Ke Phool became a cult classic following the eerie semi-autobiographical death of its director Guru Dutt. Trapped in a world of pretense, Guru Dutt illustrates a kind of yearning that softly and slowly erodes the soul–a desperate hunt for a human connection. The real triumph is in the film’s stunning camerawork, gracefully gliding through the empty studio sets like a beautiful spectre of Dutt’s own shattered desires.

7. Awaara

Awaara Raj Kapoor

Raj Kapoor, 1951

A female lawyer is determined to prove her lover’s innocence in a murder attempt on the life of a respected judge. Structured in medias res, the film’s flashback reveals the injustice of her lover’s past when the very judge who condemns him proves to be his own father: a man who threw his wife onto the streets when he believed a criminal had raped her. Echoing the dark lessons of the ancient Ramayana, Awaara shatters the nature versus nurture debate with a showman’s flair and surrealist fantasy, including the film’s legendary dream sequence evoking a descent into Hell. Awaara launched Raj Kapoor’s famous Chaplin-esque hero for the first time, who resonated immensely across the Soviet Union and Communist China as the voice of a new generation.

8. Sahib, Bibi, Aur Ghulam

Sahib Biwi Aur Ghulam Guru Dutt

Guru Dutt/Abrar Alvi, 1962

Desperate to save her marriage, the younger daughter-in-law of a wealthy family sacrifices her moral boundaries to win over her alcoholic husband. A nostalgic glimpse into the decaying Bengali feudal system, Sahib, Bibi, Aur Ghulam unravels a dazzling murder mystery at the heart of its progressive view of societal redemption. Seen from the perspective of a young factory worker lured into a stately mansion as an ally of its young mistress, Sahib, Bibi, Aur Ghulam hauntingly opens the doors to the hollowness of exterior splendor. Spiraling against her will with the collapse of Calcutta’s landed aristocracy, Meena Kumari’s portrayal of the tormented wife is forever considered among the most magnificent on-screen performances of Bollywood history.

9. Aradhana

Aradhana Shakti Samanta

Shakti Samanta, 1971

When her lover dies at war, an unwed mother gives up her son up for adoption, vowing to watch over him in secrecy as he grows up in the house of another. Her poignant worship, or aradhana, of her dead fiancé and their son became immortalized in the Indian cinematic psyche as an audacious struggle of traditional society confronted by changing modern values. Boasting one of the all-time greatest soundtracks of Indian cinema, Aradhana epitomizes the versatility and creativity of the era’s leading music directors. From the youthful joy of “Mere Sapno Ki Rani” to the grim Bardic undertones of “Safal Hogi Teri Aradhana” to the notoriously seductive “Roop Tera Mastana,” the film is as much remembered for its luminous performances as for exemplifying the golden age of Bollywood music.

10. Do Bigha Zameen

Do Bigha Zameen Bimal Roy

Bimal Roy, 1953

A farming family fights to save their ancestral land from a cunning mill owner. Do Bigha Zameen follows the father and son’s trip to Calcutta from their idyllic village to earn enough money to pay their debts–only to discover the miseries of urban poverty instead. Inspired by the work of Italian neorealism, Do Bigha Zameen pioneered early parallel cinema with a deliberate attention to the “everyday,” and the feeling of an invisible, unhurried camera whose shots and mis-en-scene are both carefully constructed and effortlessly fluid. Directed by Bengali auteur Bimal Roy, the film’s nationalistic electricity hit a broader audience, becoming the first Indian film to win the Prix Internationale at the 1954 Cannes Film Festival.

11. Bandini

bandini bimal roy

Bimal Roy, 1963

During the British Raj of the 1930s, a prison-doctor falls in love with a convict who reveals the story of her tumultuous connection to a freedom fighter.

12. Madhumati

Madhumati Bimal roy

Bimal Roy, 1958

On a rainy night, a man enters an abandoned mansion where he is confronted by unfulfilled visions of his past life.

13. Shree 420

Shree 420 Raj Kapoor

Raj Kapoor, 1955

A country boy travels to Bombay to make his fortune where he is lured from the path of virtue into a thrilling life of deceit.

14. Sholay

sholay ramesh sippy

Ramesh Sippy, 1975

After his family is murdered by a notorious bandit, a former police officer enlists the help of two outlaws to capture him.

15. Ankur

shyam benegal Ankur

Shyam Benegal, 1974

The social hierarchies of rural India are disrupted when a landowner begins an affair with a poor farmer’s wife.

16. Hum Dono

Hum Dono vijay anand

Amarjeet, Vijay Anand (1961)

After returning from war, a soldier begins to lead a double-life when his doppelgänger’s family welcomes him home.

17. Barsaat (1949)

Barsaat raj kapoor

Raj Kapoor, 1949

Two men with different ideals of love search for answers with the coming of the monsoons.

18. Amar Akbar Anthony

Amar Akbar Anthony manmohan desai

Manmohan Desai, 1977

Three brothers are separated in childhood and eventually unite after one is brought up a Christian, the next a Hindu, and the last a Muslim.

19. Anand

Anand hrishikesh mukherjee

Hrishikesh Mukherjee, 1971

A doctor recounts the story of a terminally ill man who wishes to his live life to the fullest and spread happiness to those around him.

20. Haqeeqat

Haqeeqat chetan anand

Chetan Anand, 1964

A platoon of Indian soldiers leave their homes and loved ones to encounter the harsh realities of battle in the Ind0-China War of 1962.

21. Don

Don 1978 chandra barot

Chandra Barot, 1978

A simpleton is trained to infiltrate the underworld by impersonating a criminal leader who has been killed in a police chase.

22. Mahal

Mahal kamal amrohi

Kamal Amrohi, 1949

A young lawyer is haunted by a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

23. Sangam

Sangam raj kapoor

Raj Kapoor, 1964

An Indian Air Force Officer leaves for the Kashmiri front, entrusting his wife to the care of his best friend who has secretly always loved her.

24. Dosti

Dosti satyen bose

Satyen Bose, 1964

A penniless orphan makes the unexpected friendship of a blind boy who teaches him survival on the streets of Bombay.

25. Waqt

Waqt yash chopra

Yash Chopra, 1965

Natural disaster separates the members of a close-knit family who re-connect in a series of dramatic entanglements years later.

26. Deewar

Deewar yash chopra

Yash Chopra, 1975

A mother attempts to reunite her two estranged sons: one, a leading criminal of the underworld, and the other, an uprighteous young policeman.

27. Kati Patang

Kati Patang shakti samanta

Shakti Samanta, 1970

As a promise to raise the child of her dying friend, a young woman risks starting a new life under a false identity.

28. Aandhi

Aandhi gulzar

Gulzar, 1975

A powerful politician struggles to reconcile her position with secrets from her past.

29. Purab Aur Paschim

Purab Aur Paschim major kumar

Manoj Kumar, 1970

East clashes with West when a traditional Indian student encounters swinging London society for the first time.

30. Bombai Ka Babu

Bombai Ka Babu Raj Khosla

Raj Khosla, 1960

A small-time thief is forced into a deadly web of deception when he gains the trust of his victim’s family.

Read more about these and other classic Bollywood films on our film pages! Which films do you consider among classic Bollywood’s all-time best and why? Leave us a comment and let us know!

- Mrs. 55

Jo Wada Kiya Woh Nibhana Padega Lyrics and Translation: Let’s Learn Urdu-Hindi

14 Feb
PK BR

The eternal love story of emperor Shah Jahan and Mumtaz Mahal is presented in Taj Mahal (1963)

In the spirit of Valentine’s Day 2014, we continue our series on Taj Mahal (1963) with the lyrics and English translation to the film’s most popular song: jo vaadaa kiyaaFor our previous posts on this film, please see our translations of khudaa-e-bartar, jurm-e-ulfat pe, and paa.nv chhuu lene do.

As its name suggests, Taj Mahal (1963) directed by M. Sadiq tells one of the greatest love stories in India’s history: how Mughal emperor Shah Jahan (played by Pradeep Kumar) fell in love with his (third!) wife Mumtaz Mahal a.k.a Arjumand Banu Begum (played by Bina Rai) and eventually built the Taj Mahal in her memory following her demise. While the film’s historical — yet often fictional — narrative earned commercial success and critical acclaim, it is mostly remembered today for its soundtrack composed by Roshan and penned by Sahir Ludhianvi.

It is no surprise that this immortal duet sung by Lata Mangeshkar and Mohammed Rafi earned the well-deserved #1 position in Binaca Geet Mala for the year of 1963. In fact, this song was played for so long on Binaca Geet Mala that the program had to change its rules regarding the maximum number of weeks that a single song could be featured on the list! Ever since, this blockbuster song, tuned to Raga Pahadi, has remained an all-time romantic favorite in Hindi cinema. Although some may consider its charm to be hampered by overexposure, even the most diehard fans may be surprised to learn that this song has two additional versions featuring lyrics that differ from those in the song’s most popular version. Among the three renditions found in the film, my personal favorite is the “sad” version (transcribed as Version 2 below).  I mean, how could you not love that beautiful Lata alaap played as Bina Rai’s spirit descends from the Moon to meet Pradeep Kumar?

Will the romance of this song be enough to charm your sweetheart on Valentine’s Day this year? Share this poetry with that special someone and you’re guaranteed to score some major points from him or her today! Until next time…

-Mr. 55
PK

Pradeep Kumar exudes a regal aura as he plays Shah Jahan in Taj Mahal (1963).

Jo Wada Kiya Woh Nibhana Padega (Version 1): Lyrics and Translation

jo vaadaa kiyaa vah nibhaanaa paDegaa
You must fulfill the promise that you made.
roke zamaanaa chaahe, roke khudaayii
Should society or divinity attempt to stop you,
tum ko aanaa paDegaa
you must still come to me. 

tarastii nigaaho.n ne aavaaz dii hai
My pining eyes have called out to you.
muhabbat kii raaho.n ne aavaaz dii hai
The paths of love have called out to you.
jaan-e-hayaa, jaan-e-adaa, chhoDo tarsaana
Oh beloved, please stop tormenting me.
tum ko aanaa paDegaa
You must come to me.
jo vaadaa kiyaa vah nibhaanaa paDegaa
You must fulfill the promise that you made.

yah maanaa hame.n jaa.n se jaanaa paDegaa
I accept that I must leave this life.
par yah samajh lo tum ne jab bhii pukaaraa
But understand this: whenever you call out to me,
ham ko aanaa paDegaa
I must come to you.
jo vaadaa kiyaa vah nibhaanaa paDegaa
I must fulfill the promise that I made. 

ham apnii vafaa pe na ilzaam le.nge
I will not tolerate accusations concerning my fidelity. 
tumhe.n dil diyaa hai, tumhe.n jaa.n bhii de.nge
I have given you my heart, and I can offer you my life too. 
jab ishq kaa saudaa kiyaa, phir kyaa ghabraanaa?
When I have already bargained with love, what is there to fear?
ham ko aanaa paDegaa
I must come to you.
jo vaadaa kiyaa vah nibhaanaa paDegaa
I must fulfill the promise that I made.

chamakte hai.n jab tak yah chaa.nd aur taare.n
As long as the Moon and stars continue to shine,
na TuuTe.nge ahd-o-paimaa.n hamaare
our promises and pledges will not be broken.
ek-duusraa jab de sadaa hoke diivaanaa
When one of us calls the other in the pangs of love,
ham ko aanaa paDegaa
we must come to each other.
jo vaadaa kiyaa vah nibhaanaa paDegaa
We must fulfill the promise that we made.

Moon

Bina Rai’s spirit descends from the heavens to come meet Pradeep Kumar in his old age in Taj Mahal (1963).

Jo Wada Kiya Woh Nibhana Padega (Version 2): Lyrics and Translation

jo vaadaa kiyaa vah nibhaanaa paDegaa
You must fulfill the promise that you made. 
roke zamaanaa chaahe, roke khudaayii
Should society or divinity attempt to stop you,
tum ko aanaa paDegaa
you must still come to me.

sabhii ahal-e-duniyaa yah kahte hai.n ham se
All the people of the world tell me that
ki aataa nahii.n hai koi muD ke adam se
no one returns from the next world.
aaj zaraa shaan-e-vafaa dekhe zamaanaa
Today, let this world see the splendor of faithfulness.
tum ko aanaa paDegaa
You must come to me. 
jo vaadaa kiyaa vah nibhaanaa paDegaa
You must fulfill the promise that you made.

yah maanaa hame.n jaa.n se jaanaa paDegaa
I accept that I must leave this life.
par yah samajh lo tum ne jab bhii pukaaraa
Yet, understand this: whenever you call out to me,
ham ko aanaa paDegaa
I must come to you.
jo vaadaa kiyaa vah nibhaanaa paDegaa
I must fulfill the promise that I made.

ham aate rahe hai.n, ham aate rahe.nge
I have been coming to you, and I will continue to do so eternally.
muhabbat kii rasme.n nibhaate rahe.nge
I will continue to fulfill the duties of love.
jaan-e-vafaa, tum do sadaa phir kyaa Thikanaa?
Oh beloved, at which dwelling shall we meet when you call? 
ham ko aanaa paDegaa
I must come to you. 
jo vaadaa kiyaa vah nibhaanaa paDegaa
I must fulfill the promise that I made. 

BR

Bina Rai stars as the elegant Mumtaz Mahal a.k.a Arjumand Banu Begum.

Jo Wada Kiya Woh Nibhana Padega (Version 3): Lyrics and Translation

jo vaadaa kiyaa vah nibhaanaa paDegaa
You must fulfill the promise that you made. 
roke zamaanaa chaahe, roke khudaayii
Should society or divinity attempt to stop you,
tum ko aanaa paDegaa
you must still come to me.

yah maanaa hame.n jaa.n se jaanaa paDegaa
I accept that I must leave this life.
par yah samajh lo tum ne jab bhii pukaaraa
Yet, understand this: whenever you call out to me,
ham ko aanaa paDegaa
I must come to you.
jo vaadaa kiyaa vah nibhaanaa paDegaa
I must fulfill the promise that I made to you.

hamarii kahaanii tumhaaraa fasaanaa
My story and your tale
hameshaa hameshaa kahegaa zamaanaa
will be narrated eternally by the world.
kaisii balaa kaisii sazaa, ham ko hai aanaa
Whatever misfortune or punishment falls upon me, I must come.
ham ko aanaa paDegaa
I must come to you.
jo vaadaa kiyaa vah nibhaanaa paDegaa
I must fulfill the promise that I made.

jo vaadaa kiyaa vah nibhaanaa paDegaa
You must fulfill the promise that you made.
roke zamaanaa chaahe, roke khudaayii
Should society or divinity attempt to stop you,
tum ko aanaa paDegaa
you must still come to me.

*Female lines in red are sung by Lata Mangeshkar. Male lines in green are sung by Mohammed Rafi. Lines in black are sung together by Lata Mangeshkar and Mohammed Rafi.  

Glossary

vaadaa nibhaanaa: to fulfill a promise; roknaa: to stop; zamaanaa: society, world; khudaayii: divinity; tarasnaa: to pine; nigaah: eyes; aavaaz denaa: to call out; muhabbat: love; raah: path; jaan-e-hayaa: beloved; jaan-e-adaa: beloved; tarsaanaa: to torment; maanna: to accept; jaha.n: world; samajh lenaa: to understand; pukaarnaa: to call out; vafaa: fidelity, faithfulness; ilzaam: accusations; ishq; love; saudaa karnaa: to bargain; ghabraanaa: to fear; chamaknaa: to shine;  TuuTnaa: to break; ahd-o-paimaa.n: promises and pledges; sadaa denaa: to call; diivaanaa: mad, crazy in love; ahal-e-duniyaa: people of the world; muD ke aanaa: to return; adam: non-existence, the next world; shaan-e-vafaa: splendor of faithfulness; rasm: duty, rule; jaan-e-vafaa: beloved; Thikaanaa: dwelling, place; kahaanii: story; fasaanaa: tale; hameshaa: always, eternally; balaa: misfortune, calamity; sazaa: punishment.

PK BR

Pradeep Kumar and Bina Rai remain united in love through both life and death in Taj Mahal (1963).

Shokh Nazar Ki Bijliyan Lyrics and Translation: Let’s Learn Urdu-Hindi

9 Feb
Manoj Kumar Shokh Nazar Ki Woh Kaun Thi ice skating

Looking extra-special in a French beret, Manoj Kumar goes for a spin on the ice in “Woh Kaun Thi” (1964).

Today we present the lyrics and English translation to the playful wintertime number “Shokh Nazar Ki Bijliyaan” in honor of the Winter Olympics 2014 figure skating competition! My life goes on temporary hold when the Winter Olympics rolls around. I always root vehemently for Team USA, especially in my favorite of all Olympic competitions: Women’s Figure Skating! Have you ever asked why India never participates in figure skating? Today’s showcased song “Shokh Nazar Ki Bijliyan” will prove that it’s not because India lacks talent!

After suffering a series of severe shocks as the hero of Woh Kaun Thi? (1964), Manoj Kumar takes a trip to Simla with his co-worker Praveen Chaudhary to forget his woes. Praveen Chaudhary, who is not-so-secretly in love with him, takes the opportunity to seduce her man with a pair of skates in a way no woman had dared before. Enter Bollywood On Ice!

Praveen Chaudhary Manoj Kumar Woh Kaun Thi ice skating

Praveen Chaudhary playfully pushes Manoj Kumar around the Simla Ice Skating Club in Woh Kaun Thi (1964).

After watching her B-grade flirtatious efforts in this song and comparing them to heroine Sadhana’s subtle performance in “Lag Ja Gale” from the same film, it’s easy to discern which lucky lady Manoj Kumar ultimately chooses. To drive the point home, did you further notice how Praveen is wearing a garish “Western” outfit while Sadhana consistently dresses in saaris? Manoj Kumar may be no Evgeni Plushenko, but his moves always seemed to get all the girls!

“Shokh Nazar Ki Bijliyan” was actually picturised on a famous ice-skating rink, the Simla Ice Skating Club, that is still popular in downtown Simla today! In fact, my own father fondly recalls his childhood in Simla, skating at this very rink where evidently they used to blast the gramophone record of Woh Kaun Thi through their speakers so the songs could be heard for miles around! My father also claims that the kid who adorably falls down in the middle of the song is none other than my own uncle, but this has been vehemently rebuked at many a family reunion.

random kids shokh nazar ki bijliyan woh kaun thi ice skating

Kid, if you ever stumble across this blog, write to us! Did you grow up to become a famous cardiothoracic surgeon? Are you a spoken word poet? Do you sell aloo-puri along the roads of Himachal Pradesh? I NEED TO KNOW what happened to you.

But enough chat. Join us in the spirit of the Winter Olympics with a little romantic ice-skating brought to you by Asha Bhonsle and music composer extraordinaire Madan Mohan. Watch the gold medal-worthy performance here, and follow along with our full English translation and lyrics to “Shokh Nazar Ki Bijliyaan” below!

Shokh Nazar Ki Bijliyaan Lyrics and English Translation:

Shokh nazar ki bijliyaa.N dil pe mere giraaye jaa
Let the lightening bolts of your mischievous glances fall upon my heart
Meraa na kuch khayaal kar, tu yuu.N hii muskuraaye jaa
Do not worry about me, you keep on smiling

Jaag uThii hai aarzuu jaise chiraagh jal paDe
My desire has arisen as if a lamp has been lit
Ab to wafaa ki raah pe hum tere saath chal paDe
Now I have stumbled upon the path of loyalty with you
Chaahe ha.Nsaaye jaa hame.N, chaahe hume.N rulaaye jaa
If you want, you can keep making me laugh or you can keep making me cry

Chain kahii.N kisii ghaDii aaye na tere bin mujhe
Without you, I find no peace anywhere at any moment
Kaash mai.N is jahaa.N se chhiin luu.N ek din tujhe
If only I could steal you away from this world one day
Main tere saath saath hoon, chahe nazar bachaaye jaa
I am by your side, even if you keep avoiding eye contact

Manzil-e ishq duur hai, duur hi bahut duur hai
The destination of our love is far away, very far away
Aa meraa haath thaam le, ruuh thakan se chuur hai
Come, take my hand, my spirit is broken by fatigue
Apne jahaa.N ko chhoD kar, mere jahaa.N pe chaaye jaa
Leave your world, and keep staying in mine

Glossary:

shokh: mischievous, playful; nazar: glance, eyes; bijli: lightening; dil: heart; giraanaa: to let fall; khayaal: thought: yuu.N hii: in this manner, like this; muskuraanaa: to smile; jaag uThnaa: to wake up, to arise; aarzuu: desire; chiraagh: lamp, flame; wafaa: loyalty, faith; raah: path; [kisii ke] saath: by [someone's] side, together; ha.Nsaanaa: to make laught; rulaanaa: to make cry; chain: peace of mind; ghaDii: moment; kaash: if only; jahaa.N: world; ek din: one day; manzil: destination; ishq: love; duur: far away; haath thaamnaa: to take [someone's] hand; ruuh: spirit, soul; thakan: exhaustion; chuur: broken

mrs 55 ice skating rockefeller center nyc

Practicing my triple Lutz at the Rockefeller Center ice skating rink in New York City!

ice skatin grockefeller center

Me and some of my roommates (soon to be bridesmaids!), holding up ice skating rink traffic.

You may notice that there’s a discrepancy between the lyrics of the version you see in the video and the ones you may hear on your audio version. Each one has a different second stanza! This comes back to an old sore point I’ve made before about how record companies short-changed Hindi film songs when making the final LP!

-Mrs. 55

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